{"id":16119,"date":"2014-12-14T03:32:30","date_gmt":"2014-12-14T02:32:30","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16119"},"modified":"2014-12-14T07:34:51","modified_gmt":"2014-12-14T06:34:51","slug":"weekend-links-238","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/12\/14\/weekend-links-238\/","title":{"rendered":"Weekend links 238"},"content":{"rendered":"

\"hinrichsen.jpg\"<\/a><\/p>\n

We Are The Water \u2013 Snow Drawings Project, Colorado (2014) by Sonja Hinrichsen<\/a> with 50 volunteers.<\/em><\/p>\n

\u2022 I don’t do end-of-year lists but Dennis Cooper<\/a> does. My thanks to Dennis once more for including this blog among his selections. Also there is Jonathan Glazer’s film of Under the Skin<\/em>, an adaptation of Michel Faber’s novel that impressed me as the most insidiously disturbing thing I’ve seen since Mulholland Drive<\/em>. The Guardian<\/em>‘s film critics agreed, making it their film of the year<\/a>. I’d add to Peter Bradshaw’s appraisal by noting the superb score by Mica Levi<\/a>, the refusal to spoon-feed the audience with explanations, and a refreshing absence of Hollywood gloss. Glazer’s film, like Kill List<\/em><\/a> before it, shows that mundane British streets and interiors can still be a setting for serious horror.<\/p>\n

\u2022 Related to the above: “I like Caravan, Coil\u2014it\u2019s very sad that they\u2019re both dead now. In fact, Peter Christopherson, who was leader of Coil, contributed a song to a CD which I made for my wife for what we believed would be her last birthday.” Michel Faber<\/a> talks to Hope Whitmore about Under the Skin<\/em> and his new novel, The Book of Strange New Things<\/em>. M. John Harrison<\/a> recommends the latter on his own end-of-year list. In January Black Mass Rising will release a recording of The Art of Mirrors<\/a><\/em>, Peter Christopherson’s homage to Derek Jarman from 2004.<\/p>\n

\u2022 David Bowie<\/a> and band live on Musikladen<\/em> in 1978: 40 minutes <\/em>with Adrian Belew on\u00a0squealing lead guitar, some Kurt Weill and an outstanding performance of “Heroes”<\/em>.<\/p>\n

\u2022 “Realism is a literary convention \u2013 no more, no less \u2013 and is therefore as laden with artifice as any other literary convention.” Tom McCarthy<\/a> on realism and the real.<\/p>\n

\u2022 Mixes of the week: The Best of the Best of the Best by TheCuriosityPipe<\/a>, and Secret Thirteen Mix 138, a medley of post punk from Psyche<\/a>.<\/p>\n

\u2022 “We spent two weeks making the penises.” Livin’ Thing: An Oral History of Boogie Nights<\/em><\/a> by Alex French and Howie Kahn.<\/p>\n

\u2022 At Dangerous Minds: Seeing The Man Who Fell to Earth<\/em> was one of the greatest experiences of Philip K. Dick’s<\/a> life.<\/p>\n

\u2022 Giving Voice to Our Pagan Past and Present: Pam Grossman<\/a> on Witches, Women and Pop Occulture.<\/p>\n

\u2022 Neglected last week (and linked everywhere but still a good one): The typography of Alien<\/em><\/a>.<\/p>\n

\u2022 William Mortensen<\/a>, the photographer who Ansel Adams called the Anti-Christ.<\/p>\n

\u2022 Hear a track from analogue synthesizer virtuoso Kaitlyn Aurelia Smith<\/a>.<\/p>\n

\u2022 Rick Poynor<\/a> on illustrations by Bohumil Stepan for Crazy Fairy Tales<\/em>.<\/p>\n

\u2022 12 excellent features<\/a> from directors who never made another feature.<\/p>\n

\u2022 Werner Herzog Inspirationals<\/a><\/p>\n

\u2022 The Devil in the Hedgerow<\/a><\/p>\n

\u2022 New Warm Skin<\/a><\/em> (1980) by Simple Minds | Rapture Of The Skin<\/a><\/em> (1996) by Paul Sch\u00fctze | Take Me Into Your Skin<\/a><\/em> (2007) by Trentem\u00f8ller<\/p>\n","protected":false},"excerpt":{"rendered":"

We Are The Water \u2013 Snow Drawings Project, Colorado (2014) by Sonja Hinrichsen with 50 volunteers. \u2022 I don’t do end-of-year lists but Dennis Cooper does. My thanks to Dennis once more for including this blog among his selections. Also there is Jonathan Glazer’s film of Under the Skin, an adaptation of Michel Faber’s novel … Continue reading “Weekend links 238”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,22,48,3,16,12,20,10],"tags":[3013,6777,6779,5210,1301,3109,511,6772,6778,6771,6780,6773,2291,1614,3552,465,4443,1449,667,6776,1463,6781,6770,4317,6775,6774,6782,611,3860],"class_list":["post-16119","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-horror","category-illustrators","category-music","category-occult","category-photography","category-science-fiction","category-typography","tag-adrian-belew","tag-alex-french","tag-ansel-adams","tag-bohumil-stepan","tag-david-bowie","tag-dennis-cooper","tag-derek-jarman","tag-hope-whitmore","tag-howie-kahn","tag-jonathan-glazer","tag-kaitlyn-aurelia-smith","tag-kurt-weill","tag-m-john-harrison","tag-michel-faber","tag-pam-grossman","tag-paul-schutze","tag-peter-bradshaw","tag-peter-christopherson","tag-philip-k-dick","tag-psyche-group","tag-rick-poynor","tag-simple-minds","tag-sonja-hinrichsen","tag-the-man-who-fell-to-earth","tag-thecuriositypipe","tag-tom-mccarthy","tag-trentemoller","tag-werner-herzog","tag-william-mortensen"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4bZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16119"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16119\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}