{"id":1586,"date":"2007-03-10T00:23:13","date_gmt":"2007-03-10T00:23:13","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=1586"},"modified":"2008-07-23T15:22:46","modified_gmt":"2008-07-23T14:22:46","slug":"transfer-drawings-by-robert-rauschenberg","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/10\/transfer-drawings-by-robert-rauschenberg\/","title":{"rendered":"Transfer drawings by Robert Rauschenberg"},"content":{"rendered":"<p><a href=\"http:\/\/www.nytimes.com\/2007\/03\/08\/arts\/design\/08raus.html?ref=arts\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/03\/rauschenberg.jpg\" alt=\"rauschenberg.jpg\" \/><\/a><\/p>\n<p><em>No title (1969).<\/em><\/p>\n<p><strong>Robert Rauschenberg\u2013Transfer Drawings of the 1960s <\/strong><br \/>\n<a href=\"http:\/\/www.johg.com\/\" target=\"_blank\">Jonathan O&#8217;Hara Gallery <\/a><br \/>\n41 East 57th Street, Suite 1302, New York, NY 10022<br \/>\nFebruary 8th\u2013March 17th 2007<\/p>\n<blockquote><p>The transfer technique, which he took up in 1958, had remarkably few moving parts. It involved soaking newspaper or magazine clippings in solvent, laying them face down on drawing paper and then hatching back and forth across them with a dry pen nib. The results dazzle; in a flickering, almost strobelike effect, images seem to rise to the surface like memories through a scrim\u2014or through the static of a television set. The critic Lawrence Alloway likened the fluctuating motifs to \u201ca postcard stand in a windstorm.\u201d<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.nytimes.com\/2007\/03\/08\/arts\/design\/08raus.html?ref=arts\" target=\"_blank\">A Rarely Seen Side of a Rauschenberg Shift<\/a>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/02\/02\/jasper-johns\/\">Jasper Johns<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>No title (1969). Robert Rauschenberg\u2013Transfer Drawings of the 1960s Jonathan O&#8217;Hara Gallery 41 East 57th Street, Suite 1302, New York, NY 10022 February 8th\u2013March 17th 2007 The transfer technique, which he took up in 1958, had remarkably few moving parts. It involved soaking newspaper or magazine clippings in solvent, laying them face down on drawing &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/10\/transfer-drawings-by-robert-rauschenberg\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Transfer drawings by Robert Rauschenberg&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[],"class_list":["post-1586","post","type-post","status-publish","format-standard","hentry","category-art"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-pA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1586"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1586\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}