{"id":16217,"date":"2015-01-11T03:29:47","date_gmt":"2015-01-11T02:29:47","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16217"},"modified":"2015-01-11T04:18:50","modified_gmt":"2015-01-11T03:18:50","slug":"weekend-links-241","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/11\/weekend-links-241\/","title":{"rendered":"Weekend links 241"},"content":{"rendered":"<p><a href=\"http:\/\/www.lucilleclerc.com\/\" target=\"_blank\"><img decoding=\"async\" alt=\"clerc.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/01\/clerc.jpg\" \/><\/a><\/p>\n<p><em>A drawing by <a href=\"http:\/\/www.lucilleclerc.com\/\" target=\"_blank\">Lucille Clerc<\/a>.<\/em><\/p>\n<p>\u2022 The usual imbalance of heat versus light this week but <a href=\"https:\/\/kenanmalik.wordpress.com\/2015\/01\/08\/je-suis-charlie-its-a-bit-late\/\" target=\"_blank\">Kenan Malik<\/a> and <a href=\"http:\/\/www.newyorker.com\/culture\/cultural-comment\/unmournable-bodies\" target=\"_blank\">Teju Cole<\/a> had some worthwhile things to say. Related: <a href=\"http:\/\/www.theatlantic.com\/features\/archive\/2015\/01\/art-is-free-responses-to-charliehebdo\/384382\/\" target=\"_blank\"><em>Atlantic<\/em> illustrators<\/a> respond to the events of Wednesday. And some history: covers of <em>Charlie Hebdo<\/em>&#8216;s parent magazine, <a href=\"http:\/\/www.vintag.es\/2013\/01\/1960s-hara-kiris-covers-stupid-and-evil.html\" target=\"_blank\"><em>Hara-Kiri<\/em><\/a>, whose legacy of bad taste and confrontation was overlooked in the rush to express disapproval.<\/p>\n<p>\u2022 At The Quietus: Virginie S\u00e9lavy, Mark Pilkington and Stephen Thrower of the <a href=\"http:\/\/thequietus.com\/articles\/16979-miskatonic-institute-london-interview\" target=\"_blank\">Miskatonic Institute<\/a> talk to Mat Colegate about horror old and new. There&#8217;s more horror cinema in Mat Colegate&#8217;s interview with animator <a href=\"http:\/\/thequietus.com\/articles\/16991-carla-mackinnon-interview\" target=\"_blank\">Carla MacKinnon<\/a>.<\/p>\n<p>\u2022 Mixes of the week: Sleepwalkers of the Montgomery Canal by <a href=\"https:\/\/www.mixcloud.com\/thegeographytrip\/sleepwalkers-of-the-montgomery-canal\/\" target=\"_blank\">The Geography Trip<\/a>, and Secret Thirteen Mix 142 by <a href=\"http:\/\/secretthirteen.org\/helena-hauff-mix-review\/\" target=\"_blank\">Helena Hauff<\/a>.<\/p>\n<p>\u2022 Jazz legend <a href=\"http:\/\/slog.thestranger.com\/slog\/archives\/2015\/01\/05\/jazz-legend-julian-priester-reflects-on-his-fusion-classic-love-love-sun-ra-herbie-hancock-and-a-lot-more\" target=\"_blank\">Julian Priester<\/a> reflects on his fusion classic <em>Love, Love<\/em>, Sun Ra, Herbie Hancock, and a lot more.<\/p>\n<p>\u2022 &#8220;No gays, no blacks, no fat people&#8221;: <a href=\"http:\/\/www.theguardian.com\/film\/2015\/jan\/08\/no-gays-no-blacks-no-fat-people-film-advertising-betrayals\" target=\"_blank\">Ryan Gilbey<\/a> on how film advertising continues to betray filmmakers.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.paulgormanis.com\/?p=12806\" target=\"_blank\">Paul Gorman<\/a> on the drumheads that Barney Bubbles painted for Hawkwind&#8217;s Simon King in 1972.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.massive-goods.com\/product\/massive-gay-erotic-manga-and-the-men-who-make-it-pre-order\" target=\"_blank\"><em>Massive: Gay Erotic Manga and the Men Who Make It<\/em><\/a>, edited by Anne Ishii &amp; Graham Kolbeins.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.core77.com\/blog\/graphic_design\/nasas_exoplanet_travel_bureau_wants_you_to_pack_your_bags_28130.asp\" target=\"_blank\">NASA&#8217;s exoplanet travel bureau wants you to pack your bags<\/a>.<\/p>\n<p>\u2022 The <em><a href=\"https:\/\/newhumanist.org.uk\/articles\/4810\/imagine-a-world-without-work\" target=\"_blank\">New Humanist<\/a><\/em> on imagining a world without work.<\/p>\n<p>\u2022 At Strange Flowers: <a href=\"http:\/\/strangeflowers.wordpress.com\/2015\/01\/05\/15-books-for-2015\/\" target=\"_blank\">15 books for 2015<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/ghosts-in-the-tv.tumblr.com\/\" target=\"_blank\">Ghosts in the TV<\/a><\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=ul0zDWThUQQ\" target=\"_blank\"><em>Prologue\/Love, Love<\/em><\/a> (1974) by Julian Priester | <a href=\"https:\/\/www.youtube.com\/watch?v=PhepYW8E0q4\" target=\"_blank\"><em>The Jewel in the Lotus<\/em><\/a> (1974) by Bennie Maupin | <a href=\"https:\/\/www.youtube.com\/watch?v=gGaiNH7oGqk\" target=\"_blank\"><em>Rima<\/em><\/a> (1975) by The Headhunters<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A drawing by Lucille Clerc. \u2022 The usual imbalance of heat versus light this week but Kenan Malik and Teju Cole had some worthwhile things to say. Related: Atlantic illustrators respond to the events of Wednesday. And some history: covers of Charlie Hebdo&#8216;s parent magazine, Hara-Kiri, whose legacy of bad taste and confrontation was overlooked &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/01\/11\/weekend-links-241\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 241&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,4,29,7,5,22,43,3,12,14,13],"tags":[6862,86,6864,6858,6847,6863,222,6859,1931,4913,6855,955,4958,569,1467,6860,6861,2806,2419,6856,4940,4180,6857],"class_list":["post-16217","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-design","category-electronica","category-film","category-gay","category-horror","category-magazines","category-music","category-photography","category-politics","category-science","tag-anne-ishii","tag-barney-bubbles","tag-bennie-maupin","tag-carla-mackinnon","tag-charlie-hebdo","tag-graham-kolbeins","tag-hawkwind","tag-helena-hauff","tag-julian-priester","tag-kenan-malik","tag-lucille-clerc","tag-mark-pilkington","tag-mat-colegate","tag-nasa","tag-paul-gorman","tag-ryan-gilbey","tag-simon-king","tag-stephen-thrower","tag-strange-flowers","tag-teju-cole","tag-the-geography-trip","tag-the-headhunters","tag-virginie-selavy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4dz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16217"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16217\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}