{"id":16057,"date":"2014-11-30T03:08:55","date_gmt":"2014-11-30T02:08:55","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16057"},"modified":"2014-11-30T03:12:49","modified_gmt":"2014-11-30T02:12:49","slug":"weekend-links-236","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/11\/30\/weekend-links-236\/","title":{"rendered":"Weekend links 236"},"content":{"rendered":"

\"carvalho.jpg\"<\/a><\/p>\n

The Three Witches (2014) by Lorena Carvalho<\/a>.<\/em><\/p>\n

\u2022 Immersion<\/em><\/a>, a new album by Grey Frequency, “…is a recording of the broken signals, wraiths in the ether from lost futures and utopias which were once promised…”. Box Of Secrets<\/em><\/a> (1999) is an album of electronica by Ian Boddy that’s a free download until the end of December.<\/p>\n

\u2022 “Hothouse flowers, Egyptian statuary, jewels, Nubian servants, crystal balls, cocaine, opium and champagne were just some of the things she spent her money on…” Lucy Davies<\/a> explores the riotous world of Marchesa Luisa Casati.<\/p>\n

\u2022 “London is a network of complete nexuses, coincidences, overlaps, references…” Stephanie Boland talks to Iain Sinclair<\/a> about his new book 70×70: Unlicensed Preaching: A Life Unpacked in 70 Films<\/em>.<\/p>\n

My Women\u2019s Studies professors would say: \u201cYou don\u2019t know how hard we fought for you.\u201d And yet, when they told me my sexuality was not correct, I felt embarrassed. I knew I had longings that didn\u2019t line up with the politics, but I refused to repress them, particularly in my writing. I fought to unravel a political correctness that was censoring desire.<\/p>\n

Screenwriter Erin Cressida Wilson<\/a> on sex, cinema and secrets<\/em><\/p><\/blockquote>\n

\u2022 Cthulhu, Fiction and Real Magic<\/a>, a lecture by Ian \u2018Cat\u2019 Vincent at Treadwell’s, London, on December 3rd. For those who can’t attend, Erik Davis<\/a> has just posted his essay about Lovecraft and contemporary occultism.<\/p>\n

\u2022 “John Gielgud<\/a> was obsessed with trousers, loved corduroy and leather. And so he wrote a film set in a menswear shop.” Gielgud’s unfilmed screenplay for gay porn director Peter de Rome may now be filmed.<\/p>\n

\u2022 “The stories are even more fantastic and full of marvels than those in the Arabian Nights<\/em>.” Robert Irwin<\/a> on the newly-translated Tales of the Marvellous<\/em>.<\/p>\n

\u2022 Mixes of the week: The Advisory Circle<\/a> present Winter From Out Here; Fall by The Ephemeral Man<\/a>; Secret Thirteen Mix 136 by Cosmin TRG<\/a>.<\/p>\n

\u2022 Danny Cooke<\/a>‘s drone views of Pripyat, Chernobyl. Related: Into the Zone: Gasworks Park (Seattle, WA) by Christina Scholz<\/a>.<\/p>\n

\u2022 Watch Dragnet<\/em><\/a>\u2019s 1967 LSD episode. More psychedelics: “Magic mushrooms change brain connections<\/a>“.<\/p>\n

\u2022 Earth Magic: Peter Bebergal<\/a> on photography of witches at play and at ritual.<\/p>\n

\u2022 D\u00fcsseldorf 1970: The crucible of Krautrock<\/a> by those who were there.<\/p>\n

\u2022\u00a0It’s Alright Ma, It’s Only Witchcraft<\/a><\/em> (1968) by Fairport Convention | Witch’s Will<\/a><\/em> (1973) by Wilburn Burchette | Witches’ Multiplication Table<\/a><\/em> (1982) by Holger Czukay<\/p>\n","protected":false},"excerpt":{"rendered":"

The Three Witches (2014) by Lorena Carvalho. \u2022 Immersion, a new album by Grey Frequency, “…is a recording of the broken signals, wraiths in the ether from lost futures and utopias which were once promised…”. Box Of Secrets (1999) is an album of electronica by Ian Boddy that’s a free download until the end of … Continue reading “Weekend links 236”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,851,29,21,7,5,26,3,16,12,17],"tags":[4973,6729,104,6730,1686,6727,1519,6723,2276,1687,218,6728,6724,6191,692,6722,124,6725,6726,1018,3503,2371,5927,1253,5321,5511],"class_list":["post-16057","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-drugs","category-electronica","category-fantasy","category-film","category-gay","category-lovecraft","category-music","category-occult","category-photography","category-psychedelia","tag-christina-scholz","tag-cosmin-trg","tag-cthulhu","tag-danny-cooke","tag-erik-davis","tag-erin-cressida-wilson","tag-fairport-convention","tag-grey-frequency","tag-holger-czukay","tag-hp-lovecraft","tag-iain-sinclair","tag-ian-cat-vincent","tag-ian-boddy","tag-john-gielgud","tag-krautrock","tag-lorena-carvalho","tag-lsd","tag-lucy-davies","tag-marchesa-luisa-casati","tag-peter-bebergal","tag-peter-de-rome","tag-robert-irwin","tag-stephanie-boland","tag-the-advisory-circle","tag-the-ephemeral-man","tag-wilburn-burchette"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4aZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16057"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16057\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}