{"id":15062,"date":"2014-03-29T01:43:38","date_gmt":"2014-03-29T01:43:38","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15062"},"modified":"2014-03-29T01:51:05","modified_gmt":"2014-03-29T01:51:05","slug":"eyetoon-a-film-by-jerry-abrams","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/03\/29\/eyetoon-a-film-by-jerry-abrams\/","title":{"rendered":"Eyetoon, a film by Jerry Abrams"},"content":{"rendered":"

\"eyetoon1.jpg\"<\/a><\/p>\n

“Fuck for Peace” declares a title card at the end of Jerry Abrams’ Eyetoon<\/em><\/a>, an 8-minute slice of psychedelia from 1968 whose second half has a hippyish couple doing exactly that as they run through a few hardcore Kama Sutra<\/em> moves. The rest of the film is comprised of rapid editing and some brief animated overlays, together with street shots of the residents of what I’m guessing is San Francisco. The buzzing, twittering electronic score is by David Litwin. A year before this Abrams had documented the Human Be-In, the first major hippy gathering in Golden Gate Park in January 1967. His equally psychedelic film of that event can be seen here<\/a>.<\/p>\n

\"eyetoon2.jpg\"<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Street Fair, 1959<\/a>
\n\u2022 San Francisco by Anthony Stern<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

“Fuck for Peace” declares a title card at the end of Jerry Abrams’ Eyetoon, an 8-minute slice of psychedelia from 1968 whose second half has a hippyish couple doing exactly that as they run through a few hardcore Kama Sutra moves. The rest of the film is comprised of rapid editing and some brief animated … Continue reading “Eyetoon, a film by Jerry Abrams”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,52,29,7,3,17],"tags":[2532,5922,5921,879],"class_list":["post-15062","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-animation","category-electronica","category-film","category-music","category-psychedelia","tag-anthony-stern","tag-david-litwin","tag-jerry-abrams","tag-the-residents"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3UW","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15062"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15062\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}