{"id":15720,"date":"2014-09-14T01:37:54","date_gmt":"2014-09-14T00:37:54","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15720"},"modified":"2014-09-14T01:37:54","modified_gmt":"2014-09-14T00:37:54","slug":"weekend-links-225","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/14\/weekend-links-225\/","title":{"rendered":"Weekend links 225"},"content":{"rendered":"<p><a href=\"http:\/\/www.youtube.com\/watch?v=5-0KPS1ZzDw\" target=\"_blank\"><img decoding=\"async\" alt=\"mori.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/mori.jpg\" \/><\/a><\/p>\n<p><em>Still from <a href=\"http:\/\/www.youtube.com\/watch?v=5-0KPS1ZzDw\" target=\"_blank\">The Shaman-Girl&#8217;s Prayer<\/a> (1997), a video piece by <a href=\"http:\/\/isysarchive.tv\/on-pioneers-mariko-mori\/\" target=\"_blank\">Mariko Mori<\/a>. <a href=\"http:\/\/isysarchive.tv\/on-pioneers-mariko-mori\/\" target=\"_blank\">This page<\/a> has pictures of Mori&#8217;s futuristic\/cosmic performances, films &amp; environments.<\/em><\/p>\n<p>\u2022 <em>Time Out of Mind<\/em> (1979) was a BBC TV series about science fiction writers, five short films concentrating on <a href=\"http:\/\/www.youtube.com\/watch?v=b6RCLBHtEhw\" target=\"_blank\">Arthur C. Clarke<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=nIjGgC9qBP4\" target=\"_blank\">John Brunner<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=AhSFzbvwWBU\" target=\"_blank\">Michael Moorcock<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=7kxbbPChF6U\" target=\"_blank\">Anne McCaffrey<\/a> and <a href=\"http:\/\/www.youtube.com\/watch?v=jMga-1TVZWc\" target=\"_blank\">an sf convention<\/a>. I was only interested in the Moorcock film at the time, not least because it featured a short clip of Hawkwind playing <a href=\"http:\/\/www.youtube.com\/watch?v=MoZ_Lg21b14\" target=\"_blank\"><em>Silver Machine<\/em><\/a>, and inserted scenes from the film of <a href=\"http:\/\/www.youtube.com\/watch?v=76woVbd9IdU\" target=\"_blank\"><em>The Final Programme<\/em><\/a> (1973) between the interviews. The Moorcock episode is less about his books than about <em>New Worlds<\/em> magazine and the so-called New Wave of sf in general, so you also see rare footage of M. John Harrison in a Barney Bubbles &#8220;Blockhead&#8221; T-shirt talking then ascending a limestone cliff, and bits of interviews with Brian Aldiss and Thomas Disch. Ballard isn&#8217;t interviewed but is present via a scene from the\u00a0Harley Cokeliss film <a href=\"http:\/\/www.youtube.com\/watch?v=JinzENZA90s\" target=\"_blank\"><em>Crash!<\/em><\/a> (1971) in which Gabrielle Drake slides in and out of a car while someone reads <em>Elements of an Orgasm<\/em> from <em>The Atrocity Exhibition<\/em>.<\/p>\n<p>\u2022 &#8220;&#8230;there happened to be a book on Ritual Magick that talked about John Dee and summonings and Dr. Faust and all that kind of stuff. So then obviously at that age, too, I read HP Lovecraft and then Michael Moorcock and what they call fantasy literature. Through HP Lovecraft I discovered Arthur Machen, and I think that sort of percolated down inside&#8230;&#8221; <a href=\"http:\/\/www.steelforbrains.com\/post\/96973262097\/dylan-carlson\" target=\"_blank\">Dylan Carlson<\/a> of Earth talking to Steel for Brains. <em><a href=\"http:\/\/www.thewire.co.uk\/audio\/tracks\/listen_dylan-carlson-solo-and-earth-tracks\" target=\"_blank\">The Wire<\/a><\/em> has the vinyl-only track from the new Earth album, <a href=\"http:\/\/www.southernlord.com\/releases\/view\/primitive-and-deadly\" target=\"_blank\"><em>Primitive And Deadly<\/em><\/a>, and a track from Carlson&#8217;s solo album, <em>Gold<\/em>. Related: Artwork by <a href=\"http:\/\/bldbnkdsgn.com\/\" target=\"_blank\">Samantha Muljat<\/a>, designer\/photographer for the new Earth album.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.phantasmaphile.com\/2014\/09\/new-abraxas-x-2.html\" target=\"_blank\">Phantasmaphile<\/a> has details of the next two issues of deluxe occult magazine <em>Abraxas. <\/em>Issue 6 includes a major feature on Leonora Carrington while <em>Luminous Screen<\/em> is a special issue devoted to occult cinema.<\/p>\n<p>\u2022 More Broadcast: <a href=\"http:\/\/vimeo.com\/11641209\" target=\"_blank\">Video<\/a> of a performance at Teatro Comunale di Carpi, March 2010 (part 2 <a href=\"http:\/\/vimeo.com\/album\/223668\/video\/10704949\" target=\"_blank\">here<\/a>), and &#8220;constellators and artifacts&#8221; at <a href=\"http:\/\/ayearinthecountry.co.uk\/broadcast-constellators-and-artifacts-day-249\/\" target=\"_blank\">A Year In The Country<\/a>.