{"id":15030,"date":"2014-03-21T01:56:19","date_gmt":"2014-03-21T01:56:19","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15030"},"modified":"2014-03-21T01:56:19","modified_gmt":"2014-03-21T01:56:19","slug":"the-horror-fields","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/03\/21\/the-horror-fields\/","title":{"rendered":"The Horror Fields"},"content":{"rendered":"<p><a href=\"http:\/\/www.deviantart.com\/art\/In-the-Palm-of-the-Absinthe-Woods-393773135\" target=\"_blank\"><img decoding=\"async\" alt=\"horror.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/horror.jpg\" \/><\/a><\/p>\n<p><em>Cover art: In the Palm of the Absinthe Woods by <a href=\"http:\/\/shepaintswithblood.deviantart.com\/\" target=\"_blank\">Aria\/ShePaintsWithBlood<\/a>.<\/em><\/p>\n<p>Last year I was asked to contribute a piece of fiction to a rural horror special of <em>Morpheus Tales<\/em>. In time for the Spring Equinox, <em>The Horror Fields<\/em>, edited by Matt Leyshon, is now unleashed. Inside there&#8217;s my short story, <em>Figures in a Landscape<\/em>, plus contributions from Rosalie Parker, Don Webb, Edward Pearce, Murphy Edwards &amp; Brian Rosenberger, James Everington, Richard Farren Barber, Ian Hunter, Justin Aryiku, and Rhys Hughes.<\/p>\n<p>Two editions are available at Lulu: <a href=\"http:\/\/www.lulu.com\/shop\/matt-leyshon-and-ian-hunter-and-richard-farren-barber-and-rosalie-parker\/the-horror-fields-the-morpheus-tales-rural-horror-special-issue\/paperback\/product-21532232.html\" target=\"_blank\">digest-sized<\/a>, and <a href=\"http:\/\/www.lulu.com\/shop\/matt-leyshon\/the-horror-fields-the-morpheus-tales-rural-horror-special-issue-collectors-edition\/paperback\/product-21534099.html\" target=\"_blank\">A4 size<\/a>; both editions are discounted until the end of the month. There should also be a Kindle edition soon so when I have details I&#8217;ll mention them here. I&#8217;d recommend reading this in a field at night but here in the northern hemisphere it&#8217;s still a little too cold for that.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/10\/28\/robin-redbreast-by-john-bowen\/\">Robin Redbreast by John Bowen<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/07\/08\/red-shift-by-alan-garner\/\">Red Shift by Alan Garner<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/14\/children-of-the-stones\/\">Children of the Stones<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/22\/pendas-fen-by-david-rudkin\/\">Penda\u2019s Fen by David Rudkin<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cover art: In the Palm of the Absinthe Woods by Aria\/ShePaintsWithBlood. Last year I was asked to contribute a piece of fiction to a rural horror special of Morpheus Tales. In time for the Spring Equinox, The Horror Fields, edited by Matt Leyshon, is now unleashed. Inside there&#8217;s my short story, Figures in a Landscape, &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/03\/21\/the-horror-fields\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Horror Fields&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,22,23],"tags":[317,1114,5899,5900,5904,5902,5905,4159,5901,5906,5903,5898,5907],"class_list":["post-15030","post","type-post","status-publish","format-standard","hentry","category-books","category-horror","category-work","tag-absinthe","tag-david-rudkin","tag-don-webb","tag-edward-pearce","tag-ian-hunter","tag-james-everington","tag-justin-aryiku","tag-matt-leyshon","tag-murphy-edwards-brian-rosenberger","tag-rhys-hughes","tag-richard-farren-barber","tag-rosalie-parker","tag-shepaintswithblood"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Uq","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15030"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15030\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}