{"id":15408,"date":"2014-07-20T01:23:42","date_gmt":"2014-07-20T00:23:42","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15408"},"modified":"2014-07-20T01:23:42","modified_gmt":"2014-07-20T00:23:42","slug":"weekend-links-217","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/07\/20\/weekend-links-217\/","title":{"rendered":"Weekend links 217"},"content":{"rendered":"

\"scaphandrier.jpg\"<\/a><\/p>\n

Le Petit Journal, June 16, 1912. Via Beautiful Century<\/a>.<\/em><\/p>\n

\u2022 Occult art<\/a> by Nicomi Nix Turner, Daniel Martin Diaz, Amy Earles and William Crisafi. Related: Illustrations by Ernest M. Jessop<\/a> for The Witches Frolic<\/em> by Thomas Ingoldsby.<\/p>\n

\u2022 “Our definition of \u2018Industrial\u2019 then was a very broad one, it\u2019s definitely not so much now.” Chris Carter & Cosi Fanni Tutti<\/a> on 20 Jazz Funk Greats<\/em> by Throbbing Gristle.<\/p>\n

\u2022 At Dangerous Minds: the Amok Assault Video<\/em><\/a> (1988), an hour of the bizarre, the extreme and the outr\u00e9 which will probably get yanked from YouTube before too long.<\/p>\n

I\u2019ve always thought the exchange of words for money is no more and no less problematic than any other kind of prostitution\u2014and it\u2019s important that we prostitutes control a certain amount of our production (and reproduction, for that matter). If I\u2019m writing a book and I\u2019m warned, \u201cOh, this is unsaleable, you need to make it shorter,\u201d or, \u201cIt has to be this, or that,\u201d I\u2019m proud to say I don\u2019t pay attention.<\/p>\n

Though this is becoming more difficult. As large publishers turn into monopolies, and the MBAs who are running them\u2014maybe editors used to run them before\u2014are steadily tightening the screws, they feel more and more that they get to call the shots.<\/p>\n

Writers can do anything, says William T. Vollmann<\/a><\/em><\/p><\/blockquote>\n

\u2022 Mixes of the week: Over two hours of Coil and other artists sequenced by Surgeon<\/a>, and Secret Thirteen Mix 122 by DJ Skirt<\/a>.<\/p>\n

\u2022 Alan Moore<\/a> calls for a boycott of the “wretched” new Hercules film on behalf of his friend Steve Moore.<\/p>\n

\u2022 Joe Orton<\/a>‘s first play, Fred and Madge<\/em>, will receive its world premier in September.<\/p>\n

\"tentacles.jpg\"<\/a><\/p>\n

Ned Raggett<\/a> found the drawing of mine that’s part of the Tentacles exhibition currently showing at the Monterey Aquarium, California. Thanks, Ned! There’s a sepia-toned version of the drawing in my Cthulhu calendar<\/a>.<\/em><\/p>\n

\u2022 “Weird is a wayward word,” says Erik Davis<\/a> in an exploration of weirdness old and new.<\/p>\n

\u2022 More details about the forthcoming Scott Walker + Sunn O)))<\/a> collaboration.<\/p>\n

\u2022 A trailer for a reissue of Robert Wiene’s The Cabinet of Dr. Caligari<\/em><\/a> (1920).<\/p>\n

\u2022 A history of sex toys in pictures<\/a>.<\/p>\n

\u2022 Books on Book Covers<\/a><\/p>\n

\u2022 Octopus’s Garden<\/a><\/em> (1969) by The Beatles | The River<\/a><\/em> (1970) by Octopus | Octopus<\/a><\/em> (1970) by Syd Barrett<\/p>\n","protected":false},"excerpt":{"rendered":"

Le Petit Journal, June 16, 1912. Via Beautiful Century. \u2022 Occult art by Nicomi Nix Turner, Daniel Martin Diaz, Amy Earles and William Crisafi. Related: Illustrations by Ernest M. Jessop for The Witches Frolic by Thomas Ingoldsby. \u2022 “Our definition of \u2018Industrial\u2019 then was a very broad one, it\u2019s definitely not so much now.” Chris … Continue reading “Weekend links 217”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,9,4,29,7,22,48,3,16,19,46,23],"tags":[103,6271,3476,1952,1804,2272,6268,104,3555,6270,6267,1686,6273,2963,5809,1051,6276,6275,2274,1429,2147,5024,1541,178,6274,512,6272,6269],"class_list":["post-15408","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-design","category-electronica","category-film","category-horror","category-illustrators","category-music","category-occult","category-television","category-theatre","category-work","tag-alan-moore","tag-amy-earles","tag-beautiful-century","tag-cephalopods","tag-chris-carter","tag-coil-group","tag-cosi-fanni-tutti","tag-cthulhu","tag-dangerous-minds","tag-daniel-martin-diaz","tag-dj-skirt","tag-erik-davis","tag-ernest-m-jessop","tag-joe-orton","tag-ned-raggett","tag-nicomi-nix-turner","tag-octopus-group","tag-robert-wiene","tag-scott-walker","tag-steve-moore","tag-sunn-o","tag-surgeon-musician","tag-syd-barrett","tag-the-beatles","tag-thomas-ingoldsby","tag-throbbing-gristle","tag-william-crisafi","tag-william-t-vollmann"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-40w","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15408"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15408\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}