{"id":15013,"date":"2014-03-15T02:05:57","date_gmt":"2014-03-15T02:05:57","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=15013"},"modified":"2014-03-15T02:05:57","modified_gmt":"2014-03-15T02:05:57","slug":"march","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/03\/15\/march\/","title":{"rendered":"March"},"content":{"rendered":"<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/a-study-in-march\" target=\"_blank\"><img decoding=\"async\" alt=\"march08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march08.jpg\" \/><\/a><\/p>\n<p><em>A Study, in March (1855) by John William Inchbold.<\/em><\/p>\n<p>The windy, vernal, and ill-omened month in paintings. February by contrast was very under-represented; the approach of spring evidently gives artists a creative lift.<\/p>\n<p><a href=\"http:\/\/www.wikipaintings.org\/en\/edward-burne-jones\/the-march-marigold\" target=\"_blank\"><img decoding=\"async\" alt=\"march10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march10.jpg\" \/><\/a><\/p>\n<p><em>The March Marigold (1870) by Edward Burne-Jones.<\/em><\/p>\n<p><a href=\"http:\/\/www.wikipaintings.org\/en\/camille-pissarro\/march-sun-pontoise-1875\" target=\"_blank\"><img decoding=\"async\" alt=\"march03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march03.jpg\" \/><\/a><\/p>\n<p><em>March Sun, Pontoise (1875) by Camille Pissaro.<\/em><\/p>\n<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/the-ides-of-march-205859\" target=\"_blank\"><img decoding=\"async\" alt=\"march06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march06.jpg\" \/><\/a><\/p>\n<p><em>The Ides of March (1883) by Edward John Poynter.<\/em><\/p>\n<p><!--more--><\/p>\n<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/march-winds-71695\" target=\"_blank\"><img decoding=\"async\" alt=\"march09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march09.jpg\" \/><\/a><\/p>\n<p><em>March Winds (no date) by Philip Richard Morris.<\/em><\/p>\n<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/march-winds-21154\" target=\"_blank\"><img decoding=\"async\" alt=\"march01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march01.jpg\" \/><\/a><\/p>\n<p><em>March Winds (1925) by Joseph Mellor Hanson.<\/em><\/p>\n<p><a href=\"http:\/\/www.wikipaintings.org\/en\/grant-wood\/march-1939\" target=\"_blank\"><img decoding=\"async\" alt=\"march04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march04.jpg\" \/><\/a><\/p>\n<p><em>March (1939) by Grant Wood.<\/em><\/p>\n<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/early-march-48004\" target=\"_blank\"><img decoding=\"async\" alt=\"march02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march02.jpg\" \/><\/a><\/p>\n<p><em>Early March (no date) by Margaret M. Hall<\/em><\/p>\n<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/march-morning-225351\" target=\"_blank\"><img decoding=\"async\" alt=\"march07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march07.jpg\" \/><\/a><\/p>\n<p><em>March Morning (1956) by Peter Collins.<\/em><\/p>\n<p><a href=\"http:\/\/www.wikipaintings.org\/en\/cy-twombly\/ides-of-march\" target=\"_blank\"><img decoding=\"async\" alt=\"march05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/03\/march05.jpg\" \/><\/a><\/p>\n<p><em>The Ides of March (1962) by Cy Twombly.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Study, in March (1855) by John William Inchbold. The windy, vernal, and ill-omened month in paintings. February by contrast was very under-represented; the approach of spring evidently gives artists a creative lift. The March Marigold (1870) by Edward Burne-Jones. March Sun, Pontoise (1875) by Camille Pissaro. The Ides of March (1883) by Edward John &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/03\/15\/march\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;March&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,44],"tags":[5875,5881,2372,5876,5620,5874,5878,5879,5880,5877],"class_list":["post-15013","post","type-post","status-publish","format-standard","hentry","category-art","category-painting","tag-camille-pissaro","tag-cy-twombly","tag-edward-burne-jones","tag-edward-john-poynter","tag-grant-wood","tag-john-william-inchbold","tag-joseph-mellor-hanson","tag-margaret-m-hall","tag-peter-collins","tag-philip-richard-morris"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-march","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=15013"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/15013\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=15013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=15013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=15013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}