{"id":15963,"date":"2014-11-08T03:09:50","date_gmt":"2014-11-08T02:09:50","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15963"},"modified":"2014-11-08T03:09:50","modified_gmt":"2014-11-08T02:09:50","slug":"fog-line-a-film-by-larry-gottheim","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/11\/08\/fog-line-a-film-by-larry-gottheim\/","title":{"rendered":"Fog Line, a film by Larry Gottheim"},"content":{"rendered":"

\"fogline.jpg\"<\/a><\/p>\n

As a piece of minimalist cinema, Fog Line<\/em> (1970) makes Michael Snow’s Wavelength<\/em><\/a> seem hyperactive. In a static 11-minute shot, trees and fields emerge from drifting fog; no sound or music, just the trees, a few suspended wires and the fog. Immerse yourself here<\/a>.<\/p>\n

\"fog.jpg\"<\/a><\/p>\n

Gottheim’s film reminded me of the photos I took in 2005 one damp and chilly November afternoon on the banks of the River Mersey. The river snakes through south Manchester on its way to Liverpool, and is a pleasant place to walk when the ground isn’t as sodden as it was on this occasion. There’s a few more photos from that session here<\/a>.<\/p>\n

Previously on { feuilleton }
\n\u2022 Wavelength<\/a>
\n\u2022 La R\u00e9gion Centrale<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

As a piece of minimalist cinema, Fog Line (1970) makes Michael Snow’s Wavelength seem hyperactive. In a static 11-minute shot, trees and fields emerge from drifting fog; no sound or music, just the trees, a few suspended wires and the fog. Immerse yourself here. Gottheim’s film reminded me of the photos I took in 2005 … Continue reading “Fog Line, a film by Larry Gottheim”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,12],"tags":[517],"class_list":["post-15963","post","type-post","status-publish","format-standard","hentry","category-film","category-photography","tag-manchester"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-49t","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15963"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15963\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}