{"id":15111,"date":"2014-04-08T02:41:49","date_gmt":"2014-04-08T01:41:49","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15111"},"modified":"2014-04-08T02:41:49","modified_gmt":"2014-04-08T01:41:49","slug":"trip-texts","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/04\/08\/trip-texts\/","title":{"rendered":"Trip texts"},"content":{"rendered":"

\"trip1.jpg\"<\/a><\/p>\n

I would have changed the subject today if it wasn’t for spotting a copy of David Solomon’s LSD: The Consciousness-Expanding Drug<\/em><\/a> (1964) in Roger Corman’s notorious and rather creditable stab at psychedelia, The Trip<\/em><\/a> (1967). Corman’s film is an oddity in his run of AIP exploitation films in being far less condemnatory than you’d expect (although Peter Fonda’s character isn’t always enjoying his experience), and must also be the only film in the whole AIP canon with signifying texts.<\/p>\n

\"trip2.jpg\"<\/a><\/p>\n

By the time Solomon’s book makes an appearance, Fonda’s character, Paul, has started freaking out but earlier on, during his conversations with John (Bruce Dern), we have Allen Ginsberg’s\u00a0Howl and Other Poems<\/em> (1956) shouting out of the frame. “I saw the best minds of my generation destroyed by madness…” Okay Rog, we get it.<\/p>\n

\"trip3.jpg\"<\/a><\/p>\n

There’s more, however. Behind Howl<\/em> there’s another book whose identity eludes me, while behind that<\/em> you can make out the red typography and white dorje<\/em> symbol from the 1960 OUP edition of The Tibetan Book of the Dead<\/em>. The only reason I recognised this is because I own that edition so the cover is very familiar. This would be a popular text in an acid-tripper’s apartment; John tells Paul to “Relax and float down stream”, a line that recapitulates the advice given in Leary, Metzner and Alpert’s The Psychedelic Experience: A Manual Based on The Tibetan Book of the Dead<\/em><\/a> (1964). Most surprising for me about this inclusion is that The Tibetan Book of the Dead<\/em> features a lot more prominently in that other major film about psychedelic experience, Enter the Void<\/em><\/a> (2009). Am I the only person to have made this material connection? Probably. Does anyone care? Probably not, but I do like recording these associations.<\/p>\n

\"trip4.jpg\"<\/p>\n

\"tbotd.jpg\"<\/p>\n

Cover design by Lawrence Ratzkin.<\/em><\/p>\n

Previously on { feuilleton }
\n\u2022 Acid albums<\/a>
\n\u2022 Acid covers<\/a>
\n\u2022 Lyrical Substance Deliberated<\/a>
\n\u2022 The Art of Tripping, a documentary by Storm Thorgerson<\/a>
\n\u2022 Enter the Void<\/a>
\n\u2022 In the Land of Retinal Delights<\/a>
\n\u2022 The art of LSD<\/a>
\n\u2022 Hep cats<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I would have changed the subject today if it wasn’t for spotting a copy of David Solomon’s LSD: The Consciousness-Expanding Drug (1964) in Roger Corman’s notorious and rather creditable stab at psychedelia, The Trip (1967). Corman’s film is an oddity in his run of AIP exploitation films in being far less condemnatory than you’d expect … Continue reading “Trip texts”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,851,7,17,31],"tags":[967,5957,5955,5956,1890],"class_list":["post-15111","post","type-post","status-publish","format-standard","hentry","category-books","category-drugs","category-film","category-psychedelia","category-religion","tag-allen-ginsberg","tag-bruce-dern","tag-david-solomon","tag-peter-fonda","tag-roger-corman"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3VJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15111"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15111\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}