![\"munro.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/06\/munro.jpg\")
<\/p>\n<\/p>\n
No Tears for the Creatures of the Night\u00a0(2005) by Will Munro<\/a>.<\/em><\/p>\n \u2022 Steve Barker’s On The Wire<\/em> show on BBC Radio Lancashire is one of the longest-running music shows on British radio but it’s not broadcast in London so you seldom hear it mentioned at all. (It’s also the only radio show I’ve appeared on, oddly enough.) Some of Barker’s shows, which predominantly feature dub and reggae artists, can now be heard at Mixcloud<\/a>.<\/p>\n \u2022 “As protagonist after protagonist is undone by temptation and lust, one can\u2019t help but divine a sinister double entendre in the book\u2019s title \u2013 something nocturnal and obscene.” James Lovegrove<\/a> on the reissue of Robert Aickman’s 1964 collection of “strange stories”, Dark Entries<\/em><\/a>.<\/p>\n \u2022 Coil vs. Kenny Loggins<\/a> sounds like no contest, and so it proved in 1988 at the Mike Tyson\/Michael Spinks fight. There’s another surprising connection between Tyson and Industrial culture with the poster that Neville Brody<\/a> designed for the boxer’s Tokyo bout.<\/p>\n \u2022 Ventriloquism: Unheimlich manoeuvres<\/a>: Sarah Angliss (who performs as Spacedog<\/a>) on the history of ventriloquist dummies. With a bonus appearance from the great Ray Alan and Lord Charles. Related: the Vent Haven Museum<\/a>.<\/p>\n \u2022 I’ve been wanting to read Proust’s \u00c0 la recherche du temps perdu<\/em> for years but always hesitate over which translation to choose. As Leland de la Durantaye<\/a> shows, the arguments about translating Proust into English are still unresolved.<\/p>\n \u2022 Music For A Good Home 3<\/em><\/a>: a collection of 31 rare or unique tracks by a variety of artists including Belbury Poly, Pye Corner Audio, and Grumbling Fur. All proceeds go to Shelter.<\/p>\n \u2022 David Cronenberg \u2013 The Exhibition<\/em><\/a> is running throughout the summer at the EYE Film Institute in Amsterdam showing props and other materials from the director’s films.<\/p>\n \u2022 \u201c’I\u2019m in pictures,’ John Wayne explained when Nabokov cordially inquired about his line of work.” Blake Bailey<\/a> on Vladimir Nabokov’s unpublished Lolita<\/em> screenplay notes.<\/p>\n \u2022 Original artwork for the Linweave Tarot (1967) at Sweet Jane’s Pop Boutique<\/a>. As noted before, the full set of cards is probably the grooviest ever created<\/a>.<\/p>\n \u2022 Mixes of the week: Secret Thirteen Mix 118 by Ensemble Economique<\/a>, and a Wyrd Daze Solstice mix from The Ephemeral Man<\/a>.<\/p>\n \u2022 At One With Chaos & Abandonment: The Irrepressibles’ Jamie McDermott<\/a> talks to Joseph Burnett about his music.<\/p>\n \u2022 From the Zodiacal Light<\/em><\/a>, a new track from Earth with vocals by Rabia Shaheen Qazi.<\/p>\n \u2022 The Ultimate Chinatown<\/em><\/a> Filming Location Map of Los Angeles.<\/p>\n \u2022 Tuxedomoon<\/a> at Pinterest.<\/p>\n \u2022 Dark Companion<\/a><\/em> (1980) by Tuxedomoon | Dark River<\/a><\/em> (1990) by Coil | Dark Turn Of Mind<\/a><\/em> (2011) by Gillian Welch<\/p>\n","protected":false},"excerpt":{"rendered":"