{"id":15780,"date":"2014-09-28T02:24:31","date_gmt":"2014-09-28T01:24:31","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15780"},"modified":"2014-09-28T02:24:31","modified_gmt":"2014-09-28T01:24:31","slug":"weekend-links-227","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/28\/weekend-links-227\/","title":{"rendered":"Weekend links 227"},"content":{"rendered":"

\"grim.jpg\"<\/a><\/p>\n

A Follower by Jason Grim<\/a>.<\/em><\/p>\n

\u2022 Haunted Futures<\/em><\/a>, a multi-genre anthology from Ghostwoods Books, will feature stories by Warren Ellis, John Reppion, Liesel Schwarz, Chuck Wendig, Richard Kadrey, Stephen Blackmoore and others. It will also feature some of my illustrations but only if this this Kickstarter fund<\/a> is successful.<\/p>\n

\u2022 “…at issue here is restriction versus potential: protect a specific set of choices versus open the field to the exploration of everything.” Sam Potts <\/a>offers a refutation of Robert Bringhurst’s design textbook The Elements of Typographic Style<\/em>.<\/p>\n

\u2022 “I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath.” Morgan Meis<\/a> quoting David Lynch in a review of David Lynch: The Unified Field<\/em><\/a>, a new exhibition of Lynch’s paintings.<\/p>\n

But among these novels only Moravagine<\/em>, first discovered for English-speaking readers by Henry Miller and a direct ancestor of C\u00e9line\u2019s Voyage au bout de la nuit<\/em>, has survived as an underground classic. A monstrous admixture of Lautr\u00e9amont\u2019s Maldoror, Feuillade\u2019s Fant\u00f4mas, Nietzsche\u2019s Superman, Jack the Ripper and (according to the Cendrars scholar Jay Bochner) the deranged Jung and Freud disciple Otto Gross, Moravagine remains Cendrars\u2019s most nihilistic and darkly comic other.<\/p>\n

Richard Sieburth<\/a> on Blaise Cendrars and his “Dada update of Dostoevsky”, coincidentally the subject of a post<\/a> here earlier in the week.<\/em><\/p><\/blockquote>\n

\u2022 “…the duchess became enthralled with the idea of creating a garden of plants that could kill instead of heal.” Natasha Geiling<\/a> on Jane Percy’s Poison Garden.<\/p>\n

\u2022 Mix of the week: Kosmik Elektronik [part 3]<\/a> by The Kosmische Club. More Kosmische musik: Agitation Free<\/a> on French television in 1973.<\/p>\n

\u2022 At Dangerous Minds: Secret Weapons<\/em> (1972), 22 minutes of made-for-TV dystopian science fiction directed by David Cronenberg<\/a>.<\/p>\n

\u2022 Project Praeterlimina<\/a>, “a journal of daemonology, magic, and the human condition”.<\/p>\n

\u2022 The NOS Project<\/em><\/a>: download Shed’s score for Murnau’s Nosferatu<\/em>.<\/p>\n

\u2022 At Lambda Literary: Toy<\/em>, a poem by Evan J. Peterson<\/a>.<\/p>\n

\u2022 Drew Daniel<\/a> doesn’t want to play the listicle game.<\/p>\n

\u2022 Surrealism and Magic<\/a><\/p>\n

\u2022 Stuff in old books<\/a><\/p>\n

\u2022 Haunted Island<\/em><\/a> (1973) by Agitation Free | Haunted Heights<\/em><\/a> (1977) by Peter Baumann | Haunted Dancehall<\/em><\/a> (1994) by The Sabres of Paradise<\/p>\n","protected":false},"excerpt":{"rendered":"

A Follower by Jason Grim. \u2022 Haunted Futures, a multi-genre anthology from Ghostwoods Books, will feature stories by Warren Ellis, John Reppion, Liesel Schwarz, Chuck Wendig, Richard Kadrey, Stephen Blackmoore and others. It will also feature some of my illustrations but only if this this Kickstarter fund is successful. \u2022 “…at issue here is restriction … Continue reading “Weekend links 227”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,5,22,3,16,44,12,20,18,19,23],"tags":[6496,6224,4477,2207,265,2377,1035,5269,6484,6492,5948,6495,6483,6486,6487,4004,6494,6498,6488,6493,6491,3221,6490,6497,6489,6499,6485],"class_list":["post-15780","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-painting","category-photography","category-science-fiction","category-surrealism","category-television","category-work","tag-agitation-free","tag-blaise-cendrars","tag-chuck-wendig","tag-david-cronenberg","tag-david-lynch","tag-drew-daniel","tag-evan-j-peterson","tag-fw-murnau","tag-ghostwoods-books","tag-henry-miller","tag-jack-the-ripper","tag-jane-percy","tag-jason-grim","tag-john-reppion","tag-liesel-schwarz","tag-morgan-meis","tag-natasha-geiling","tag-peter-baumann","tag-richard-kadrey","tag-richard-sieburth","tag-robert-bringhurst","tag-sabres-of-paradise","tag-sam-potts","tag-shed-musician","tag-stephen-blackmoore","tag-the-sabres-of-paradise","tag-warren-ellis"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-46w","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15780"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15780\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}