{"id":15550,"date":"2014-08-12T03:11:40","date_gmt":"2014-08-12T02:11:40","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15550"},"modified":"2014-08-12T03:11:40","modified_gmt":"2014-08-12T02:11:40","slug":"konx-om-pax","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/08\/12\/konx-om-pax\/","title":{"rendered":"Konx om Pax"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"konx1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/konx1.jpg\" \/><\/p>\n<p>Not the <a href=\"http:\/\/www.discogs.com\/artist\/504657-Konx-Om-Pax\" target=\"_blank\">musician<\/a> but the book of &#8220;Essays in Light&#8221; published by Aleister Crowley in 1907. I&#8217;ve been familiar with this for years but only via the many reprints. It was only recently that I discovered the striking cover design of the first edition which, we&#8217;re told, was designed by Crowley himself during a hashish bout. I&#8217;ve not been able to find the source for this piece of information but it&#8217;s not in the chapter of his autobiography where he discusses the writing of the book. (Matters aren&#8217;t helped by\u00a0<em>Konx om Pax<\/em> not being listed in the index.) If anyone has the relevant details then please leave a comment.<\/p>\n<p><img decoding=\"async\" alt=\"konx2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/konx2.jpg\" \/><\/p>\n<p>In design terms this cover might seem radical for 1907 but if Crowley did design it I&#8217;d guess he was thinking of a quite common geometric variation of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Kufic\" target=\"_blank\">Kufic script<\/a>. Crowley travelled East as far as China, and had an abiding interest in languages of all kinds. <em>Konx om Pax<\/em> opens with a quote in Arabic from the Qur&#8217;an which is followed by a succession of quotes in different languages including Hebrew, Chinese, Ancient Greek, Sanskrit and hieroglyphic Egyptian.<\/p>\n<p><a href=\"http:\/\/4.bp.blogspot.com\/-Kl0vJrwV_dE\/UpjT2G0ckwI\/AAAAAAAAAzc\/T1LXULgCUmw\/s1600\/Konx+Om+Pax+2011.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"konx3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/konx3.jpg\" \/><\/a><\/p>\n<p><em>Konx om Pax (2011) by <a href=\"http:\/\/www.fredriksoderberg.org\/\" target=\"_blank\">Fredrik S\u00f6derberg<\/a>.<\/em><\/p>\n<p>Crowley&#8217;s lettering turns up much later in this painting by Fredrik S\u00f6derberg. The phrase was also referenced during the 1990s on many of Bill Laswell&#8217;s recordings, often by cryptic phrasing on CD stickers. The name forms part of one of the tracks on Laswell&#8217;s <em><a href=\"http:\/\/www.discogs.com\/Bill-Laswell-Axiom-Ambient-Lost-In-The-Translation\/master\/12921\" target=\"_blank\">Axiom Ambient<\/a><\/em> album from 1994, an album which includes a sample of Crowley&#8217;s voice. Also in the 1990s, Laswell was making frequent use of what MacGregor Mathers claimed was the English translation of the Egyptian origin of the phrase: &#8220;Khabs am Pekht&#8221; or &#8220;Light in extension&#8221;. One of Laswell&#8217;s many dub projects, Divination, released two compilation albums called <a href=\"http:\/\/www.discogs.com\/Divination-Light-In-Extension-Vol-1-And-Vol-2\/release\/115883\" target=\"_blank\"><em>Light In Extension<\/em><\/a>, while the phrase &#8220;Khabs am Pekht&#8221; (which had me mystified for years) appears on the back of Material&#8217;s magnificent <em><a href=\"http:\/\/www.discogs.com\/viewimages?release=115720\" target=\"_blank\">Hallucination Engine<\/a><\/em> (1994). One of my favourite albums, which also includes a portion of a Crowley Tarot card in its James Koehnline artwork.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/02\/05\/burroughs-at-100\/\">Burroughs at 100<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/14\/aleister-crowley-wandering-the-waste\/\">Aleister Crowley: Wandering The Waste<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/16\/brush-of-baphomet-by-kenneth-anger\/\">Brush of Baphomet by Kenneth Anger<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/05\/21\/rex-ingrams-the-magician\/\">Rex Ingram\u2019s The Magician<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/08\/22\/the-mysteries-of-myra\/\">The Mysteries of Myra<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/10\/21\/aleister-crowley-on-vinyl\/\">Aleister Crowley on vinyl<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not the musician but the book of &#8220;Essays in Light&#8221; published by Aleister Crowley in 1907. I&#8217;ve been familiar with this for years but only via the many reprints. It was only recently that I discovered the striking cover design of the first edition which, we&#8217;re told, was designed by Crowley himself during a hashish &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/08\/12\/konx-om-pax\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Konx om Pax&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,3,16,44,10],"tags":[391,8924,466,3550,6355,2595,4605,552],"class_list":["post-15550","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-music","category-occult","category-painting","category-typography","tag-aleister-crowley","tag-axiom-ambient","tag-bill-laswell","tag-fredrik-soderberg","tag-james-koehnline","tag-material-group","tag-samuel-liddell-macgregor-mathers","tag-tarot"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-42O","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15550","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15550"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15550\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15550"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}