{"id":16148,"date":"2014-12-21T02:47:23","date_gmt":"2014-12-21T01:47:23","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16148"},"modified":"2014-12-21T02:47:23","modified_gmt":"2014-12-21T01:47:23","slug":"weekend-links-239","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/12\/21\/weekend-links-239\/","title":{"rendered":"Weekend links 239"},"content":{"rendered":"

\"crystal.jpg\"<\/a><\/p>\n

The Crystal Gazer (or The Magic Crystal, 1904) by Gertrude K\u00e4sebier<\/a>.<\/em><\/p>\n

\u2022 “I had to resort to extreme violence”: how Hipgnosis revolutionised the album sleeve. Aubrey Powell<\/a>, last surviving member of the design team, talks to Joe Muggs.<\/p>\n

\u2022 Mixes of the week: Radio Belbury: Programme 14<\/a>; The Conjurer’s Hexmas by SeraphicManta<\/a>; Secret Mix 139 by A Closer Listen<\/a>.<\/p>\n

\u2022 Social progress, high-speed transport and electricity everywhere:\u00a0Iwan Rhys Morus<\/a> on how the Victorians invented the future.<\/p>\n

\u2022 At Cinephilia & Beyond<\/a>: “The most complete investigation into the origins and making of Citizen Kane<\/em>.”<\/p>\n

\u2022 Poor Souls’ Light<\/em><\/a>: seven curious tales for the end of the year, and a dedication to Robert Aickman.<\/p>\n

\u2022 Music and the Occult: Stuart Maconie and Rob Young<\/a> spend an hour in the magick circle.<\/p>\n

\u2022 Alejandro Jodorowsky and Iain Sinclair<\/a> in conversation at the British Library, July 2014.<\/p>\n

\u2022 From 1972: An unpublished Victor Moscoso<\/a> interview by Patrick Rosenkranz.<\/p>\n

\u2022 The Spooky Story Behind Hollywood’s Favourite Mansion<\/a>.<\/p>\n

\u2022 The Lost World of British Tape Recording Clubs<\/a>.<\/p>\n

\u2022 2014 was a year of outrage<\/a>.<\/p>\n

\u2022 Wyrd Daze issue 11<\/a><\/p>\n

\u2022 Inspirograph<\/a><\/p>\n

\u2022\u00a0Pepper-Tree<\/a><\/em> (1984) by Cocteau Twins | Otterley<\/a><\/em> (1984) by Cocteau Twins | Aikea-Guinea<\/a><\/em> (1985) by Cocteau Twins<\/p>\n","protected":false},"excerpt":{"rendered":"

The Crystal Gazer (or The Magic Crystal, 1904) by Gertrude K\u00e4sebier. \u2022 “I had to resort to extreme violence”: how Hipgnosis revolutionised the album sleeve. Aubrey Powell, last surviving member of the design team, talks to Joe Muggs. \u2022 Mixes of the week: Radio Belbury: Programme 14; The Conjurer’s Hexmas by SeraphicManta; Secret Mix 139 … Continue reading “Weekend links 239”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,9,4,29,7,22,3,16,12,14,20,15],"tags":[718,1987,3319,831,3190,430,218,6794,5414,762,6796,1124,2947,6793,6795,691,5379],"class_list":["post-16148","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-design","category-electronica","category-film","category-horror","category-music","category-occult","category-photography","category-politics","category-science-fiction","category-technology","tag-alejandro-jodorowsky","tag-aubrey-powell","tag-belbury-poly","tag-cocteau-twins","tag-gertrude-kasebier","tag-hipgnosis","tag-iain-sinclair","tag-iwan-rhys-morus","tag-joe-muggs","tag-orson-welles","tag-patrick-rosenkranz","tag-rob-young","tag-robert-aickman","tag-seraphicmanta","tag-stuart-maconie","tag-victor-moscoso","tag-wyrd-daze"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4cs","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16148"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16148\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}