{"id":15304,"date":"2014-06-18T02:14:40","date_gmt":"2014-06-18T01:14:40","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15304"},"modified":"2014-06-18T02:14:40","modified_gmt":"2014-06-18T01:14:40","slug":"more-hypercubes","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/06\/18\/more-hypercubes\/","title":{"rendered":"More hypercubes"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"hypercube1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/06\/hypercube1.jpg\" \/><\/p>\n<p>A few more extensions of the idea, not all of which have much to do with Hinton&#8217;s concepts beyond the name.<\/p>\n<p><img decoding=\"async\" alt=\"hypercube2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/06\/hypercube2.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"hypercube3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/06\/hypercube3.jpg\" \/><\/p>\n<p><em>Salvador Dal\u00ed with hypercube (1952). Photo by Francesc Catal\u00e0-Roca.<\/em><\/p>\n<p><a href=\"http:\/\/www.gric.at\/gallery\/bild149.htm\" target=\"_blank\"><img decoding=\"async\" alt=\"hypercube4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/06\/hypercube4.jpg\" \/><\/a><\/p>\n<p><em>Hypercubic Metropolis (2002) by <a href=\"http:\/\/www.gric.at\/gallery\/bild149.htm\" target=\"_blank\">Peter Gric<\/a>.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"hypercube5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/06\/hypercube5.jpg\" \/><\/p>\n<p><a href=\"http:\/\/www.enlightermagazine.com\/projects\/hypercube-jaap-van-den-elzen\" target=\"_blank\"><em>HyperCube<\/em><\/a> (2012) is an installation by\u00a0artist Jaap van den Elzen and sound composer Augusto Meijer which combines the mirror room familiar from the work of Yayoi Kusama with changeable lighting and sound effects. See also <a href=\"http:\/\/www.imdb.com\/title\/tt0285492\/\" target=\"_blank\"><em>Cube 2: Hypercube<\/em><\/a> (2002) which concerns a group of people imprisoned in a tesseract.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/06\/17\/hintons-hypercubes\/\">Hinton&#8217;s hypercubes<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/08\/infinite-reflections\/\">Infinite reflections<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A few more extensions of the idea, not all of which have much to do with Hinton&#8217;s concepts beyond the name. Salvador Dal\u00ed with hypercube (1952). Photo by Francesc Catal\u00e0-Roca. Hypercubic Metropolis (2002) by Peter Gric. HyperCube (2012) is an installation by\u00a0artist Jaap van den Elzen and sound composer Augusto Meijer which combines the mirror &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/06\/18\/more-hypercubes\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;More hypercubes&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,7,44,12,13],"tags":[6127,6119,6124,6126,6125,87,271],"class_list":["post-15304","post","type-post","status-publish","format-standard","hentry","category-art","category-film","category-painting","category-photography","category-science","tag-augusto-meijer","tag-charles-howard-hinton","tag-francesc-catala-roca","tag-jaap-van-den-elzen","tag-peter-gric","tag-salvador-dali","tag-yayoi-kusama"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3YQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15304"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15304\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}