{"id":14936,"date":"2014-02-24T01:55:15","date_gmt":"2014-02-24T01:55:15","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14936"},"modified":"2014-02-24T01:55:15","modified_gmt":"2014-02-24T01:55:15","slug":"february","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/02\/24\/february\/","title":{"rendered":"February"},"content":{"rendered":"<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/february-painting-winter-series-no-1-226569\" target=\"_blank\"><img decoding=\"async\" alt=\"february2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/february2.jpg\" \/><\/a><\/p>\n<p><em>February Painting (Winter Series No.1) (1994) by Wilhelmina Barns-Graham.<\/em><\/p>\n<p>The end of winter at the Google Art Project and the BBC&#8217;s Your Paintings site.<\/p>\n<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/landscape-a-late-february-afternoon-3196\" target=\"_blank\"><img decoding=\"async\" alt=\"february3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/february3.jpg\" \/><\/a><\/p>\n<p><em>Landscape: A Late February Afternoon (1979) by Steven Outram.<\/em><\/p>\n<p><a href=\"http:\/\/www.bbc.co.uk\/arts\/yourpaintings\/paintings\/february-above-tan-y-foel-iii-181262\" target=\"_blank\"><img decoding=\"async\" alt=\"february1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/february1.jpg\" \/><\/a><\/p>\n<p><em>February (above Tan y Foel) III (no date) by Darren Hughes.<\/em><\/p>\n<p><!--more--><\/p>\n<p><a href=\"http:\/\/www.google.com\/culturalinstitute\/asset-viewer\/february\/2gHP2GQTMovwUw?projectId=art-project\" target=\"_blank\"><img decoding=\"async\" alt=\"february5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/february5.jpg\" \/><\/a><\/p>\n<p><em>February (1940) by Grant Wood.<\/em><\/p>\n<p><a href=\"http:\/\/www.google.com\/culturalinstitute\/asset-viewer\/february-landscape\/fgErhVfPxwtiYw?projectId=art-project\" target=\"_blank\"><img decoding=\"async\" alt=\"february6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/february6.jpg\" \/><\/a><\/p>\n<p><em>February: Landscape (1891) by Joaquim Vancells.<\/em><\/p>\n<p><a href=\"http:\/\/www.google.com\/culturalinstitute\/asset-viewer\/february-in-the-isle-of-wight\/qQF2ojUCl7dBzw?projectId=art-project\" target=\"_blank\"><img decoding=\"async\" alt=\"february4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/february4.jpg\" \/><\/a><\/p>\n<p><em>February in the Isle of Wight (1866) by John Brett.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>February Painting (Winter Series No.1) (1994) by Wilhelmina Barns-Graham. The end of winter at the Google Art Project and the BBC&#8217;s Your Paintings site. Landscape: A Late February Afternoon (1979) by Steven Outram. February (above Tan y Foel) III (no date) by Darren Hughes.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,44],"tags":[5822,4854,5620,5823,5824,5821,5820],"class_list":["post-14936","post","type-post","status-publish","format-standard","hentry","category-art","category-painting","tag-darren-hughes","tag-google-art-project","tag-grant-wood","tag-joaquim-vancells","tag-john-brett","tag-steven-outram","tag-wilhelmina-barns-graham"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-february","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14936"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14936\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}