{"id":14957,"date":"2014-03-02T02:18:09","date_gmt":"2014-03-02T02:18:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14957"},"modified":"2014-03-02T02:19:26","modified_gmt":"2014-03-02T02:19:26","slug":"weekend-links-201","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/03\/02\/weekend-links-201\/","title":{"rendered":"Weekend links 201"},"content":{"rendered":"

\"kettelwell.jpg\"<\/a><\/p>\n

An illustration by John Kettelwell<\/a> for The Story of Aladdin and the Wonderful Lamp (1928).<\/em><\/p>\n

\u2022 “The strain in everything I write, of not being taken with the bounteousness of humankind, was also the attitude of both my parents.” Jonathan Meades<\/a> talking to James Kidd about his forthcoming memoirs.<\/p>\n

\u2022\u00a07 Trumps From the Tarot Cards and Pinions<\/em><\/a> (1969), and album of electronic music by Ruth White, is being given a limited vinyl reissue. Related: Ruth White\u2014An American Composer<\/a>.<\/p>\n

\u2022 82 minutes of Michael Moorcock<\/a> talking in 1972 to Jean-Pierre Turmel, co-founder of the Sordide Sentimental<\/a> record label.<\/p>\n

If Verne\u2019s protagonists often seem to stop short of revelation, it\u2019s because the revelation is not meant to be known. Revelation has a way of putting man back at the front of the evolution chart, moving neatly toward a happily progressing future, out of the darkness and into the light. The characters who embark upon the Voyages Extraordinares<\/em> move backward and forward and all about, spun around like blindfolded children trying to pin the tail on the donkey. The point of the adventure, after all, is not to have a conclusion; it is to get knocked off your feet.<\/p>\n

Stefany Anne Golberg on Journey to the Center of the Earth at 150.<\/em><\/p><\/blockquote>\n

\u2022 Photographs of pre-Haussmann Paris by Charles Marville<\/a>, and photographs by Amy Heiden<\/a> of industrial ruins.<\/p>\n

\u2022 Mixes of the week: FACT Mix 427 by Wild Beasts<\/a>, and Secret Thirteen Mix 108 by Kangding Ray<\/a>.<\/p>\n

\u2022 Hear Italo Calvino<\/a> read selections from Invisible Cities<\/em>, Mr Palomar<\/em> and others.<\/p>\n

\u2022 William S. Burroughs in Dub<\/em> conducted by Dub Spencer & Trance Hill<\/a>.<\/p>\n

\u2022 Cycles, Returns & Rebirth: Alexander Tucker on Derek Jarman<\/a>.<\/p>\n

\u2022 Harold Budd<\/a>: the composer with no urge to make music.<\/p>\n

\u2022 The Museum of Imaginary Musical Instruments<\/a>.<\/p>\n

\u2022 80 minutes of Monolake<\/a> playing live in 1999.<\/p>\n

\u2022 At 50 Watts: Dyl\u2019s Dance<\/a>.<\/p>\n

\u2022 Owls And Flowers<\/em><\/a> (2006) by Belbury Poly | Learning Owl Reappears<\/em><\/a> (2011) by The Advisory Circle | The Owls<\/em><\/a> (2013) by F\u00e9licia Atkinson<\/p>\n","protected":false},"excerpt":{"rendered":"

An illustration by John Kettelwell for The Story of Aladdin and the Wonderful Lamp (1928). \u2022 “The strain in everything I write, of not being taken with the bounteousness of humankind, was also the attitude of both my parents.” Jonathan Meades talking to James Kidd about his forthcoming memoirs. \u2022\u00a07 Trumps From the Tarot Cards … Continue reading “Weekend links 201”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,28,51,29,21,7,48,3,12,20],"tags":[3627,5837,3319,5836,511,5840,5843,802,407,3852,5834,5833,4059,715,5839,65,880,5842,7691,3520,5835,4644,552,1253,5841,5838,1190,5844],"class_list":["post-14957","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-burroughs","category-cities","category-electronica","category-fantasy","category-film","category-illustrators","category-music","category-photography","category-science-fiction","tag-alexander-tucker","tag-amy-heiden","tag-belbury-poly","tag-charles-marville","tag-derek-jarman","tag-dub-spencer","tag-felicia-atkinson","tag-harold-budd","tag-italo-calvino","tag-james-kidd","tag-jean-pierre-turmel","tag-john-kettelwell","tag-jonathan-meades","tag-jules-verne","tag-kangding-ray","tag-michael-moorcock","tag-monolake","tag-monolake-musician","tag-owls","tag-ruth-white","tag-sordide-sentimental","tag-stefany-anne-golberg","tag-tarot","tag-the-advisory-circle","tag-trance-hill","tag-wild-beasts-group","tag-william-burroughs","tag-yann-bernard-dyl"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Tf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14957"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14957\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}