{"id":16273,"date":"2015-01-19T03:04:06","date_gmt":"2015-01-19T02:04:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16273"},"modified":"2015-01-19T06:11:52","modified_gmt":"2015-01-19T05:11:52","slug":"listen-to-the-colour-of-your-dreams-part-three","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/19\/listen-to-the-colour-of-your-dreams-part-three\/","title":{"rendered":"Listen to the Colour of Your Dreams: Part Three"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"it69.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/01\/it69.jpg\" \/><\/p>\n<p>Continuing the psychedelic mega-mix based on Jon Savage\u2019s list of \u201c100 mind-expanding masterpieces\u201d (see <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/05\/listen-to-the-colour-of-your-dreams-part-one\/\" target=\"_blank\">this post<\/a>). The third of the six mixes is the final visit to the UK, with songs from the years 1967 to 1969. As before, the selections from the Savage 100 are in bold, and I&#8217;ve added a few notes about my additions or amendments.<\/p>\n<p>By late 1968 different musical trends were becoming apparent in pop music, all of which would develop into distinct movements of their own in the 1970s. Some of the strands are evident here, notably heavy rock, progressive rock, and the first stirrings of electronic music. Savage didn&#8217;t include any electronic songs in his UK listing but I had to have something from White Noise, an obscure group at the time whose first album,\u00a0<a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/07\/16\/white-noise-electric-storms-radiophonics-and-the-delian-mode\/\"><em>An Electric Storm<\/em><\/a>, has since proved very influential. That album is infused with the psychedelic spirit, especially on <a href=\"https:\/\/www.youtube.com\/watch?v=CNFKv2gdk_w\" target=\"_blank\"><em>Your Hidden Dreams<\/em><\/a>, one of the many songs of the period that conflates dreams with drug experiences. An earlier version of this mix did include <em>Your Hidden Dreams<\/em> but I&#8217;ve ended up going with <em>Love Without Sound<\/em>, the first piece the group recorded.<\/p>\n<p>The most surprising entry in all six mixes is probably the song by Cilla Black, an artist whose name seldom (if ever) appears in discussions of psychedelia. This was a discovery via another list for <em>Mojo<\/em> magazine compiled by Rob Chapman, a collection of novelty hits, comedy songs (Dick Shawn&#8217;s <em>Love Power<\/em> from <em>The Producers<\/em>), and various obscurities. Cilla&#8217;s song was included for featuring yet more lyrics that may or may not be about drugs. The faux-Arabian arrangement is by George Martin. If I ever track down all of Chapman&#8217;s songs I may upload them as well.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=http%3A%2F%2Fwww.mixcloud.com%2Ffeuilleton%2Fuk-psychedelia-part-three%2F&amp;embed_uuid=67bad504-5030-4431-bcf6-6254fe9a29a6&amp;replace=0&amp;embed_type=widget_standard&amp;hide_tracklist=1\" height=\"180\" width=\"454\" frameborder=\"0\"><\/iframe><\/p>\n<div style=\"clear: both; height: 3px; width: 446px;\"><\/div>\n<p style=\"display: block; font-size: 11px; font-family: 'Open Sans',Helvetica,Arial,sans-serif; margin: 0pt; padding: 3px 4px; color: #999999; width: 446px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/feuilleton\/uk-psychedelia-part-three\/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">UK Psychedelia, Part Three<\/a> by <a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/feuilleton\/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Feuilleton<\/a> on <a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud<\/a><\/p>\n<div style=\"clear: both; height: 3px; width: 446px;\"><\/div>\n<p>The Rolling Stones \u2014 <em>2000 Light Years From Home<\/em> (The Stones at their most cosmic.)<br \/>\nThe Nice \u2014 <em>Flower King Of Flies<\/em> (The Savage 100 has <em>Diamond Hard Blue Apples Of The Moon<\/em>, a B-side that&#8217;s also very badly recorded, hence this substitute.)<br \/>\n<strong>Status Quo \u2014 <em>Pictures Of Matchstick Men<\/em><\/strong><br \/>\n<strong>Big Boy Pete \u2014 <em>Cold Turkey<\/em><\/strong><br \/>\nThe Pretty Things \u2014 <em>Talkin&#8217; About The Good Times<\/em> (Another marvellous single from a group at the peak of their powers.)<br \/>\nJulie Driscoll with Brian Auger and The Trinity \u2014 <em>This Wheel&#8217;s On Fire<\/em> (Julie Driscoll also did a great cover of Donovan&#8217;s <em>Season Of The Witch<\/em>. This gets included for the modish phasing and for being the theme song for <em>Absolutely Fabulous<\/em> on which Driscoll also sings.)