{"id":15480,"date":"2014-08-01T02:15:13","date_gmt":"2014-08-01T01:15:13","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15480"},"modified":"2014-08-01T02:15:13","modified_gmt":"2014-08-01T01:15:13","slug":"dick-smith-1922-2014","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/08\/01\/dick-smith-1922-2014\/","title":{"rendered":"Dick Smith, 1922\u20132014"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"smith1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith1.jpg\" \/><\/p>\n<p><em>left: Dummy head by Dick Smith for The Picture of Dorian Gray (1961); right: Cover art by Michel Atkinson (aka Michel) for The Unquiet Grave (1963).<\/em><\/p>\n<p>Cinema in the 1970s would have been very different without <a href=\"http:\/\/www.imdb.com\/name\/nm0004615\/\" target=\"_blank\">Dick Smith<\/a>&#8216;s makeup artistry.<\/p>\n<p><img decoding=\"async\" alt=\"smith2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith2.jpg\" \/><\/p>\n<p><em>Dustin Hoffman in Little Big Man (1970).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"smith3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith3.jpg\" \/><\/p>\n<p><em>Marlon Brando in The Godfather (1972).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"smith4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith4.jpg\" \/><\/p>\n<p><em>Linda Blair in The Exorcist (1973).<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"smith5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith5.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"smith7.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith7.jpg\" \/><\/p>\n<p><em>Robert De Niro in The Godfather: Part II (1974).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"smith6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith6.jpg\" \/><\/p>\n<p><em>Robert De Niro in Taxi Driver (1976).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"smith8.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith8.jpg\" \/><\/p>\n<p><em>William Hurt in Altered States (1980).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"smith9.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/08\/smith9.jpg\" \/><\/p>\n<p><em>David Bowie in The Hunger (1983).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>left: Dummy head by Dick Smith for The Picture of Dorian Gray (1961); right: Cover art by Michel Atkinson (aka Michel) for The Unquiet Grave (1963). Cinema in the 1970s would have been very different without Dick Smith&#8216;s makeup artistry. Dustin Hoffman in Little Big Man (1970). Marlon Brando in The Godfather (1972). Linda Blair &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/08\/01\/dick-smith-1922-2014\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Dick Smith, 1922\u20132014&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,22],"tags":[1301,2545,117,1792,3226,1795,6307,2850,6308],"class_list":["post-15480","post","type-post","status-publish","format-standard","hentry","category-film","category-horror","tag-david-bowie","tag-dick-smith","tag-dorian-gray","tag-dustin-hoffman","tag-linda-blair","tag-marlon-brando","tag-michel-atkinson","tag-robert-de-niro","tag-william-hurt"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-41G","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15480","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15480"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15480\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}