{"id":15982,"date":"2014-11-16T02:45:43","date_gmt":"2014-11-16T01:45:43","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15982"},"modified":"2014-11-16T02:47:16","modified_gmt":"2014-11-16T01:47:16","slug":"weekend-links-234","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/11\/16\/weekend-links-234\/","title":{"rendered":"Weekend links 234"},"content":{"rendered":"<p><a href=\"http:\/\/www.brainpickings.org\/2014\/11\/10\/andrea-dezso-brothers-grimm-fairy-tales-interview\/\" target=\"_blank\"><img decoding=\"async\" alt=\"dezso.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/dezso.jpg\" \/><\/a><\/p>\n<p><em>The Devil in the Green Coat by <a href=\"http:\/\/www.brainpickings.org\/2014\/11\/10\/andrea-dezso-brothers-grimm-fairy-tales-interview\/\" target=\"_blank\">Andrea Dezs\u00f6<\/a>, an illustration for a new, uncensored edition of <a href=\"http:\/\/www.theguardian.com\/books\/2014\/nov\/12\/grimm-brothers-fairytales-horror-new-translation\" target=\"_blank\">the Grimm Brothers&#8217; Fairy Tales<\/a>.<\/em><\/p>\n<p>\u2022 That { feuilleton } object of cult attention, <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/22\/pendas-fen-by-david-rudkin\/\"><em>Penda&#8217;s Fen<\/em><\/a>, a 1974 television film by David Rudkin directed by Alan Clarke, continues its long journey out of the shadows. To coincide with a screening in London of a 16mm print, <a href=\"http:\/\/www.theguardian.com\/tv-and-radio\/2014\/nov\/14\/pendas-fen-heresy-horror-pastoral-horror\" target=\"_blank\">Sukhdev Sandhu<\/a> looks back at a unique drama, and examines its connections to other British films of the period. There&#8217;s still no sign of a DVD release although rumours persist. Related: <em>Penda&#8217;s Fen<\/em> at <a href=\"http:\/\/ayearinthecountry.co.uk\/pendas-fen-cherish-flame-dawn-will-come-day-191365\/\" target=\"_blank\">A Year In The Country<\/a>.<\/p>\n<p>\u2022 &#8220;One of the reasons I\u2019m sure I found the horror genre congenial is that it\u2019s almost always focused on the body. The body is the center of all horror films.&#8221; <a href=\"http:\/\/penguinrandomhouse.ca\/hazlitt\/feature\/book-compost-heap-interview-david-cronenberg\" target=\"_blank\">David Cronenberg<\/a> talking to Calum Marsh about his novel, <em>Consumed<\/em>.<\/p>\n<p>\u2022 Mix of the week: <a href=\"http:\/\/www.anothermag.com\/current\/view\/4028\/AnOther_Exclusive_Antony_Hegartys_Future_Feminist_Playlist\" target=\"_blank\">Antony Hegarty&#8217;s Future Feminist Playlist<\/a>, and Secret Thirteen Mix 134 by <a href=\"http:\/\/secretthirteen.org\/james-ginzburg-yair-elazar-glotman-mix-review\/\" target=\"_blank\">James Ginzburg &amp; Yair Elazar Glotman<\/a>. Related: <em>Nimbes<\/em> by <a href=\"http:\/\/joanielemercier.com\/nimbes\/\" target=\"_blank\">Joaniele Mercier &amp; James Ginzburg<\/a>.<\/p>\n<p>\u2022 Another week, another Kickstarter: <a href=\"https:\/\/www.kickstarter.com\/projects\/2100662212\/suzanne-ciani-a-life-in-waves\" target=\"_blank\"><em>Suzanne Ciani: A Life in Waves<\/em><\/a> is a planned feature-length documentary about the American synthesist and composer.<\/p>\n<p>\u2022 &#8220;[Marjorie] Cameron&#8217;s connections to Scientology and powerful men once drew headlines, but now her art is getting its due,&#8221; says <a href=\"http:\/\/www.laweekly.com\/publicspectacle\/2014\/10\/08\/camerons-connections-to-scientology-and-powerful-men-once-drew-headlines-but-now-her-art-is-getting-its-due\" target=\"_blank\">Tanja M. Laden<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/twitter.com\/jaywbabcock\/status\/533444837148594176\" target=\"_blank\">Jay Babcock<\/a> found a Hawkwind Tarot spread in <em>International Times<\/em> for 1971. Is this an overlooked Barney Bubbles design?