{"id":14886,"date":"2014-02-11T02:40:59","date_gmt":"2014-02-11T02:40:59","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14886"},"modified":"2014-02-11T02:40:59","modified_gmt":"2014-02-11T02:40:59","slug":"gilles-rimbault-redux","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/02\/11\/gilles-rimbault-redux\/","title":{"rendered":"Gilles Rimbault redux"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"rimbault1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/rimbault1.jpg\" \/><\/p>\n<p>My thanks once again to DR Tenge for notifying me of <a href=\"http:\/\/drtenge.com\/?p=2733\" target=\"_blank\">a new post of drawings by French artist Gilles Rimbault<\/a>. More marvellous work that this time tends to the metamorphic rather than the erotic. No details as to date or provenance but considering how little there is of Rimbault&#8217;s work online it&#8217;s good to see anything new at all.<\/p>\n<p><img decoding=\"async\" alt=\"rimbault2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/rimbault2.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"rimbault3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/rimbault3.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"rimbault4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/rimbault4.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"rimbault5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/rimbault5.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"rimbault6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/rimbault6.jpg\" \/><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-fantastic-art-archive\/\">The fantastic art archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/28\/raymond-bertrand-paintings\/\">Raymond Bertrand paintings<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/08\/27\/raymond-bertrands-science-fiction-covers\/\">Raymond Bertrand\u2019s science fiction covers<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/04\/13\/gilles-rimbault-revisited\/\">Gilles Rimbault revisited<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/21\/the-art-of-ran-akiyoshi-1922\u20131982\/\">The art of Ran Akiyoshi, 1922\u20131982<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/07\/20\/the-art-of-gilles-rimbault\/\">The art of Gilles Rimbault<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/15\/the-art-of-jim-leon-1938\u20132002\/\">The art of Jim Leon, 1938\u20132002<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/06\/26\/the-art-of-sibylle-ruppert\/\">The art of Sibylle Ruppert<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/22\/the-art-of-bertrand\/\">The art of Bertrand<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My thanks once again to DR Tenge for notifying me of a new post of drawings by French artist Gilles Rimbault. More marvellous work that this time tends to the metamorphic rather than the erotic. No details as to date or provenance but considering how little there is of Rimbault&#8217;s work online it&#8217;s good to &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/02\/11\/gilles-rimbault-redux\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Gilles Rimbault redux&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,21],"tags":[1544,1083],"class_list":["post-14886","post","type-post","status-publish","format-standard","hentry","category-art","category-fantasy","tag-gilles-rimbault","tag-raymond-bertrand"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3S6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14886"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14886\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}