{"id":15126,"date":"2014-04-13T02:38:24","date_gmt":"2014-04-13T01:38:24","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15126"},"modified":"2014-04-19T16:20:18","modified_gmt":"2014-04-19T15:20:18","slug":"weekend-links-207","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/04\/13\/weekend-links-207\/","title":{"rendered":"Weekend links 207"},"content":{"rendered":"

\"barker.jpg\"<\/a><\/p>\n

Chthonic Cities by David Chatton Barker<\/a>. One of a series of Folklore Tapes screenprints available from Bleep<\/a>.<\/em><\/p>\n

\u2022 The original version of Kenneth Anger’s Lucifer Rising<\/em>, the one with the Jimmy Page soundtrack that was completed in 1973, has always been described as lost\/stolen\/buried or otherwise gone forever. So you’d think the news that a print had been discovered recently by Brian Butler would have received greater attention. There’s a screening in Los Angeles this Thursday<\/a>. When do the rest of us get to see it?<\/p>\n

\u2022 Chris Marker: A Grin Without a Cat<\/em><\/a>, an exhibition and series of Marker-related events at the Whitechapel Gallery, London. Related: The Encounter of M. Chat & Chris Marker as Told By Louise Traon<\/a>.<\/p>\n

\u2022 The trailer for The Gospel According to St Derek<\/a><\/em>, a forthcoming documentary about Derek Jarman. Related: Carl Swanson<\/a> on why Tilda Swinton is not quite of this world.<\/p>\n

Maybe there’s just something conservative at the bedrock of American fiction. […] Or maybe it’s just another symptom of the creeping conservatism that’s infected so many aspects of the culture.<\/p>\n

Eric Obenauf talks to author Jeff Jackson<\/a> whose comments about cultural conservatism could equally be applied to the UK.<\/em><\/p><\/blockquote>\n

\u2022 Primitive graphics, inventive graphics, budget Surrealism, and some great theme tunes; it’s Trunk TV, Episode 1: Title Sequences<\/a>.<\/p>\n

\u2022 Mixes of the week: Secret Thirteen Mix 110 by Black To Comm<\/a>, and Intro To Drone For Debcon 1<\/em><\/a>, almost 7 hours of music!<\/p>\n

\u2022 Joseph Burnett<\/a> reviews Ett<\/em>, an album of electronic music by Klara Lewis.<\/p>\n

\u2022 The Delian Mode<\/em><\/a> (2009), a film about Delia Derbyshire by Kara Blake.<\/p>\n

\u2022 Extracts from Tokyo Reverse<\/em><\/a> by Simon Bouisson and Ludovic Zuili.<\/p>\n

\u2022 Dan Piepenbring<\/a> on The Haunting Illustrations of Alfred Kubin.<\/p>\n

\u2022 At Strange Flowers: Photos of arcades by Germaine Krull<\/a>.<\/p>\n

\u2022 Fish, Fiends, and Fantasy: The Gothic Art of Ian Miller<\/a>.<\/p>\n

\u2022 At 50 Watts: Richard Teschner and His Puppets<\/a>.<\/p>\n

\u2022 Sonic Foam: Ian Penman<\/a> on Kate Bush and Coil.<\/p>\n

\u2022 Bits and Pieces<\/a><\/p>\n

\u2022 Lucifer<\/em><\/a> (1968) by The Salt | Experiment IV<\/a><\/em> (1986) by Kate Bush | Methoxy-N, N-Dimethyl (5-MeO-DMT)<\/em><\/a> (1998) by Coil<\/p>\n","protected":false},"excerpt":{"rendered":"

Chthonic Cities by David Chatton Barker. One of a series of Folklore Tapes screenprints available from Bleep. \u2022 The original version of Kenneth Anger’s Lucifer Rising, the one with the Jimmy Page soundtrack that was completed in 1973, has always been described as lost\/stolen\/buried or otherwise gone forever. So you’d think the news that a … Continue reading “Weekend links 207”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,42,4,29,7,5,48,3,16,12,19,46],"tags":[2329,1592,2161,5967,5208,5964,88,4973,2272,5971,5962,183,511,5965,8296,5972,723,5107,5966,550,3951,2467,2719,401,5968,5963,461,5970,542,5969,2419,5973,1081],"class_list":["post-15126","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-film","category-gay","category-illustrators","category-music","category-occult","category-photography","category-television","category-theatre","tag-50-watts","tag-alfred-kubin","tag-arcades","tag-black-to-comm","tag-brian-butler","tag-carl-swanson","tag-chris-marker","tag-christina-scholz","tag-coil-group","tag-dan-piepenbring","tag-david-chatton-barker","tag-delia-derbyshire","tag-derek-jarman","tag-eric-obenauf","tag-folklore-tapes","tag-germaine-krull","tag-ian-miller","tag-ian-penman","tag-jeff-jackson","tag-jimmy-page","tag-joseph-burnett","tag-kara-blake","tag-kate-bush","tag-kenneth-anger","tag-klara-lewis","tag-louise-traon","tag-lucifer","tag-ludovic-zuili","tag-richard-teschner","tag-simon-bouisson","tag-strange-flowers","tag-the-salt-group","tag-tilda-swinton"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3VY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15126"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15126\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}