{"id":16022,"date":"2014-11-21T02:09:01","date_gmt":"2014-11-21T01:09:01","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16022"},"modified":"2014-11-21T02:09:01","modified_gmt":"2014-11-21T01:09:01","slug":"continu-discontinu-2010-a-film-by-piotr-kamler","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/11\/21\/continu-discontinu-2010-a-film-by-piotr-kamler\/","title":{"rendered":"Continu-discontinu 2010, a film by Piotr Kamler"},"content":{"rendered":"

\"continu.jpg\"<\/a><\/p>\n

A recent film by Piotr Kamler that’s not on the DVD collection from aaa<\/a>, Continu-discontinu 2010<\/em><\/a> is a short animation that’s a lot more abstract than Kamler’s earlier works although you might detect the director’s hand in the motion of some of its wandering particles. In place of the electronic scores that soundtrack many of his films there’s a recording of a viol piece composed by Marin Marais.<\/p>\n

Previously on { feuilleton }
\n\u2022 L\u2019Araign\u00e9l\u00e9phant<\/a>
\n\u2022 Le labyrinthe and Coeur de secours<\/a>
\n\u2022 Chronopolis by Piotr Kamler<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A recent film by Piotr Kamler that’s not on the DVD collection from aaa, Continu-discontinu 2010 is a short animation that’s a lot more abstract than Kamler’s earlier works although you might detect the director’s hand in the motion of some of its wandering particles. In place of the electronic scores that soundtrack many of … Continue reading “Continu-discontinu 2010, a film by Piotr Kamler”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,52,7],"tags":[6702,4403],"class_list":["post-16022","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-animation","category-film","tag-marin-marais","tag-piotr-kamler"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4aq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16022"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16022\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}