{"id":15918,"date":"2014-10-31T02:47:16","date_gmt":"2014-10-31T01:47:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15918"},"modified":"2014-10-31T05:23:00","modified_gmt":"2014-10-31T04:23:00","slug":"a-mix-for-halloween-unheimlich-manoeuvres","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/31\/a-mix-for-halloween-unheimlich-manoeuvres\/","title":{"rendered":"A mix for Halloween: Unheimlich Manoeuvres"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"\/\/www.mixcloud.com\/widget\/iframe\/?feed=http%3A%2F%2Fwww.mixcloud.com%2Ffeuilleton%2Funheimlich-manoeuvres%2F&amp;embed_uuid=d67292bc-8f2a-42dc-976e-5fd35a3cc597&amp;replace=0&amp;embed_type=widget_standard&amp;hide_tracklist=1\" height=\"180\" width=\"454\" frameborder=\"0\"><\/iframe><\/p>\n<div style=\"clear: both; height: 3px; width: 446px;\"><\/div>\n<p style=\"display: block; font-size: 11px; font-family: 'Open Sans',Helvetica,Arial,sans-serif; margin: 0pt; padding: 3px 4px; color: #999999; width: 446px;\"><a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/feuilleton\/unheimlich-manoeuvres\/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=resource_link\" target=\"_blank\">Unheimlich Manoeuvres<\/a> by <a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/feuilleton\/?utm_source=widget&amp;amp;utm_medium=web&amp;amp;utm_campaign=base_links&amp;amp;utm_term=profile_link\" target=\"_blank\">Feuilleton<\/a> on <a style=\"color: #808080; font-weight: bold;\" href=\"http:\/\/www.mixcloud.com\/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link\" target=\"_blank\"> Mixcloud<\/a><\/p>\n<div style=\"clear: both; height: 3px; width: 446px;\"><\/div>\n<p>Presenting the ninth Halloween playlist, and another mix of my own. The one last year was pretty abrasive so this year I&#8217;ve put together something that&#8217;s more concerned with atmospherics and dynamics than jangling the nerves. There&#8217;s some continuity in the presence of Roly Porter who brought things to a thundering conclusion last year and does the same here with the final piece from his tremendous <a href=\"http:\/\/www.discogs.com\/Roly-Porter-Life-Cycle-Of-A-Massive-Star\/master\/608268\" target=\"_blank\"><em>Life Cycle Of A Massive Star<\/em><\/a>.<\/p>\n<p>Some of the other music is a bit more obscure than usual, even by my standards. A few people will know that Lull is the name used by Napalm Death&#8217;s Mick Harris when fashioning doomy ambience; The House In The Woods is Martin Jenkins aka The Head Technician from Pye Corner Audio; Isnaj Dui is British musician Katie English; Mandible Chatter is (or was) a US duo, Grant Miller &amp; Neville Harson who recorded several uncategorisable albums in the 1990s. <em>Blessings From The Kingdom Of Silence<\/em> is from their fifth release <a href=\"http:\/\/www.discogs.com\/Mandible-Chatter-Food-For-The-Moon\/release\/479863\" target=\"_blank\"><em>Food For The Moon<\/em><\/a> (1997), an album I picked up secondhand which I&#8217;m surprised to find was a limited edition of 100 copies. As a consequence you may not hear this piece elsewhere.<\/p>\n<p>As before, the tracklist is on the Mixcloud page but I\u2019m repeating it here with dates added for each recording.<\/p>\n<p><a href=\"http:\/\/jerzymaksymiuk.pl\/en\/\" target=\"_blank\">Jerzy Maksymiuk<\/a> \u2014 <em>Title music from &#8216;The Hourglass Sanatorium&#8217;<\/em> (1973)<br \/>\n<a href=\"http:\/\/www.cyclobe.com\/\" target=\"_blank\">Cyclobe<\/a> \u2014 <em>Wounded Galaxies Tap At The Window<\/em> (2010)<br \/>\nLarry Sider &amp; <a href=\"http:\/\/www.lechjankowski.com\/\" target=\"_blank\">Lech Jankowski<\/a> \u2014 <em>Sounds &amp; music from &#8216;Street of Crocodiles&#8217;<\/em> (1986)<br \/>\n<a href=\"http:\/\/www.discogs.com\/artist\/49860-Lull\" target=\"_blank\">Lull<\/a> \u2014 <em>Thoughts<\/em> (1994)<br \/>\n<a href=\"http:\/\/www.lustmord.com\/\" target=\"_blank\">Lustmord<\/a> \u2014 <em>The Cell<\/em> (2002)<br \/>\n<a href=\"http:\/\/www.robinguthrie.com\/\" target=\"_blank\">Robin Guthrie<\/a> &amp; <a href=\"http:\/\/haroldbudd.com\/\" target=\"_blank\">Harold Budd<\/a> \u2014 <em>Halloween from &#8216;Mysterious Skin&#8217;<\/em> (2005)<br \/>\n<a href=\"http:\/\/www.popolvuh.nl\/\" target=\"_blank\">Popol Vuh<\/a> \u2014 <em>On The Way from &#8216;Nosferatu: Phantom of the Night&#8217;<\/em> (1979)<br \/>\n<a href=\"http:\/\/pyecorneraudio.bandcamp.com\/\" target=\"_blank\">The House In The Woods<\/a> \u2014 <em>Dark Lanterns<\/em> (2013)<br \/>\n<a href=\"http:\/\/sussandeyhim.com\/\" target=\"_blank\">Sussan Deyhim<\/a> \u2014 <em>Possessed<\/em> (2008)<br \/>\n<a href=\"http:\/\/isnajdui.bandcamp.com\/\" target=\"_blank\">Isnaj Dui<\/a> \u2014 <em>North<\/em> (2013)<br \/>\n<a href=\"http:\/\/www.mandiblechatter.com\/\" target=\"_blank\">Mandible Chatter<\/a> \u2014 <em>Blessings From The Kingdom Of Silence<\/em> (1997)<br \/>\n<a href=\"http:\/\/www.paulschutze.com\/\" target=\"_blank\">Paul Sch\u00fctze<\/a> \u2014 <em>The Rapture Of The Drowning<\/em> (1993)<br \/>\n<a href=\"http:\/\/roly-porter.squarespace.com\/\" target=\"_blank\">Roly Porter<\/a> \u2014 <em>Giant<\/em> (2013)<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/10\/31\/a-mix-for-halloween-ectoplasm-forming\/\">A mix for Halloween: Ectoplasm Forming<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/10\/31\/a-playlist-for-halloween-hauntology\/\">A playlist for Halloween: Hauntology<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/10\/31\/a-playlist-for-halloween-orchestral-and-electro-acoustic\/\">A playlist for Halloween: Orchestral and electro-acoustic<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/10\/30\/a-playlist-for-halloween-drones-and-atmospheres\/\">A playlist for Halloween: Drones and atmospheres<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/10\/31\/a-playlist-for-halloween-voodoo\/\">A playlist for Halloween: Voodoo!<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/31\/dead-on-the-dancefloor\/\">Dead on the Dancefloor<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/10\/31\/another-playlist-for-halloween\/\">Another playlist for Halloween<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/10\/31\/a-playlist-for-halloween\/\">A playlist for Halloween<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Unheimlich Manoeuvres by Feuilleton on Mixcloud Presenting the ninth Halloween playlist, and another mix of my own. The one last year was pretty abrasive so this year I&#8217;ve put together something that&#8217;s more concerned with atmospherics and dynamics than jangling the nerves. There&#8217;s some continuity in the presence of Roly Porter who brought things to &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/31\/a-mix-for-halloween-unheimlich-manoeuvres\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;A mix for Halloween: Unheimlich Manoeuvres&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[29,7,22,3],"tags":[2772,6628,802,8345,5045,6613,6627,6614,4777,6615,1905,6617,6626,6625,6624,6629,465,1900,4222,4516,2890,1639,6616],"class_list":["post-15918","post","type-post","status-publish","format-standard","hentry","category-electronica","category-film","category-horror","category-music","tag-cyclobe","tag-grant-miller","tag-harold-budd","tag-head-technician","tag-isnaj-dui","tag-jerzy-maksymiuk","tag-katie-english","tag-larry-sider","tag-lech-jankowski","tag-lull-musician","tag-lustmord","tag-mandible-chatter","tag-martin-jenkins","tag-mick-harris","tag-napalm-death","tag-neville-harson","tag-paul-schutze","tag-popol-vuh","tag-pye-corner-audio","tag-robin-guthrie","tag-roly-porter","tag-sussan-deyhim","tag-the-house-in-the-woods"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-48K","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15918"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15918\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}