{"id":15552,"date":"2014-08-13T01:35:54","date_gmt":"2014-08-13T00:35:54","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15552"},"modified":"2014-08-13T01:35:54","modified_gmt":"2014-08-13T00:35:54","slug":"cosmic-flower-unfolding-a-film-by-ben-ridgway","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/08\/13\/cosmic-flower-unfolding-a-film-by-ben-ridgway\/","title":{"rendered":"Cosmic Flower Unfolding, a film by Ben Ridgway"},"content":{"rendered":"<p><a href=\"http:\/\/vimeo.com\/102671169\" target=\"_blank\"><img decoding=\"async\" alt=\"cosmic.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/cosmic.jpg\" \/><\/a><\/p>\n<p>More hallucinations without drugs. A short but sweet piece of <a href=\"http:\/\/vimeo.com\/102671169\" target=\"_blank\">fractal kaleidoscopy<\/a> which isn&#8217;t far removed from the DMT visions in <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/19\/enter-the-void\/\"><em>Enter the Void<\/em><\/a>. I could watch a lot more of this. Via <a href=\"http:\/\/boingboing.net\/\" target=\"_blank\">Boing Boing<\/a>.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/16\/the-flow-iii\/\">The Flow III<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/08\/08\/chris-parks\/\">Chris Parks<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>More hallucinations without drugs. A short but sweet piece of fractal kaleidoscopy which isn&#8217;t far removed from the DMT visions in Enter the Void. I could watch a lot more of this. Via Boing Boing. Previously on { feuilleton } \u2022 The Flow III \u2022 Chris Parks<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,7,17],"tags":[6356,2794],"class_list":["post-15552","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-film","category-psychedelia","tag-ben-ridgway","tag-chris-parks"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-42Q","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15552"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15552\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}