{"id":15881,"date":"2014-10-21T01:35:46","date_gmt":"2014-10-21T00:35:46","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15881"},"modified":"2014-10-21T01:35:46","modified_gmt":"2014-10-21T00:35:46","slug":"the-recurrent-pose-55","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/21\/the-recurrent-pose-55\/","title":{"rendered":"The recurrent pose 55"},"content":{"rendered":"<p><a href=\"http:\/\/homotography.blogspot.co.uk\/2014\/10\/emilio-flores-by-matteo-felici.html\" target=\"_blank\"><img decoding=\"async\" alt=\"flandrin1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/flandrin1.jpg\" \/><\/a><\/p>\n<p>And still they come&#8230; These latest examples of the <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/02\/16\/evolution-of-an-icon\/\">Flandrin pose<\/a> are in the Flandrinesque category since they don&#8217;t quite match the figure in Flandrin&#8217;s painting. The one above is Spanish model Emilio Flores, photographed by Matteo Felici, one of a series featured at <a href=\"http:\/\/homotography.blogspot.co.uk\/2014\/10\/emilio-flores-by-matteo-felici.html\" target=\"_blank\">Homotography<\/a>. The one below is another of those mystery pictures whose origin is difficult to determine. The source site is <a href=\"http:\/\/nk-hart.tumblr.com\/\" target=\"_blank\">here<\/a> but, as with many Tumblr sites, it&#8217;s so slow to load its hoard of endlessly scrolling high-res photos that I&#8217;m afraid I didn&#8217;t search very far. Lastly, there&#8217;s <a href=\"http:\/\/santymito.tumblr.com\/post\/99412915738\/el-rey-midas-santymito-mexicanart\" target=\"_blank\">this photo<\/a> by\u00a0Santy Mito, a recommendation from a Twitter user.<\/p>\n<p><a href=\"http:\/\/24.media.tumblr.com\/34c27da6e7000088dff3a0b86f61b1fa\/tumblr_mtwxmfxxKu1srsqpdo1_500.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"flandrin2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/flandrin2.jpg\" \/><\/a><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-recurrent-pose-archive\/\">The recurrent pose archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>And still they come&#8230; These latest examples of the Flandrin pose are in the Flandrinesque category since they don&#8217;t quite match the figure in Flandrin&#8217;s painting. The one above is Spanish model Emilio Flores, photographed by Matteo Felici, one of a series featured at Homotography. The one below is another of those mystery pictures whose &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/10\/21\/the-recurrent-pose-55\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The recurrent pose 55&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[6583,1580,6584],"class_list":["post-15881","post","type-post","status-publish","format-standard","hentry","category-photography","tag-emilio-flores","tag-homotography","tag-matteo-felici"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-489","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15881"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15881\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}