<\/p>\n<p>\u2022 &#8220;<a href=\"http:\/\/o.canada.com\/news\/petition-demands-return-of-penis-satan-statue-to-vancouver\" target=\"_blank\">Petition demands return of &#8216;Penis Satan&#8217; statue to Vancouver.<\/a>&#8221; There&#8217;s an uncensored photo of the contentious statue <a href=\"http:\/\/www.vancitybuzz.com\/2014\/09\/campaign-arises-bring-back-raunchy-pop-satan-statue\/\" target=\"_blank\">here<\/a>.<\/p>\n<p>\u2022 Literary Alchemy and Graphic Design: <a href=\"http:\/\/designobserver.com\/feature\/literary-alchemy-and-graphic-design\/38570\/\" target=\"_blank\">Adrian Shaughnessy<\/a> on James Joyce&#8217;s writings among graphic designers.<\/p>\n<p>\u2022\u00a0Frank Pizzoli talks to <a href=\"http:\/\/www.lambdaliterary.org\/features\/09\/10\/john-rechy-on-the-gay-sensibility-melding-truth-and-fiction-and-his-literary-legacy\/\" target=\"_blank\">John Rechy<\/a> about &#8220;the gay sensibility&#8221;, melding truth and fiction, and his literary legacy.<\/p>\n<p>\u2022 Mixes of the week: Secret Thirteen Mix 127 by <a href=\"http:\/\/secretthirteen.org\/roberto-crippa-mix\/\" target=\"_blank\">Roberto Crippa<\/a>, and FACT Mix 459 by <a href=\"http:\/\/www.factmag.com\/2014\/09\/08\/fact-mix-459-craig-leon\/\" target=\"_blank\">Craig Leon<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.theguardian.com\/books\/2014\/sep\/10\/alan-moore-finishes-million-word-novel-watchmen-v-for-vendetta\" target=\"_blank\">Alan Moore<\/a> has finished the first draft of his million-word novel, <em>Jerusalem<\/em>.<\/p>\n<p>\u2022 Crazy pavings: <a href=\"http:\/\/www.theguardian.com\/artanddesign\/alexs-adventures-in-numberland\/2014\/sep\/09\/crazy-paving-the-twisted-world-of-parquet-deformations\" target=\"_blank\">Alex Bellos<\/a> on Craig Kaplan&#8217;s parquet deformations.<\/p>\n<p>\u2022 <a href=\"http:\/\/noisenotmusic.wordpress.com\/\" target=\"_blank\">Noise Not Music<\/a>: &#8220;Live recordings, obscure cassettes and more&#8230;&#8221;<\/p>\n<p>\u2022 <a href=\"http:\/\/www.pylonofthemonth.org\/\" target=\"_blank\">Pylon of the Month<\/a><\/p>\n<p>\u2022 <em><a href=\"http:\/\/www.youtube.com\/watch?v=KqKHh7DvQL8\" target=\"_blank\">Zoot Kook<\/a><\/em> (1980) by Sandii | <em><a href=\"http:\/\/www.youtube.com\/watch?v=WRSm1osRINo\" target=\"_blank\">Rose Garden<\/a><\/em> (1981) by Akiko Yano | <a href=\"http:\/\/www.youtube.com\/watch?v=U9Ci0zGxQ1A\" target=\"_blank\"><em>Telstar<\/em><\/a> (1997) by Takako Minekawa<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Still from The Shaman-Girl&#8217;s Prayer (1997), a video piece by Mariko Mori. This page has pictures of Mori&#8217;s futuristic\/cosmic performances, films &amp; environments. \u2022 Time Out of Mind (1979) was a BBC TV series about science fiction writers, five short films concentrating on Arthur C. Clarke, John Brunner, Michael Moorcock, Anne McCaffrey and an sf &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/14\/weekend-links-225\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 225&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,7,5,43,3,16,20,41,19],"tags":[6350,3092,6450,103,559,6447,6441,4231,197,86,2588,4158,6448,6446,3317,3316,5127,3533,6443,6442,222,1687,135,137,6440,766,4779,731,2291,6439,65,346,546,6445,6444,6449,6451,3453],"class_list":["post-15720","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-magazines","category-music","category-occult","category-science-fiction","category-sculpture","category-television","tag-a-year-in-the-country","tag-adrian-shaughnessy","tag-akiko-yano","tag-alan-moore","tag-alchemy","tag-alex-bellos","tag-anne-mccaffrey","tag-arthur-c-clarke","tag-arthur-machen","tag-barney-bubbles","tag-brian-aldiss","tag-broadcast-group","tag-craig-kaplan","tag-craig-leon","tag-dylan-carlson","tag-earth-group","tag-faust","tag-frank-pizzoli","tag-gabrielle-drake","tag-harley-cokeliss","tag-hawkwind","tag-hp-lovecraft","tag-james-joyce","tag-jg-ballard","tag-john-brunner","tag-john-dee","tag-john-rechy","tag-leonora-carrington","tag-m-john-harrison","tag-mariko-mori","tag-michael-moorcock","tag-new-worlds","tag-phantasmaphile","tag-roberto-crippa","tag-samantha-muljat","tag-sandii","tag-takako-minekawa","tag-thomas-disch"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-45y","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15720"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15720\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}