{"id":15927,"date":"2014-11-01T02:45:36","date_gmt":"2014-11-01T01:45:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15927"},"modified":"2014-11-01T02:45:36","modified_gmt":"2014-11-01T01:45:36","slug":"meyers-todtengessangen","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/11\/01\/meyers-todtengessangen\/","title":{"rendered":"Meyer&#8217;s Todtengess\u00e4ngen"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"meyer01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer01.jpg\" \/><\/p>\n<p>The traditional post for <em>D\u00eda de los Muertos<\/em> is a selection of illustrations by Conrad Meyer (1618\u20131689) for a Dance of Death <em><\/em> from 1650. Unlike some earlier examples this book has a specific religious moral, opening with the expulsion from the Garden of Eden and ending with the triumph of Christ over Death. Given that, it&#8217;s surprising the degree of struggle in some of the illustrations, whether in the determination of the skeletal intruders to drag away the mortals they meet, or the reluctance and horror displayed by those mortals. Towards the end there are some details worthy of William Hogarth with revellers puking on unfortunate dogs. Browse the rest of the book <a href=\"https:\/\/archive.org\/stream\/sterbensspiegeld00meye#page\/n7\/mode\/2up\" target=\"_blank\">here<\/a> or download it <a href=\"https:\/\/ia600408.us.archive.org\/29\/items\/sterbensspiegeld00meye\/\" target=\"_blank\">here<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"meyer02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer02.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer03.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"meyer04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer04.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer05.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer07.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer08.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer09.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer10.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer11.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer11.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer12.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer12.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer13.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer13.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer14.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer14.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer15.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer15.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer16.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer16.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer17.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer17.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer18.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer18.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer19.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer19.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"meyer20.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/11\/meyer20.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/11\/01\/rentzs-todentanz\/\">Rentz\u2019s Todentanz<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/01\/holbeins-dance-of-death\/\">Holbein\u2019s Dance of Death<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/11\/21\/alfred-rethels-totentanz\/\">Alfred Rethel\u2019s Totentanz<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/24\/vanitas-paintings\/\">Vanitas paintings<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The traditional post for D\u00eda de los Muertos is a selection of illustrations by Conrad Meyer (1618\u20131689) for a Dance of Death from 1650. Unlike some earlier examples this book has a specific religious moral, opening with the expulsion from the Garden of Eden and ending with the triumph of Christ over Death. Given that, &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/11\/01\/meyers-todtengessangen\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Meyer&#8217;s Todtengess\u00e4ngen&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48,31],"tags":[6630,307],"class_list":["post-15927","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","category-religion","tag-conrad-meyer","tag-william-hogarth"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-48T","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15927"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15927\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}