{"id":15150,"date":"2014-04-20T02:50:42","date_gmt":"2014-04-20T01:50:42","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15150"},"modified":"2015-05-02T17:04:50","modified_gmt":"2015-05-02T16:04:50","slug":"weekend-links-208","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/04\/20\/weekend-links-208\/","title":{"rendered":"Weekend links 208"},"content":{"rendered":"

\"sungwon.jpg\"<\/a><\/p>\n

The Blue Girl<\/a> (2013) by Sungwon<\/a>.<\/em><\/p>\n

\u2022 “Meanwhile, in her parents’ room [Max] Ernst painted aardvarks eating ants and big human hands around the windows. ‘Sexual connotations, I think,’ she says shyly.” Agn\u00e8s Poirier talks to C\u00e9cile Eluard<\/a> about her childhood among the Surrealists.<\/p>\n

\u2022 “Thrilling and prophetic”: why film-maker Chris Marker<\/a>‘s radical images influenced so many artists. Sukhdev Sandhu, William Gibson, Mark Romanek and Joanna Hogg on the elusive director.<\/p>\n

\u2022 At Dangerous Minds: Throbbing Gristle<\/a> live in Manchester in 1980, and Brian Butler<\/a> talks about the rediscovered early print of Kenneth Anger’s Lucifer Rising<\/em>. There’s a trailer<\/a>!<\/p>\n

\u2022 From 1981: The Art of Fiction No. 69 at The Paris Review<\/em>, an interview with Gabriel Garc\u00eda M\u00e1rquez<\/a>. Related: Thomas Pynchon<\/a> reviewed Love in the Time of Cholera<\/em> in 1988.<\/p>\n

\u2022 “Seven years ago, a stolen first edition of Borges\u2019s early poems was returned to Argentina\u2019s National Library. But was it the right copy?” Graciela Mochkofsky<\/a> investigates.<\/p>\n

\u2022 “What was Walter Benjamin doing with his shirt off in Ibiza?” Peter E. Gordon <\/a>reviews Walter Benjamin: A Critical Life<\/em> by Howard Eiland & Michael W. Jennings.<\/p>\n

\u2022 A video by Marcel Weber for M\u00e5tinden<\/em><\/a>, a track from Eric Holm’s And\u00f8ya<\/em> album. Another album on the Subtext<\/a> label that I helped design<\/a>.<\/p>\n

\u2022 More Ian Miller: Boing Boing<\/a> has pages from his new book, The Art of Ian Miller<\/em>, and there’s an interview at Sci-Fi-O-Rama<\/a>.<\/p>\n

\u2022 Outrun Europa<\/em><\/a>, a free compilation of 80s-style electronic music. There’s a lot more along those lines here<\/a>.<\/p>\n

\u2022 Praise Be! Favourite religious and spiritual records chose by writers at The Quietus<\/a>.<\/p>\n

\u2022 Ralph Steadman<\/a> illustrated Alice’s Adventures in Wonderland<\/em> in 1973.<\/p>\n

\u2022 British Path\u00e9<\/a> is uploading 85,000 of its newsreel films to YouTube.<\/p>\n

\u2022 Drawings by Lebbeus Woods<\/a> at The Drawing Center, New York.<\/p>\n

\u2022 At Pinterest: Ian Miller<\/a> and Kenneth Anger<\/a>.<\/p>\n

\u2022 Lucifer Sam<\/a><\/em> (1967) by Pink Floyd | The Surrealist Waltz<\/a><\/em> (1967) by Pearls Before Swine | Which Dreamed It<\/a><\/em> (1968) by Boeing Duveen And The Beautiful Soup<\/p>\n","protected":false},"excerpt":{"rendered":"

The Blue Girl (2013) by Sungwon. \u2022 “Meanwhile, in her parents’ room [Max] Ernst painted aardvarks eating ants and big human hands around the windows. ‘Sexual connotations, I think,’ she says shyly.” Agn\u00e8s Poirier talks to C\u00e9cile Eluard about her childhood among the Surrealists. \u2022 “Thrilling and prophetic”: why film-maker Chris Marker‘s radical images influenced … Continue reading “Weekend links 208”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,27,29,21,7,48,3,44,31,18],"tags":[5987,5998,5208,5999,5988,88,3555,5997,5990,5992,5994,723,5989,1483,401,2149,114,461,517,5996,4393,112,5995,2183,5993,177,111,7255,4031,5986,5991,512,1241,1757],"class_list":["post-15150","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-borges","category-electronica","category-fantasy","category-film","category-illustrators","category-music","category-painting","category-religion","category-surrealism","tag-agnes-poirier","tag-boeing-duveen-and-the-beautiful-soup","tag-brian-butler","tag-british-pathe","tag-cecile-eluard","tag-chris-marker","tag-dangerous-minds","tag-eric-holm","tag-gabriel-garcia-marquez","tag-graciela-mochkofsky","tag-howard-eiland","tag-ian-miller","tag-joanna-hogg","tag-jorge-luis-borges","tag-kenneth-anger","tag-lebbeus-woods","tag-lewis-carroll","tag-lucifer","tag-manchester","tag-marcel-weber","tag-mark-romanek","tag-max-ernst","tag-michael-w-jennings","tag-pearls-before-swine","tag-peter-e-gordon","tag-pink-floyd","tag-ralph-steadman","tag-subtext-label","tag-sukhdev-sandhu","tag-sungwon","tag-thomas-pynchon","tag-throbbing-gristle","tag-walter-benjamin","tag-william-gibson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Wm","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15150"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15150\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}