{"id":15667,"date":"2014-09-01T02:25:42","date_gmt":"2014-09-01T01:25:42","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15667"},"modified":"2014-09-03T01:34:53","modified_gmt":"2014-09-03T00:34:53","slug":"percy-walter-wolffs-die-vorholle","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/01\/percy-walter-wolffs-die-vorholle\/","title":{"rendered":"Percy Walter Wolff&#8217;s Die Vorh\u00f6lle"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"wolff1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/wolff1.jpg\" \/><\/p>\n<p>Another name to add to the long list of Beardsley followers, Percy Walter Wolff is so obscure as to be almost completely absent from web records. This suggests that <a href=\"https:\/\/archive.org\/details\/dievorholleeinel00baud\" target=\"_blank\"><em>Die Vorh\u00f6lle: Eine Lyrische Nachlese<\/em><\/a> (1911), a Baudelaire collection, may be the only book he illustrated. The drawings make me wonder what Beardsley himself\u2014who put a copy of\u00a0<em>Les Fleurs du Mal<\/em> on a shelf in <em>Salom\u00e9<\/em>\u2014might have done with the same subject.<\/p>\n<p><img decoding=\"async\" alt=\"wolff2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/wolff2.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"wolff3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/wolff3.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"wolff4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/wolff4.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"wolff5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/wolff5.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"wolff6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/09\/wolff6.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/03\/08\/the-art-of-mario-laboccetta\/\">The art of Mario Laboccetta<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/03\/11\/carlos-schwabes-fleurs-du-mal\/\">Carlos Schwabe\u2019s Fleurs du Mal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another name to add to the long list of Beardsley followers, Percy Walter Wolff is so obscure as to be almost completely absent from web records. This suggests that Die Vorh\u00f6lle: Eine Lyrische Nachlese (1911), a Baudelaire collection, may be the only book he illustrated. The drawings make me wonder what Beardsley himself\u2014who put a &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/09\/01\/percy-walter-wolffs-die-vorholle\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Percy Walter Wolff&#8217;s Die Vorh\u00f6lle&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,30,42],"tags":[94,2346,6412],"class_list":["post-15667","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","tag-aubrey-beardsley","tag-charles-baudelaire","tag-percy-walter-wolff"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-44H","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15667"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15667\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}