<\/p>\n<p>\u2022 &#8220;Tempered in the flames of hell&#8221;: <a href=\"http:\/\/helengrantbooks.blogspot.co.uk\/2014\/03\/tempered-in-flames-of-hell-bottle-imp.html\" target=\"_blank\">Helen Grant<\/a> on the precursors of Robert Louis Stevenson\u2019s <em>The Bottle Imp<\/em>.<\/p>\n<p>\u2022 <a href=\"http:\/\/hawthonn.wordpress.com\/\" target=\"_blank\">Hawthonn<\/a>: Phil and Layla Legard (and others) remember John Balance with a special musical project.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.thamesandhudson.com\/Derek_Jarman_Super_8\/9780500517321\" target=\"_blank\"><em>Derek Jarman Super 8<\/em><\/a> by James Mackay, a book of stills from Derek Jarman&#8217;s Super 8 films.<\/p>\n<p>\u2022 &#8220;Coltrane\u2019s free jazz wasn\u2019t just &#8216;a lot of noise&#8217;,&#8221; says <a href=\"http:\/\/www.newyorker.com\/culture\/richard-brody\/coltranes-free-jazz-awesome\" target=\"_blank\">Richard Brody<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/twistedsifter.com\/2014\/11\/worlds-first-color-palette-book\/\" target=\"_blank\">This might be the world\u2019s first book on colour palettes<\/a>.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=RdnJ7VvU-tg\" target=\"_blank\">Paris 1971<\/a><\/em> (1971) by Suzanne Ciani | <em><a href=\"https:\/\/www.youtube.com\/watch?v=wgJfXeGqNEY\" target=\"_blank\">The Fifth Wave: Water Lullaby<\/a><\/em> (1982) by Suzanne Ciani | <em><a href=\"https:\/\/www.youtube.com\/watch?v=B1BWBF087Pc\" target=\"_blank\">Blue Amiga<\/a><\/em> (2014) by NeoTantrik &amp; Suzanne Ciani<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Devil in the Green Coat by Andrea Dezs\u00f6, an illustration for a new, uncensored edition of the Grimm Brothers&#8217; Fairy Tales. \u2022 That { feuilleton } object of cult attention, Penda&#8217;s Fen, a 1974 television film by David Rudkin directed by Alan Clarke, continues its long journey out of the shadows. To coincide with &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/11\/16\/weekend-links-234\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 234&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,5,22,48,3,16,19],"tags":[1115,6688,1585,86,5503,2207,1114,511,222,6692,4917,4130,6694,1801,6690,1989,6693,121,6696,1117,4428,6695,80,4031,3593,6691,552,6689],"class_list":["post-15982","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-horror","category-illustrators","category-music","category-occult","category-television","tag-alan-clarke","tag-andrea-dezso","tag-antony-hegarty","tag-barney-bubbles","tag-calum-marsh","tag-david-cronenberg","tag-david-rudkin","tag-derek-jarman","tag-hawkwind","tag-helen-grant","tag-international-times","tag-james-ginzburg","tag-james-mackay","tag-jay-babcock","tag-joaniele-mercier","tag-john-balance","tag-layla-legard","tag-marjorie-cameron","tag-neotantrik","tag-pendas-fen","tag-phil-legard","tag-richard-brody","tag-robert-louis-stevenson","tag-sukhdev-sandhu","tag-suzanne-ciani","tag-tanja-m-laden","tag-tarot","tag-yair-elazar-glotman"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-49M","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15982"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15982\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}