{"id":16299,"date":"2015-01-26T02:41:25","date_gmt":"2015-01-26T01:41:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16299"},"modified":"2015-01-26T02:41:25","modified_gmt":"2015-01-26T01:41:25","slug":"listen-to-the-colour-of-your-dreams-part-four","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/26\/listen-to-the-colour-of-your-dreams-part-four\/","title":{"rendered":"Listen to the Colour of Your Dreams: Part Four"},"content":{"rendered":"<p><a href=\"http:\/\/www.lysergia.com\/FeedYourHead\/lsdMagazinesOff.htm#Life%20magazine\" target=\"_blank\"><img decoding=\"async\" alt=\"lsd05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/lsd05.jpg\" \/><\/a><\/p>\n<p><em>LIFE, September 9th, 1966. Photo by Yale Joel.<\/em><\/p>\n<p>Continuing the psychedelic mega-mix based on Jon Savage\u2019s list of \u201c100 mind-expanding masterpieces\u201d (see <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/05\/listen-to-the-colour-of-your-dreams-part-one\/\">this post<\/a>). The fourth of the six mixes is the first visit to the USA, with songs from the years 1965 to 1967 arranged in mostly chronological order. As before, the selections from the Savage 100 are in bold, and I\u2019ve added notes about my additions or amendments.<\/p>\n<p>US psychedelia differs from the UK variety in its origins\u2014there&#8217;s often a country or folk influence where British bands tended to be working from a background of R&amp;B\u2014and in the political reality that lurks underneath the spaced-out sentiments. UK psychedelia can be whimsical to a degree that tips into childishness, the stakes are often nothing more serious than the risk of being busted for illicit drug use; America was a nation at war overseas and at home, with riots and assassinations forming a backdrop to many of these songs. Kaleidoscope&#8217;s <em>Keep Your Mind Open<\/em> sounds like it might be a typical plea for freer thinking but the lyrics address the war in Vietnam, and the song fades out to the sounds of gunfire.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=http%3A%2F%2Fwww.mixcloud.com%2Ffeuilleton%2Fus-psychedelia-part-one%2F&amp;embed_uuid=85bd23d6-8a15-47c3-96ff-eff3acdd52ba&amp;replace=0&amp;embed_type=widget_standard&amp;hide_tracklist=1\" height=\"180\" width=\"454\" frameborder=\"0\"><\/iframe><\/p>\n<div style=\"clear: both; height: 3px; width: 446px;\"><\/div>\n<p style=\"display: block; font-size: 11px; font-family: 'Open Sans',Helvetica,Arial,sans-serif; margin: 0pt; padding: 3px 4px; color: #999999; width: 446px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/feuilleton\/us-psychedelia-part-one\/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">US Psychedelia, Part One<\/a> by <a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/feuilleton\/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Feuilleton<\/a> on <a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud<\/a><\/p>\n<div style=\"clear: both; height: 3px; width: 446px;\"><\/div>\n<p>Radio ad \u2014 <em>Psych Out<\/em><br \/>\n<strong>The Byrds \u2014 <em>Eight Miles High (first version)<\/em><\/strong><br \/>\n<strong>The Charlatans \u2014 <em>Alabama Bound<\/em><\/strong><br \/>\n<strong>Jefferson Airplane \u2014 <em>Blues From An Airplane<\/em><\/strong><br \/>\n<strong>Country Joe &amp; The Fish \u2014 <em>Section 43<\/em><\/strong><br \/>\n<strong>Great Society<\/strong><strong> \u2014 <em><\/em><\/strong><em><strong>Someone To Love<\/strong><\/em><br \/>\n<strong>Captain Beefheart &amp; His Magic Band \u2014 <em>Electricity<\/em><\/strong><br \/>\n<strong>Oxford Circle \u2014 <em>Foolish Woman<\/em><\/strong><br \/>\n<strong>The Vejtables \u2014 <em>Feel The Music<\/em><\/strong><br \/>\nThe 13th Floor Elevators \u2014 <em>Slip Inside This House<\/em> (The Savage 100 has <a href=\"https:\/\/www.youtube.com\/watch?v=EsKny8WnktI\" target=\"_blank\"><em>Roller Coaster<\/em><\/a> but I got hooked on the momentum of this one\u2014which is actually from 1968\u2014via a compilation.)