{"id":16269,"date":"2015-01-18T02:48:29","date_gmt":"2015-01-18T01:48:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16269"},"modified":"2015-01-18T02:49:09","modified_gmt":"2015-01-18T01:49:09","slug":"weekend-links-242","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/18\/weekend-links-242\/","title":{"rendered":"Weekend links 242"},"content":{"rendered":"

\"kroll.jpg\"<\/a><\/p>\n

Ghost in the Machine (2012) by Hope Kroll<\/a>.<\/em><\/p>\n

\u2022 Nothing Here Now But The Recordings<\/em>, an album of William Burroughs’ personal tapes originally released by Industrial Records is reissued on vinyl this month<\/a>. Andrew Spragg reviews it here<\/a>. Burroughs’ readings fill several collections but this one was the first I owned, and it’s always been a favourite. The album features recordings of early texts such as The Last Words of Hassan I Sabbah<\/em><\/a>, as well as cut-up tape experiments which fuelled some of the chapters in the Nova Trilogy<\/em>.<\/p>\n

\u2022 The Melancholy of Perversion: a study of Caitl\u00edn R. Kiernan\u2019s Metamorphosis A<\/em><\/a> by Scott Dwyer. More weird fiction: “Written with real psychological depth, these enigmatic tales rise far beyond straightforward ghost stories.” Chris Power on Robert Aickman<\/a>.<\/p>\n

\u2022 At Dangerous Minds: Gay Semiotics<\/em><\/a>, a taxonomy of San Francisco life in the 1970s. Related: The case of One<\/em><\/a>, a gay magazine from Los Angeles prosecuted for obscenity in 1958.<\/p>\n

Poe\u2019s mind was by no means commonplace. In the last year of his life he wrote a prose poem, Eureka<\/em><\/a>, which would have established this fact beyond doubt\u2014if it had not been so full of intuitive insight that neither his contemporaries nor subsequent generations, at least until the late twentieth century, could make any sense of it. Its very brilliance made it an object of ridicule, an instance of affectation and delusion, and so it is regarded to this day among readers and critics who are not at all abreast of contemporary physics. Eureka<\/em> describes the origins of the universe in a single particle, from which \u201cradiated\u201d the atoms of which all matter is made. Minute dissimilarities of size and distribution among these atoms meant that the effects of gravity caused them to accumulate as matter, forming the physical universe.<\/p>\n

Marilynne Robinson<\/a> on Edgar Allan Poe<\/em><\/p><\/blockquote>\n

\u2022 Vanished City: London’s Lost Neighbourhoods<\/em><\/a>, a book by Tom Bolton with photographs by SF Said.<\/p>\n

\u2022 Mix of the week: Secret Thirteen Mix 143, a selection of soundtrack music by Las CasiCasiotone<\/a>.<\/p>\n

\u2022 “I am in Brussels, numbering the Bruegels.” Toby Ferris<\/a> conducts a Brueg[h]el Census.<\/p>\n

\u2022 Mothmeister<\/a> “taxidermy collector & curiosity cabinet”.<\/p>\n

\u2022 Ben Zurawski<\/a> collects and makes flip books.<\/p>\n

\u2022 Akira Kurosawa’s 100 favourite films<\/a><\/p>\n

\u2022 The Trip<\/a><\/em> (1965) by Kim Fowley | The Trip<\/a><\/em> (1966) by Donovan | The Trip<\/a><\/em> (1967) by Park Avenue Playground<\/p>\n","protected":false},"excerpt":{"rendered":"

Ghost in the Machine (2012) by Hope Kroll. \u2022 Nothing Here Now But The Recordings, an album of William Burroughs’ personal tapes originally released by Industrial Records is reissued on vinyl this month. Andrew Spragg reviews it here. Burroughs’ readings fill several collections but this one was the first I owned, and it’s always been … Continue reading “Weekend links 242”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,28,1029,7,5,22,43,3,12],"tags":[920,6891,6899,605,6893,2538,93,1030,3742,6896,6894,6898,1136,2947,6892,6895,6897,4127,1190],"class_list":["post-16269","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-burroughs","category-collage","category-film","category-gay","category-horror","category-magazines","category-music","category-photography","tag-akira-kurosawa","tag-andrew-spragg","tag-ben-zurawski","tag-caitlin-r-kiernan","tag-chris-power","tag-donovan-musician","tag-edgar-allan-poe","tag-hope-kroll","tag-kim-fowley","tag-las-casicasiotone","tag-marilynne-robinson","tag-mothmeister","tag-park-avenue-playground","tag-robert-aickman","tag-scott-dwyer","tag-sf-said","tag-toby-ferris","tag-tom-bolton","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4ep","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16269"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16269\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}