![\"saragossa1.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa1.jpg\")
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Polish poster (1965) by Jerzy Skarzynski who was also the film’s production designer.<\/em><\/p>\n I love The Saragossa Manuscript<\/em>, both the novel by Potocki and the movie by Has. I saw the film three times which, in my case, is absolutely exceptional.<\/p>\n Luis Bu\u00f1uel in My Last Sigh (1983)<\/em><\/p><\/blockquote>\n No surprise that a lifelong Surrealist was enamoured with Jan Potocki’s rambling collection of stories-within-stories. The 1965 Polish film by Wojciech Has had another famous enthusiast in Jerry Garcia whose efforts to restore and reissue The Saragossa Manuscript<\/em> helped bring the film to a new generation of viewers in 1999. I was a beneficiary of this, having been intrigued for years by descriptions whilst hoping in vain that it might turn up on television. I prefer the film to the novel although to be fair to Potocki it’s a long time since I read his book.<\/p>\n Another Polish design showing Zbigniew Cybulski as Alphonse.<\/em><\/p>\n Watching The Saragossa Manuscript<\/em> again this weekend sent me looking for posters, some of which can be seen below. There are odd omissions: plenty of examples from the Eastern Bloc countries but few at all from Western Europe. The film suffered by having its 3-hour running time hacked about by distributors which didn’t help its reception outside Poland. The manuscript of the title is a book discovered during a skirmish in the Napoleonic wars, an account of the strange adventures of Alphonse Van Worden in the Sierra Morena region of Spain; one of the soldiers reading the manuscript is Van Worden’s grandson, the first of many coincidental connections. Van Worden’s adventures seem macabre at first\u2014there are more bones in the opening scenes than in many horror films\u2014but they soon turn farcical. As a burgeoning cast of characters appears, many of whom have their own tales to tell, the mood veers into outright sex comedy, albeit with mild philosophical overtones. Some scenes aren’t very far removed from Monty Python, especially those that feature an inept band of Spanish Inquisitors.<\/p>\n Background drawings from the title sequence. Yes, the score is by Penderecki, his first.<\/em><\/p>\n All of which means this is another film that presents a challenge for a poster designer. Most of the early examples take their cues from the opening titles whose backgrounds feature drawings with a vaguely Surrealist and occult flavour that I’m guessing are also the work of Jerzy Skarzynski.<\/p>\n <\/p>\n A Czech poster (1966) by Zden\u011bk Kaplan. A marvellous design even if it doesn’t communicate very much about the film.<\/p>\n Via eBay, a Yugoslav design from 1965 using more of the graphics from the title sequence. A shame there isn’t a larger copy available.<\/p>\n A Spanish design playing up the sex angle.<\/p>\n Cuba received imported films from the Eastern Bloc so this is a Cuban poster by Holbe\u00edn L\u00f3pez from 1966. A nice owl but it doesn’t tell a would-be audience what they might be seeing.<\/p>\n The reissue of the restored print in 1999 required a new poster design so Benjamin R. Dewey produced this drawing that nods to the Grateful Dead’s psychedelic artwork. Seductive pairs of women appear throughout the film’s tales. Dewey’s poster can be seen at very large size here<\/a>.<\/p>\n Skarzynski’s drawings are reworked in a recent Greek design.<\/p>\n A Polish design from 2014 by Ryszard Kaja<\/a>, although this is for a stage production not the film. I’ve included it here because it brings things full circle, and it’s also a great design for making plain the maze-like nature of the story.<\/p>\n The Saragossa Manuscript<\/em> has been available on DVD for over a decade now, and there’s also a Blu-ray edition. DVD Beaver<\/a> compares the latter with the original release which is the one I own, and whose quality palls in comparison. Time for an upgrade, I think. Some additional links:<\/p>\n \u2022 From 1999: Saragossa Manuscript Makes Long, Strange Trip Back to Screen<\/a> Previously on { feuilleton } Polish poster (1965) by Jerzy Skarzynski who was also the film’s production designer. I love The Saragossa Manuscript, both the novel by Potocki and the movie by Has. I saw the film three times which, in my case, is absolutely exceptional. Luis Bu\u00f1uel in My Last Sigh (1983) No surprise that a lifelong Surrealist was … Continue reading “Saragossa Manuscript posters”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,7,18,46],"tags":[6556,1320,2125,1559,6555,3584,6552,6550,1638,461,3639,6558,6557,123,6551,219,6553,6554],"class_list":["post-15848","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-film","category-surrealism","category-theatre","tag-benjamin-r-dewey","tag-bob-peak","tag-cardboard-cutout-sundown","tag-dr-mabuse","tag-holbein-lopez","tag-jan-potocki","tag-jerry-garcia","tag-jerzy-skarzynski","tag-krzysztof-penderecki","tag-lucifer","tag-luis-bunuel","tag-nick-roddick","tag-ryszard-kaja","tag-salome","tag-the-saragossa-manuscript","tag-wojciech-has","tag-zbigniew-cybulski","tag-zdenek-kaplan"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-47C","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15848"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15848\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"saragossa2.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa2.jpg\")
<\/p>\n![\"saragossa10.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa10.jpg\")
<\/p>\n![\"saragossa3.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa3.jpg\")
<\/p>\n![\"saragossa4.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa4.jpg\")
<\/p>\n![\"saragossa9.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa9.jpg\")
<\/p>\n![\"saragossa5.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa5.jpg\")
<\/p>\n![\"saragossa6.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa6.jpg\")
<\/a><\/p>\n![\"saragossa7.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa7.jpg\")
<\/p>\n![\"saragossa8.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/10\/saragossa8.jpg\")
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\n\u2022 Wojciech Has: curiouser and curiouser<\/a> by Nick Roddick
\n\u2022 Jerzy Skarzynski<\/a> at Cardboard Cutout Sundown<\/p>\n
\n\u2022 Parajanov posters<\/a>
\n\u2022 The poster art of Akiko Stehrenberger<\/a>
\n\u2022 La Belle et la B\u00eate posters<\/a>
\n\u2022 Dr Mabuse posters<\/a>
\n\u2022 The poster art of Frank McCarthy<\/a>
\n\u2022 Repulsion posters<\/a>
\n\u2022 The poster art of Vic Fair<\/a>
\n\u2022 Petulia film posters<\/a>
\n\u2022 Lucifer Rising posters<\/a>
\n\u2022 Wild Salom\u00e9s<\/a>
\n\u2022 Druillet\u2019s vampires<\/a>
\n\u2022 Bob Peak revisited<\/a>
\n\u2022 Alice in Acidland<\/a>
\n\u2022 Salom\u00e9 posters<\/a>
\n\u2022 Polish posters: Freedom on the Fence<\/a>
\n\u2022 Kaleidoscope: the switched-on thriller<\/a>
\n\u2022 The Robing of The Birds<\/a>
\n\u2022 Franciszek Starowieyski, 1930\u20132009<\/a>
\n\u2022 Dallamano\u2019s Dorian Gray<\/a>
\n\u2022 Czech film posters<\/a>
\n\u2022 The poster art of Richard Amsel<\/a>
\n\u2022 Bollywood posters<\/a>
\n\u2022 Lussuria, Invidia, Superbia<\/a>
\n\u2022 The poster art of Bob Peak<\/a>
\n\u2022 A premonition of Premonition<\/a>
\n\u2022 Metropolis posters<\/a>
\n\u2022 Film noir posters<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"