![\"flandrin1.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/flandrin1.jpg\")
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After Young Man Beside the Sea (2008) by Abe Koya.<\/em><\/p>\n Further examples of this most recurrent of poses<\/a> continue to emerge. Abe Koya subjects Flandrin’s jeunne homme<\/em> to some Japanese tattooing, one of a number of prints<\/a> that give other famous artworks similar treatment.<\/p>\n La solitudine dei numeri due (2011) by Giuseppe Veneziano.<\/em><\/p>\n Giuseppe Veneziano goes the opposite route by placing a superhero in Flandrin’s seascape. Another of Veneziano’s paintings has Superman in a pieta pose; Krypton’s most famous exile had already appeared in Flandrin’s setting some years ago<\/a>. (Thanks to Hans for the tip!)<\/p>\n Elsewhere on { feuilleton } After Young Man Beside the Sea (2008) by Abe Koya. Further examples of this most recurrent of poses continue to emerge. Abe Koya subjects Flandrin’s jeunne homme to some Japanese tattooing, one of a number of prints that give other famous artworks similar treatment. La solitudine dei numeri due (2011) by Giuseppe Veneziano. Giuseppe Veneziano … Continue reading “The recurrent pose 52”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,44],"tags":[5960,5959],"class_list":["post-15116","post","type-post","status-publish","format-standard","hentry","category-art","category-painting","tag-abe-koya","tag-giuseppe-veneziano"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3VO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15116"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15116\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"flandrin2.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/04\/flandrin2.jpg\")
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\n\u2022 The recurrent pose archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"