{"id":15709,"date":"2014-09-10T02:47:35","date_gmt":"2014-09-10T01:47:35","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15709"},"modified":"2014-09-10T02:47:35","modified_gmt":"2014-09-10T01:47:35","slug":"salon-de-la-rose-croix","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/10\/salon-de-la-rose-croix\/","title":{"rendered":"Salon de la Rose + Croix"},"content":{"rendered":"<p><a href=\"http:\/\/digitalgallery.nypl.org\/nypldigital\/dgkeysearchdetail.cfm?trg=1&amp;strucID=171250&amp;imageID=118589&amp;total=7&amp;num=0&amp;word=schwabe&amp;s=1&amp;notword=&amp;d=&amp;c=&amp;f=&amp;k=1&amp;lWord=&amp;lField=&amp;sScope=&amp;sLevel=&amp;sLabel=&amp;sort=&amp;imgs=20&amp;pos=3&amp;e=w\" target=\"_blank\"><img decoding=\"async\" alt=\"salonrc01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc01.jpg\" \/><\/a><\/p>\n<p>Carlos Schwabe&#8217;s poster from 1892 for the first of Jos\u00e9phin P\u00e9ladan&#8217;s art and music Salons de la Rose + Croix. The &#8220;S\u00e2r&#8221; Peladan&#8217;s imposition on the artistic life of Paris in the 1890s may have the smack of a vanity project but he caused enough of a stir to give Rosicrucianism an unlikely fashionabilty for a while. The <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Rose-Croix_esth\u00e9tique\" target=\"_blank\">roster of contributing artists<\/a> is also impressive, almost a who&#8217;s who of Symbolist art. There were six salons in all, the last being in 1897. The <a href=\"http:\/\/en.wikipedia.org\/wiki\/File:Poster_for_the_fifth_Salon_de_la_Rose%2BCroix_Point_Sarluis.jpg\" target=\"_blank\">poster for the fifth salon<\/a> by Armand Point &amp; L\u00e9onard Sarluis shows Perseus holding the decapitated head of \u00c9mile Zola. The evangelist of literary realism was one of Symbolism&#8217;s arch-enemies but that didn&#8217;t prevent Carlos Schwabe from producing illustrations for <em>Le R\u00eave<\/em>.<\/p>\n<p>The pages below are from Peladan&#8217;s many books, <a href=\"https:\/\/archive.org\/details\/laquestedugraalp00pl\" target=\"_blank\"><em>La Queste du Graal: Proses Lyriques de l&#8217;\u00c9thop\u00e9e; La D\u00e9cadence Latine<\/em><\/a> (1892). The illustrations aren&#8217;t the best reproductions, and they aren&#8217;t the greatest artworks either, but they give a sense of what Peladan wanted to see embellishing his own brand of artistic mysticism. Gallica has <a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/bpt6k5470406r\/f6.planchecontact.r=Peladan,%20Jos\u00e9phin.langEN\" target=\"_blank\">a Salon de la Rose + Croix catalogue<\/a> (also from 1892) but like many of the documents archived there the quality leaves a lot to be desired.<\/p>\n<p><img decoding=\"async\" alt=\"salonrc02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc02.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"salonrc03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc03.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc04.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc05.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc07.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc08.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc09.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc10.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc11.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc11.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc12.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc12.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"salonrc13.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/salonrc13.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/09\/the-art-of-carlos-schwabe-1866-1926\/\">The art of Carlos Schwabe, 1866\u20131926<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/08\/17\/landrogyne\/\">L\u2019Androgyne<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/11\/carlos-schwabes-fleurs-du-mal\/\">Carlos Schwabe\u2019s Fleurs du Mal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carlos Schwabe&#8217;s poster from 1892 for the first of Jos\u00e9phin P\u00e9ladan&#8217;s art and music Salons de la Rose + Croix. The &#8220;S\u00e2r&#8221; Peladan&#8217;s imposition on the artistic life of Paris in the 1890s may have the smack of a vanity project but he caused enough of a stir to give Rosicrucianism an unlikely fashionabilty for &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/10\/salon-de-la-rose-croix\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Salon de la Rose + Croix&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,16,31],"tags":[6433,3449,6435,649,6434,6432],"class_list":["post-15709","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-occult","category-religion","tag-armand-point","tag-carlos-schwabe","tag-emile-zola","tag-josephin-peladan","tag-leonard-sarluis","tag-salon-de-la-rose-croix"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-45n","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15709"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15709\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}