{"id":15348,"date":"2014-07-02T02:40:52","date_gmt":"2014-07-02T01:40:52","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15348"},"modified":"2014-07-02T02:41:46","modified_gmt":"2014-07-02T01:41:46","slug":"dunes","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/07\/02\/dunes\/","title":{"rendered":"Dunes"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"dunes4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/dunes4.jpg\" \/><\/p>\n<p><em>Sand Dunes near Boulogne-sur-Mer, France (c. 1870) by Jos\u00e9phine Bowes.<\/em><\/p>\n<p>Dunes. Having visited the sand dunes that run along the French and Belgian coast it&#8217;s notable how much dune art has taken them as a subject. Belgian Symbolist L\u00e9on Spilliaert returned to them frequently, and managed to invest the littoral with a greater sense of mystery than many of his contemporaries.<\/p>\n<p><img decoding=\"async\" alt=\"dunes1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/dunes1.jpg\" \/><\/p>\n<p><em>Dune Landscape (1911) by Piet Mondrian.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"dunes6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/dunes6.jpg\" \/><\/p>\n<p><em>Girls on a Dune (1913) by L\u00e9on Spilliaert.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"dunes2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/dunes2.jpg\" \/><\/p>\n<p><em>Dunes, Oceano (1936) by Edward Weston.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"dunes5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/dunes5.jpg\" \/><\/p>\n<p><em>Dune (1961) by Alexander MacKenzie.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"dunes3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/07\/dunes3.jpg\" \/><\/p>\n<p><em>Pale Dunes (1970) by Ronnie Landfield.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sand Dunes near Boulogne-sur-Mer, France (c. 1870) by Jos\u00e9phine Bowes. Dunes. Having visited the sand dunes that run along the French and Belgian coast it&#8217;s notable how much dune art has taken them as a subject. Belgian Symbolist L\u00e9on Spilliaert returned to them frequently, and managed to invest the littoral with a greater sense of &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/07\/02\/dunes\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Dunes&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,44,12,45],"tags":[6199,6198,6196,6197,533,6200],"class_list":["post-15348","post","type-post","status-publish","format-standard","hentry","category-art","category-painting","category-photography","category-symbolists","tag-alexander-mackenzie","tag-edward-weston","tag-josephine-bowes","tag-leon-spilliaert","tag-piet-mondrian","tag-ronnie-landfield"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-dunes","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15348"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15348\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}