{"id":16410,"date":"2015-02-21T02:59:15","date_gmt":"2015-02-21T01:59:15","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16410"},"modified":"2015-02-21T02:59:15","modified_gmt":"2015-02-21T01:59:15","slug":"crystal-balls","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/02\/21\/crystal-balls\/","title":{"rendered":"Crystal balls"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"crystal04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal04.jpg\" \/><\/p>\n<p><em>The Crystal Ball (c. 1900) by Robert Anning Bell.<\/em><\/p>\n<p>Crystal balls in art, film and the pulp magazines.<\/p>\n<p><img decoding=\"async\" alt=\"crystal05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal05.jpg\" \/><\/p>\n<p><em>The Crystal Ball (1902) by John William Waterhouse.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"crystal02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal02.jpg\" \/><\/p>\n<p><em>Alexander, Crystal Seer (1910).<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"crystal07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal07.jpg\" \/><\/p>\n<p><em>Theda Bara as Salom\u00e9 (1918) by Gordon Edwards.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"crystal08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal08.jpg\" \/><\/p>\n<p><em>The Crystal Ball (1931) by Jacques-Henri Lartigue.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"crystal06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal06.jpg\" \/><\/p>\n<p><em>Carole Lombard in Supernatural (1933).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"crystal09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal09.jpg\" \/><\/p>\n<p><em>October 1933, cover art by Margaret Brundage.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"crystal03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal03.jpg\" \/><\/p>\n<p><em>November 1939, cover art by Virgil Finlay.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"crystal01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/02\/crystal01.jpg\" \/><\/p>\n<p><em>Three Spheres II (1946) by MC Escher.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Crystal Ball (c. 1900) by Robert Anning Bell. Crystal balls in art, film and the pulp magazines. The Crystal Ball (1902) by John William Waterhouse. Alexander, Crystal Seer (1910).<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,7,43,16,44,38],"tags":[7033,7031,7032,450,4528,216,1140,123,837,1895],"class_list":["post-16410","post","type-post","status-publish","format-standard","hentry","category-art","category-film","category-magazines","category-occult","category-painting","category-pulp","tag-carole-lombard","tag-gordon-edwards","tag-jacques-henri-lartigue","tag-john-william-waterhouse","tag-margaret-brundage","tag-mc-escher","tag-robert-anning-bell","tag-salome","tag-theda-bara","tag-virgil-finlay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4gG","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16410"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16410\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}