{"id":14908,"date":"2014-02-17T02:00:01","date_gmt":"2014-02-17T02:00:01","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14908"},"modified":"2014-02-17T02:01:43","modified_gmt":"2014-02-17T02:01:43","slug":"paul-schutze-silent-surface","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/02\/17\/paul-schutze-silent-surface\/","title":{"rendered":"Paul Sch\u00fctze: Silent Surface"},"content":{"rendered":"

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Something for people living in the Thames Archipelago formerly known as London (okay, it’s not that bad but give it a couple of years…): Paul Sch\u00fctze<\/a> adds to the list of his polymathic accomplishments with the launch of a book, a new series of prints, and a perfume (or aroma) at Maggs Gallery. Details below. Paying attention to the aesthetics of scent only seems unusual in this context because it’s relatively rare. As\u00a0Sch\u00fctze insists: the eyes and ears are routinely flattered while the nose is ignored. Supermarkets exploit the power of scent; isn’t it time for artists of all varieties to follow suit?<\/p>\n

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Previously on { feuilleton }
\n\u2022 Silent Engine<\/a>
\n\u2022 Sch\u00fctze and Unstable at Maggs Bros<\/a>
\n\u2022 The art of scent revisited<\/a>
\n\u2022 Paul Sch\u00fctze online<\/a>
\n\u2022 Perfume: the art of scent<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Something for people living in the Thames Archipelago formerly known as London (okay, it’s not that bad but give it a couple of years…): Paul Sch\u00fctze adds to the list of his polymathic accomplishments with the launch of a book, a new series of prints, and a perfume (or aroma) at Maggs Gallery. Details below. … Continue reading “Paul Sch\u00fctze: Silent Surface”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,12],"tags":[465,3413],"class_list":["post-14908","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-photography","tag-paul-schutze","tag-perfume"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Ss","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14908"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14908\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}