{"id":15726,"date":"2014-09-15T02:06:36","date_gmt":"2014-09-15T01:06:36","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15726"},"modified":"2014-09-15T06:24:10","modified_gmt":"2014-09-15T05:24:10","slug":"secret-joy-of-falling-angels-a-film-by-simon-pummell","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/15\/secret-joy-of-falling-angels-a-film-by-simon-pummell\/","title":{"rendered":"Secret Joy of Falling Angels, a film by Simon Pummell"},"content":{"rendered":"

\"angels.jpg\"<\/a><\/p>\n

An animated film from 1991,\u00a0Secret Joy of Falling Angels<\/em><\/a> layers a variety of ink and paint effects, sketched outlines and a silhouetted bird skeleton. This creates a very different group of animated angels to those in Borowczyk’s Les Jeux des Anges<\/em><\/a> and Bokanowski’s L’Ange<\/em><\/a> although taken together all three films would make for a strange and unique triple-bill. In a previous post I quoted producer Keith Griffiths enthusing about Bokanowski’s masterwork, and Griffiths happens to be the producer of Simon Pummell’s film. Pummell also offers thanks to those regular Griffiths collaborators (and fellow Bokanowski enthusiasts) the Brothers Quay. (Note: the Vimeo page has “Fallen Angels” but the title on the film is “Falling Angels”.)<\/p>\n","protected":false},"excerpt":{"rendered":"

An animated film from 1991,\u00a0Secret Joy of Falling Angels layers a variety of ink and paint effects, sketched outlines and a silhouetted bird skeleton. This creates a very different group of animated angels to those in Borowczyk’s Les Jeux des Anges and Bokanowski’s L’Ange although taken together all three films would make for a strange … Continue reading “Secret Joy of Falling Angels, a film by Simon Pummell”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,7],"tags":[399,6452,423,6453,4056],"class_list":["post-15726","post","type-post","status-publish","format-standard","hentry","category-animation","category-film","tag-brothers-quay","tag-keith-griffiths","tag-patrick-bokanowski","tag-simon-pummell","tag-walerian-borowczyk"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-45E","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15726"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15726\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}