{"id":15683,"date":"2014-09-07T01:27:13","date_gmt":"2014-09-07T00:27:13","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15683"},"modified":"2014-09-07T01:27:13","modified_gmt":"2014-09-07T00:27:13","slug":"weekend-links-224","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/07\/weekend-links-224\/","title":{"rendered":"Weekend links 224"},"content":{"rendered":"

\"zona.jpg\"<\/a><\/p>\n

Zona: concept art by Alex Andreyev<\/a> for a planned TV series based on Roadside Picnic by Arkady & Boris Strugatsky.<\/em><\/p>\n

\u2022 The Black Sessions<\/a> are a long-running series of concerts by international artists recorded for radio station France Inter<\/a>. UK group Broadcast were recorded by the station in May, 2000. While copies of the shows can be often be hard to find, files of the Broadcast concert may be downloaded here<\/a>. A fantastic performance, especially the white-hot psychedelic freakout at the end.<\/p>\n

\u2022 Further investigations from the radio age: Invention for Radio No. 1: The Dreams<\/em><\/a> (43 mins, 1964): “an attempt to re-create in five movements some sensations of dreaming\u2014running away, falling, landscape, underwater and colour”. Voices recorded by Barry Bermange with Radiophonic manipulation by Delia Derbyshire.<\/p>\n

\u2022 “…in his first description of Cthulhu he gives you a list of four things that Cthulhu isn’t quite like.” Nick Talbot talks to Alan Moore<\/a> about HP Lovecraft. Related: one of my depictions of Azathoth appears in this list<\/a> of “gods who have forsaken you”.<\/p>\n

\u2022 Tracking the locations of JG Ballard\u2019s Super-Cannes<\/em>: an investigation by Rick Poynor<\/a>. Related: houseboats, architecture and eco-disaster; Justin Sullivan<\/a> photographs California’s extreme drought.<\/p>\n

\u2022 “As her writing career existed outside the realm of respectable ‘high-lit’ fiction, she cast herself as an outsider icon.” Chris Kraus<\/a> on I’m Very Into You<\/em>, a collection of Kathy Acker’s emails.<\/p>\n

\u2022 Cover design inspiring fiction: Susan Coll<\/a> on how a photo of a Bauhaus chair on the cover of her new novel, The Stager<\/em>, made her alter her text at the last minute.<\/p>\n

\u2022 “People were either taken by it or felt it was the Antichrist.” MetaFilter<\/a> on Clair Noto’s unmade science-fiction film, The Tourist<\/em>.<\/p>\n

\u2022 The Norwood Variations<\/em><\/a> is a new album by Drew Mulholland (Mount Vernon Arts Lab et al).<\/p>\n

\u2022 Thought Maybe has a collection of the television essays made by Adam Curtis<\/a>.<\/p>\n

\u2022 From 1974: How To Make Magic<\/em><\/a>, a children’s handbook of the occult.<\/p>\n

\u2022 Mix of the week: Secret Thirteen Mix 126 by Mira Calix<\/a>.<\/p>\n

\u2022 One Minute Blasts Rising To Three And Then Diminishing<\/a><\/em> (2000) by Mount Vernon Arts Lab | Dashwood’s Reverie<\/a><\/em> (2001) by Mount Vernon Arts Lab | Warner’s Reverie<\/a><\/em> (2002) by Mount Vernon Astral Temple<\/p>\n","protected":false},"excerpt":{"rendered":"

Zona: concept art by Alex Andreyev for a planned TV series based on Roadside Picnic by Arkady & Boris Strugatsky. \u2022 The Black Sessions are a long-running series of concerts by international artists recorded for radio station France Inter. UK group Broadcast were recorded by the station in May, 2000. While copies of the shows … Continue reading “Weekend links 224”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,7,22,26,3,16,12,14,31,20,19],"tags":[498,103,6423,3685,6424,3686,4158,6427,6429,104,183,5213,1687,137,6426,3001,6430,5212,6431,6425,1463,4576,1333,6428],"class_list":["post-15683","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-film","category-horror","category-lovecraft","category-music","category-occult","category-photography","category-politics","category-religion","category-science-fiction","category-television","tag-adam-curtis","tag-alan-moore","tag-alex-andreyev","tag-arkady-strugatsky","tag-barry-bermange","tag-boris-strugatsky","tag-broadcast-group","tag-chris-kraus","tag-clair-noto","tag-cthulhu","tag-delia-derbyshire","tag-drew-mulholland","tag-hp-lovecraft","tag-jg-ballard","tag-justin-sullivan","tag-kathy-acker","tag-mira-calix","tag-mount-vernon-arts-lab","tag-mount-vernon-astral-temple","tag-nick-talbot","tag-rick-poynor","tag-roadside-picnic","tag-stalker","tag-susan-coll"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-44X","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15683"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15683\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}