{"id":14932,"date":"2014-02-23T01:13:38","date_gmt":"2014-02-23T01:13:38","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14932"},"modified":"2014-02-23T01:13:38","modified_gmt":"2014-02-23T01:13:38","slug":"weekend-links-200","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/02\/23\/weekend-links-200\/","title":{"rendered":"Weekend links 200"},"content":{"rendered":"

\"fukaya.jpg\"<\/a><\/p>\n

Untitled etching by Etsuko Fukaya<\/a>, 2005.
\n<\/em><\/p>\n

\u2022 “By the time Scorsese met Powell, in 1975, the British director had fallen on hard times and was largely ignored by the UK film establishment.” A London office used by Michael Powell and Emeric Pressburger<\/a> is given the Blue Plaque treatment.<\/p>\n

\u2022 Ambient reminiscences at The Quietus: Wyndham Wallace<\/a> on the genesis of Free-D (Original Soundtrack)<\/em> by Ecstasy Of St Theresa, and Ned Raggett<\/a> on Aphex Twin’s Selected Ambient Works II<\/em>.<\/p>\n

\u2022 “Even Queen Victoria was prescribed tincture of cannabis,” writes Richard J. Miller in Drugged: the Science and Culture Behind Psychotropic Drugs<\/em><\/a>. Steven Poole<\/a> reviewed the book.<\/p>\n

I don\u2019t relate to standard psychologizing in novels. I don\u2019t really believe that the backstory is the story you need. And I don\u2019t believe it\u2019s more like life to get it\u2014the buildup of \u201ccharacter\u201d through psychological and family history, the whole idea of \u201cknowing what the character wants.\u201d People in real life so often do not know what they want. People trick themselves, lie to themselves, fool themselves. It\u2019s called survival, and self-mythology.<\/p>\n

Rachel Kushner<\/a> talking to Jonathan Lee<\/em><\/p><\/blockquote>\n

\u2022 Sound Houses<\/em> by Walls<\/a> is a posthumous collaboration based on a collection of “weird sonic doodles” by electronic composer Daphne Oram<\/a>. FACT<\/a> has a preview.<\/p>\n

\u2022 The skeletal trees of Borth forest<\/a>, last alive 4,500 years ago, were uncovered in Cardigan Bay after the recent storms stripped the sand from the beach.<\/p>\n

\u2022 Stephen O’Malley<\/a> talks to Jamie Ludwig about Terrestrials<\/em>, the new album by Sunn O))) and Ulver. There’s another interview here<\/a>.<\/p>\n

\u2022 At BibliOdyssey: Takushoku Graphic Arts<\/a>\u2014graphic design posters by contemporary Japanese artists.<\/p>\n

\u2022 The Unbearable Heaviness of Being: Dave Segal<\/a> on the rumbling splendour of Earth 2<\/em>.<\/p>\n

\u2022 So Much Pileup<\/a>: “Graphic design artifacts and inspiration from the 1960s \u2013 1980s.”<\/p>\n

\u2022 Lots of illustrations by Virgil Finlay<\/a> being posted at The Golden Age just now.<\/p>\n

\u2022 Mix of the week: Episode #114 by Lustmord<\/a> at Electric Deluxe.<\/p>\n

\u2022 Lucinda Grange’s daredevil photography<\/a>. There’s more here<\/a>.<\/p>\n

\u2022 Experimental music on Children’s TV<\/a><\/p>\n

\u2022 Kazumasa Nagai<\/a> at Pinterest.<\/p>\n

\u2022\u00a0Teeth Of Lions Rule The Divine<\/em><\/a> (1993) by Earth | He Who Accepts All That Is Offered (Feel Bad Hit Of The Winter)<\/a><\/em> (2002) by Teeth Of Lions Rule The Divine | Big Church (megszents\u00e9gtelen\u00edthetetlens\u00e9gesked\u00e9seitek\u00e9rt)<\/a><\/em> (2009) by Sunn O)))<\/p>\n","protected":false},"excerpt":{"rendered":"

Untitled etching by Etsuko Fukaya, 2005. \u2022 “By the time Scorsese met Powell, in 1975, the British director had fallen on hard times and was largely ignored by the UK film establishment.” A London office used by Michael Powell and Emeric Pressburger is given the Blue Plaque treatment. \u2022 Ambient reminiscences at The Quietus: Wyndham … Continue reading “Weekend links 200”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,851,29,7,48,3,12],"tags":[5554,1042,5814,5817,3316,5808,355,5806,5186,1512,5818,1905,409,354,5809,5812,5810,1034,5811,2147,5819,5148,5815,5816,1895,5813,5807],"class_list":["post-14932","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-illustrators","category-music","category-photography","tag-aphex-twin","tag-bibliodyssey","tag-daphne-oram","tag-dave-segal","tag-earth-group","tag-ecstasy-of-st-theresa","tag-emeric-pressburger","tag-etsuko-fukaya","tag-jonathan-lee","tag-kazumasa-nagai","tag-lucinda-grange","tag-lustmord","tag-martin-scorsese","tag-michael-powell","tag-ned-raggett","tag-rachel-kushner","tag-richard-j-miller","tag-stephen-omalley","tag-steven-poole","tag-sunn-o","tag-teeth-of-lions-rule-the-divine","tag-the-golden-age","tag-to-jamie-ludwig","tag-ulver","tag-virgil-finlay","tag-walls-group","tag-wyndham-wallace"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3SQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14932"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14932\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}