<br \/>\n<strong>The Count Five \u2014 <em>Psychotic Reaction<\/em><\/strong><br \/>\nThe Magic Mushrooms \u2014 <em>It&#8217;s-A-Happening<\/em> (One of the outstanding numbers on the original <em>Nuggets<\/em> compilation.)<br \/>\n<strong>The Sons Of Adam \u2014 <em>Feathered Fish<\/em><\/strong><br \/>\n<strong>Love \u2014 <em>7 &amp; 7 Is<\/em><\/strong><br \/>\n<strong>The Beach Boys \u2014 <em>Good Vibrations<\/em><\/strong><br \/>\n<strong>Sopwith Camel \u2014 <em>Frantic Desolation<\/em><\/strong><br \/>\n<strong>The Doors \u2014 <em>Crystal Ship<\/em><\/strong><br \/>\n<strong>The Seeds \u2014 <em>Mr. Farmer<\/em><\/strong><br \/>\n<strong>Kaleidoscope (US) \u2014 <em>Keep Your Mind Open<\/em><\/strong><br \/>\nRadio ad \u2014 <em>Vox Wah-Wah Pedal<\/em><br \/>\nThe Electric Prunes \u2014 <em>I Had Too Much To Dream Last Night<\/em> (Savage has <a href=\"https:\/\/www.youtube.com\/watch?v=6C4OjOGSzdM\" target=\"_blank\"><em>Get Me To The World On Time<\/em><\/a> but this is one of my favourite psych songs of all.)<br \/>\n<strong>Mystery Trend \u2014 <em>Johnny Was A Good Boy<\/em><\/strong><br \/>\nThe Moving Sidewalks \u2014 <em>99th Floor<\/em> (The first single by a band featuring ZZ Top&#8217;s Billy Gibbons.)<br \/>\n<strong>Moby Grape \u2014 <em>Omaha<\/em><\/strong><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/19\/listen-to-the-colour-of-your-dreams-part-three\/\">Listen to the Colour of Your Dreams: Part Three<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/12\/listen-to-the-colour-of-your-dreams-part-two\/\">Listen to the Colour of Your Dreams: Part Two<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/05\/listen-to-the-colour-of-your-dreams-part-one\/\">Listen to the Colour of Your Dreams: Part One<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/25\/what-is-a-happening\/\">What Is A Happening?<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/24\/my-white-bicycle\/\">My White Bicycle<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/17\/ogdens-nut-gone-flake\/\">Ogdens\u2019 Nut Gone Flake<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/29\/tomorrow-never-knows\/\">Tomorrow Never Knows<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/04\/01\/the-dukes-declare-its-25-oclock\/\">The Dukes declare it\u2019s 25 O\u2019Clock!<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/01\/a-splendid-time-is-guaranteed-for-all\/\">A splendid time is guaranteed for all<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LIFE, September 9th, 1966. Photo by Yale Joel. Continuing the psychedelic mega-mix based on Jon Savage\u2019s list of \u201c100 mind-expanding masterpieces\u201d (see this post). The fourth of the six mixes is the first visit to the USA, with songs from the years 1965 to 1967 arranged in mostly chronological order. As before, the selections from &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/26\/listen-to-the-colour-of-your-dreams-part-four\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Listen to the Colour of Your Dreams: Part Four&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,17],"tags":[3057,6926,6924,6925,4538,246,6936,6933,6939,6938,6927,6934,6940,1155,4980,6923,6930,6935,6937,6931,4696,5641,6932,6928,6922,3056],"class_list":["post-16299","post","type-post","status-publish","format-standard","hentry","category-music","category-psychedelia","tag-billy-gibbons","tag-captain-beefheart-his-magic-band","tag-country-joe-the-fish","tag-great-society","tag-jefferson-airplane","tag-jon-savage","tag-kaleidoscope-us","tag-love-group","tag-moby-grape","tag-mystery-trend","tag-oxford-circle","tag-sopwith-camel","tag-the-13th-floor-elevators","tag-the-beach-boys","tag-the-byrds","tag-the-charlatans","tag-the-count-five","tag-the-doors-group","tag-the-electric-prunes","tag-the-magic-mushrooms","tag-the-moving-sidewalks","tag-the-seeds","tag-the-sons-of-adam","tag-the-vejtables","tag-yale-joel","tag-zz-top"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4eT","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16299"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16299\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}