{"id":15711,"date":"2014-09-11T01:24:28","date_gmt":"2014-09-11T00:24:28","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15711"},"modified":"2014-09-11T01:24:28","modified_gmt":"2014-09-11T00:24:28","slug":"american-art-posters-of-the-1890s","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/11\/american-art-posters-of-the-1890s\/","title":{"rendered":"American Art Posters of the 1890s"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"posters1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters1.jpg\" \/><\/p>\n<p>Selections from <a href=\"https:\/\/archive.org\/details\/americanartposters1890s\" target=\"_blank\">a 1987 Metropolitan Museum of Art exhbition catalogue<\/a> which features many more colour plates. My choices gravitate as usual to the American Beardsley, Will Bradley. The other artists here are EB Bird (above) and Louis Rhead, both of whom also produced bookplate designs (see <a href=\"https:\/\/archive.org\/details\/ebbirdhisbookpla00birdrich\" target=\"_blank\">here<\/a> and <a href=\"https:\/\/archive.org\/details\/collectionofbook00rheaiala\" target=\"_blank\">here<\/a>).<\/p>\n<p><img decoding=\"async\" alt=\"posters2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters2.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"posters3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters3.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"posters4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters4.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"posters5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters5.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"posters6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters6.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"posters7.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters7.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"posters8.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters8.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"posters9.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/posters9.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/10\/06\/posters-a-critical-study-1913\/\">Posters: A Critical Study, 1913<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/09\/30\/will-bradley-posters\/\">Will Bradley posters<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/07\/23\/troutsdale-press-bookplates\/\">Troutsdale Press bookplates<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/04\/29\/louis-rhead-bookplates\/\">Louis Rhead bookplates<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/05\/19\/louis-rheads-peacocks\/\">Louis Rhead\u2019s peacocks<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selections from a 1987 Metropolitan Museum of Art exhbition catalogue which features many more colour plates. My choices gravitate as usual to the American Beardsley, Will Bradley. The other artists here are EB Bird (above) and Louis Rhead, both of whom also produced bookplate designs (see here and here).<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,4],"tags":[6436,78,444,965],"class_list":["post-15711","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-design","tag-elisha-brown-bird","tag-louis-rhead","tag-peacocks","tag-will-bradley"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-45p","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15711"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15711\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}