{"id":15143,"date":"2014-04-18T02:06:41","date_gmt":"2014-04-18T01:06:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15143"},"modified":"2014-04-18T04:07:04","modified_gmt":"2014-04-18T03:07:04","slug":"robert-fludds-temples-of-music","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/04\/18\/robert-fludds-temples-of-music\/","title":{"rendered":"Robert Fludd&#8217;s Temples of Music"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/fludd1-big.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"fludd1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/fludd1.jpg\" \/><\/a><\/p>\n<p>For the past week I&#8217;ve been downloading more of the books at the Internet Archive illustrated by Matth\u00e4us Merian. Among the hoard there&#8217;s a two-volume set of Robert Fludd&#8217;s <a href=\"https:\/\/archive.org\/details\/utriusquecosmima01flud\" target=\"_blank\"><em>Utriusque Cosmi, Maioris scilicet et Minoris, metaphysica, physica, atque technica Historia<\/em><\/a> (1617\u20131626), a remarkable work which attempts to cover all the metaphysical, scientific and artistic knowledge of the time, opening modestly with a detailed description of the creation of the universe. The illustrations for these volumes by Merian and Johann de Bry are so good they&#8217;ve been plundered endlessly, not only in later books but in the general culture; I&#8217;ve swiped details myself on more than one occasion so\u2014once again\u2014it&#8217;s good to see an original printing with all the accompanying text, and also all the less familiar treatises and pictures.<\/p>\n<p><img decoding=\"async\" alt=\"fludd2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/fludd2.jpg\" \/><\/p>\n<p>One area of Fludd&#8217;s study concerns music, a subject which Merian and De Bry illustrate using a variety of graphic devices, the most fanciful of which are the &#8220;Temples of Music&#8221; displaying the notes and divisions of the Pythagorean scale. The largest of the drawings was printed onto a fold-out sheet which explains the unfortunate tear in this copy. I love all the details on this one, some of which are rather unusual: who are the people underneath the temple in the room with the furnace? What are they doing, and why are they naked?<\/p>\n<p><img decoding=\"async\" alt=\"fludd3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/fludd3.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"fludd4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/fludd4.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"fludd5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/fludd5.jpg\" \/><\/p>\n<p>A second, smaller temple features a naked lute player and a Pan figure. Part of this illustration appeared inside the CD booklet for Pink Floyd&#8217;s <em>The Piper at the Gates of Dawn<\/em> in 1994, a fitting choice given the presence of Pan <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/02\/29\/the-piper-at-the-gates-of-dawn\/\">who happens to be the piper in question<\/a> even though he&#8217;s not visible in the booklet detail. A later illustration by Matth\u00e4us Merian from the <em>Musaeum Hermeticum<\/em> can be seen in the lysergic murk on the cover of Pink Floyd&#8217;s <a href=\"http:\/\/www.discogs.com\/viewimages?release=1182939\" target=\"_blank\"><em>A Saucerful of Secrets<\/em><\/a> (1968).<\/p>\n<p>Another set of these illustrations, and links to larger copies, may be found at <a href=\"http:\/\/bibliodyssey.blogspot.co.uk\/2007\/02\/temple-of-music.html\" target=\"_blank\">BibliOdyssey<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"fludd6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/fludd6.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"fludd7.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/fludd7.jpg\" \/><\/p>\n<p><em>The Piper at the Gates of Dawn CD booklet. Design by Storm Thorgerson and Jon Crossland.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-etching-and-engraving-archive\/\">The etching and engraving archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the past week I&#8217;ve been downloading more of the books at the Internet Archive illustrated by Matth\u00e4us Merian. Among the hoard there&#8217;s a two-volume set of Robert Fludd&#8217;s Utriusque Cosmi, Maioris scilicet et Minoris, metaphysica, physica, atque technica Historia (1617\u20131626), a remarkable work which attempts to cover all the metaphysical, scientific and artistic knowledge &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/04\/18\/robert-fludds-temples-of-music\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Robert Fludd&#8217;s Temples of Music&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,48,3],"tags":[1042,5980,5981,4439,5774,177,5979,429],"class_list":["post-15143","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-illustrators","category-music","tag-bibliodyssey","tag-johann-de-bry","tag-jon-crossland","tag-matthaus-merian","tag-pan-god","tag-pink-floyd","tag-robert-fludd","tag-storm-thorgerson"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Wf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15143"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15143\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}