<br \/>\n<strong>Nirvana (UK) \u2014 <em>Rainbow Chaser<\/em><\/strong><br \/>\nThe Rokes \u2014 <em>When The Wind Arises<\/em> (An English band recording for the Italian market.)<br \/>\nBoeing Duveen &amp; The Beautiful Soup \u2014 <em>Which Dreamed It?<\/em> (Hank Wangford in an earlier guise. A Lewis Carroll poem set to music, this was the dreamy B-side of the group&#8217;s <em>Jabberwocky<\/em> single.)<br \/>\n<strong>The Mirror \u2014 <em>Faster Than Light<\/em><\/strong><br \/>\n<strong>Fairport Convention \u2014 <em>It&#8217;s Alright Ma, It&#8217;s Only Witchcraft<\/em><\/strong><br \/>\n<strong>The Crazy World Of Arthur Brown \u2014 <em>Fire<\/em><\/strong><br \/>\n<strong>Pink Floyd \u2014 <em>Jugband Blues<\/em><\/strong><br \/>\nCilla Black \u2014 <em>Abyssinian Secret<\/em><br \/>\n<strong>The Jimi Hendrix Experience \u2014 <em>1983 (A Merman I Should Turn to Be)<\/em><\/strong><br \/>\nWhite Noise \u2014 <em>Love Without Sound<\/em><br \/>\n<strong>The Apple \u2014 <em>The Other Side<\/em><\/strong><br \/>\nKaleidoscope (UK) \u2014 <em>Faintly Blowing<\/em><br \/>\nJason Crest \u2014 <em>Black Mass<\/em> (A Satanic obscurity that pre-empts Black Sabbath by several months.)<br \/>\nThe Open Mind \u2014 <em>Magic Potion<\/em> (By late 1969 it was much too late to still be writing drug songs but that&#8217;s what you have here. The heavy riff points to the future.)<br \/>\n<strong>Blind Faith \u2014 <em>Can&#8217;t Find My Way Home<\/em><\/strong><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/12\/listen-to-the-colour-of-your-dreams-part-two\/\">Listen to the Colour of Your Dreams: Part Two<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/05\/listen-to-the-colour-of-your-dreams-part-one\/\">Listen to the Colour of Your Dreams: Part One<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/25\/what-is-a-happening\/\">What Is A Happening?<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/24\/my-white-bicycle\/\">My White Bicycle<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/05\/17\/ogdens-nut-gone-flake\/\">Ogdens\u2019 Nut Gone Flake<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/29\/tomorrow-never-knows\/\">Tomorrow Never Knows<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/04\/01\/the-dukes-declare-its-25-oclock\/\">The Dukes declare it\u2019s 25 O\u2019Clock!<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/06\/01\/a-splendid-time-is-guaranteed-for-all\/\">A splendid time is guaranteed for all<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continuing the psychedelic mega-mix based on Jon Savage\u2019s list of \u201c100 mind-expanding masterpieces\u201d (see this post). The third of the six mixes is the final visit to the UK, with songs from the years 1967 to 1969. As before, the selections from the Savage 100 are in bold, and I&#8217;ve added a few notes about &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/19\/listen-to-the-colour-of-your-dreams-part-three\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Listen to the Colour of Your Dreams: Part Three&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,17],"tags":[6580,6905,1471,6914,1938,1198,6910,6901,1519,6902,6912,1242,246,6906,6872,114,6830,6865,177,6900,6904,6911,6909,5939,6908,6903,6913,4417,6907,176,5415],"class_list":["post-16273","post","type-post","status-publish","format-standard","hentry","category-music","category-psychedelia","tag-arthur-brown","tag-big-boy-pete","tag-black-sabbath","tag-blind-faith-group","tag-boeing-duveen-the-beautiful-soup","tag-brian-auger","tag-cilla-black","tag-dick-shawn","tag-fairport-convention","tag-george-martin","tag-jason-crest","tag-jimi-hendrix","tag-jon-savage","tag-julie-driscoll-with-brian-auger-and-the-trinity","tag-kaleidoscope-uk","tag-lewis-carroll","tag-mojo-magazine","tag-nirvana-uk","tag-pink-floyd","tag-rob-chapman","tag-status-quo-group","tag-the-apple-group","tag-the-crazy-world-of-arthur-brown","tag-the-jimi-hendrix-experience","tag-the-mirror-group","tag-the-nice","tag-the-open-mind","tag-the-pretty-things","tag-the-rokes","tag-the-rolling-stones","tag-white-noise-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4et","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16273"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16273\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}