{"id":14875,"date":"2014-02-09T02:03:57","date_gmt":"2014-02-09T02:03:57","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14875"},"modified":"2014-02-09T02:12:01","modified_gmt":"2014-02-09T02:12:01","slug":"weekend-links-198","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/02\/09\/weekend-links-198\/","title":{"rendered":"Weekend links 198"},"content":{"rendered":"

\"boty.jpg\"<\/p>\n

Bum (1966) by Pauline Boty.<\/em><\/p>\n

\u2022 Eleanor Birne<\/a> on Pauline Boty, “the only prominent female Pop artist among a generation of famous men”. Ken Russell’s Pop Art documentary, Pop Goes the Easel<\/em> (1962), which features Boty, may be seen here<\/a>. Two years later Boty was back with Ken Russell playing the part of the prostitute from The Miraculous Mandarin<\/em> in a film about B\u00e9la Bart\u00f3k<\/a>. That’s something I’d love to see. There’s more about her painting, and the work of other female Pop artists, here<\/a>.<\/p>\n

\u2022 Why Are We Sleeping? Mark Pilkington<\/a> on the music world’s recurrent interest in the philosophy of GI Gurdjieff. Pilkington’s most recent Raagnagrok<\/a> release with Zali Krishna, Man Woman Birth Death Infinity<\/em>, was reviewed by Peter Bebergal<\/a>.<\/p>\n

\u2022 Cinematic details: Frames-within-frames in The Ipcress File<\/em><\/a> (1966), and the typography of 2001: A Space Odyssey<\/em><\/a> (1968).<\/p>\n

\"highrise.jpg\"<\/a><\/p>\n

A Jay Shaw<\/a> poster for Ben Wheatley’s forthcoming film of High-Rise.<\/em><\/p>\n

\u2022 “…a large cavity must be dug in the bird\u2019s shoulder and filled with ball bearings.” Christine Baumgarthuber<\/a> on the dubious delights of The Futurist Cookbook<\/em>.<\/p>\n

\u2022 Why Tatlin Can Never Go Home Again: Rick Poynor<\/a> on the difficulties of finding a definitive representation of an artwork online.<\/p>\n

\u2022 Jay Parini<\/a> reviews Inside a Pearl: My Years in Paris<\/em> by Edmund White. At AnOther Donatien Grau<\/a> talks to White about fashion.<\/p>\n

\u2022 At Bajo el Signo de Libra<\/a> (in Spanish): the homoerotic and occasionally Surrealist art of Pavel Tchelitchew.<\/p>\n

\u2022 At 50 Watts<\/a>: Kling Klang Gloria: Vintage Children\u2019s Books from Austria.<\/p>\n

\u2022 The motorbike girl gangs of Morocco photographed by Hassan Hajjaj<\/a>.<\/p>\n

\u2022 Geoff Manaugh<\/a> on how LED streetlights will change cinema.<\/p>\n

\u2022 Stylus<\/a> “is an experiment in sound, music and listening”.<\/p>\n

\u2022 Mix of the week: Secret Thirteen mix 106 by Senking<\/a>.<\/p>\n

\u2022 At Pinterest: JG Ballard<\/a><\/p>\n

\u2022 This Is Pop?<\/a><\/em> (1978) by XTC | Pop Muzik<\/a><\/em> (1979) by M | Pop Quiz<\/a><\/em> (1995) by Stereolab<\/p>\n","protected":false},"excerpt":{"rendered":"

Bum (1966) by Pauline Boty. \u2022 Eleanor Birne on Pauline Boty, “the only prominent female Pop artist among a generation of famous men”. Ken Russell’s Pop Art documentary, Pop Goes the Easel (1962), which features Boty, may be seen here. Two years later Boty was back with Ken Russell playing the part of the prostitute … Continue reading “Weekend links 198”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,57,7,5,25,3,16,44,12,20,18,10],"tags":[169,2329,4267,2074,4936,5757,5760,901,5756,1928,4843,5761,5759,5717,137,595,5763,955,5755,3562,1018,3709,1463,5762,2407,5758,1147,1999],"class_list":["post-14875","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-fashion","category-film","category-gay","category-kubrick","category-music","category-occult","category-painting","category-photography","category-science-fiction","category-surrealism","category-typography","tag-2001-a-space-odyssey","tag-50-watts","tag-bajo-el-signo-de-libra","tag-bela-bartok","tag-ben-wheatley","tag-christine-baumgarthuber","tag-donatien-grau","tag-edmund-white","tag-eleanor-birne","tag-geoff-manaugh","tag-gi-gurdjieff","tag-hassan-hajjaj","tag-jay-parini","tag-jay-shaw","tag-jg-ballard","tag-ken-russell","tag-m-group","tag-mark-pilkington","tag-pauline-boty","tag-pavel-tchelitchew","tag-peter-bebergal","tag-raagnagrok","tag-rick-poynor","tag-senking","tag-stereolab","tag-vladimir-tatlin","tag-xtc","tag-zali-krishna"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3RV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14875"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14875\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}