{"id":15393,"date":"2014-07-12T02:49:13","date_gmt":"2014-07-12T01:49:13","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15393"},"modified":"2014-07-12T02:52:46","modified_gmt":"2014-07-12T01:52:46","slug":"rene-magritte-album-covers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/07\/12\/rene-magritte-album-covers\/","title":{"rendered":"Ren\u00e9 Magritte album covers"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"beck.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/beck.jpg\" \/><\/p>\n<p><em>Beck-Ola (1969) by The Jeff Beck Group. Painting: The Listening Room (second version, 1958).<\/em><\/p>\n<p>An inevitable post considering the shape of the week, and also a continuation of an occasional series about paintings used as album cover art. Given Magritte&#8217;s continuing popularity I&#8217;m sure these can&#8217;t be the only examples, especially when his work had such an effect on the cover designs of the 1970s. In addition to the Magritte-like covers created by Hipgnosis for Pink Floyd and others you can find the artist&#8217;s influence in the cover by Alton Kelley and Stanley Mouse for <a href=\"http:\/\/www.discogs.com\/viewimages?release=1271962\" target=\"_blank\"><em>The Grand Illusion<\/em><\/a> (1977) by Styx, a hugely successful album whose painting is derived from Magritte&#8217;s <a href=\"http:\/\/www.renemagritte.org\/le-blanc-seing.jsp\" target=\"_blank\"><em>The Blank Cheque<\/em><\/a> (1965). There are many more examples.<\/p>\n<p>Magritte died in 1967 so he missed out on this explosion of interest which also spread into the advertising world. When it comes to influence, Magritte has probably had more of an effect on the general culture than any of the other Surrealists, Dal\u00ed included.<\/p>\n<p><img decoding=\"async\" alt=\"rascals.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/rascals.jpg\" \/><\/p>\n<p><em>See (1969) by The Rascals. Painting: The Big Family (1963).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"hull.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/hull.jpg\" \/><\/p>\n<p><em>Pipedream (1973) by Alan Hull. Painting: Philosopher&#8217;s Lamp (1936).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"balavoine.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/balavoine.jpg\" \/><\/p>\n<p><em>Vienne La Pluie (1975) by Daniel Balavoine. Painting: Hegel&#8217;s Holiday (1958).<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"hull2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/hull2.jpg\" \/><\/p>\n<p><em>Phantoms (1979) by Alan Hull. Painting: The King&#8217;s Museum (1966).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"glassmoon.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/glassmoon.jpg\" \/><\/p>\n<p><em>Glass Moon (1980) by Glass Moon. Painting: Evening Falls II (Le Soir qui tombe, 1964).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"sphere.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/sphere.jpg\" \/><\/p>\n<p><em>Four In One (The Music Of Thelonious Monk) (1982) by Sphere. Painting: The False Mirror (1928).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"boneynem.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/boneynem.jpg\" \/><\/p>\n<p><em>Victory Day (2003) by Boney NEM. Painting: The Collective Invention (1934).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"racoon.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/racoon.jpg\" \/><\/p>\n<p><em>Liverpool Rain (2011) by Racoon. Painting: Golconda (1953).<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-album-covers-archive\/\">The album covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/07\/11\/monsieur-rene-magritte-a-film-by-adrian-maben\/\">Monsieur Ren\u00e9 Magritte, a film by Adrian Maben<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/07\/10\/george-mellys-memoirs-of-a-self-confessed-surrealist\/\">George Melly\u2019s Memoirs of a Self-Confessed Surrealist<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/03\/31\/the-secret-life-of-edward-james\/\">The Secret Life of Edward James<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/01\/17\/rene-magritte-by-david-wheatley\/\">Ren\u00e9 Magritte by David Wheatley<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beck-Ola (1969) by The Jeff Beck Group. Painting: The Listening Room (second version, 1958). An inevitable post considering the shape of the week, and also a continuation of an occasional series about paintings used as album cover art. Given Magritte&#8217;s continuing popularity I&#8217;m sure these can&#8217;t be the only examples, especially when his work had &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/07\/12\/rene-magritte-album-covers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Ren\u00e9 Magritte album covers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,3,44,18],"tags":[6236,4537,6240,6237,3257,6238,430,177,6241,115,6239,442,6234,6233,6235],"class_list":["post-15393","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-music","category-painting","category-surrealism","tag-alan-hull","tag-alton-kelley","tag-boney-nem","tag-daniel-balavoine","tag-david-wheatley","tag-glass-moon","tag-hipgnosis","tag-pink-floyd","tag-racoon-group","tag-magritte","tag-sphere-group","tag-stanley-mouse","tag-styx-group","tag-the-jeff-beck-group","tag-the-rascals"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-40h","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15393"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15393\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}