{"id":14790,"date":"2014-01-19T01:55:41","date_gmt":"2014-01-19T01:55:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14790"},"modified":"2014-01-19T01:55:41","modified_gmt":"2014-01-19T01:55:41","slug":"weekend-links-195","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/01\/19\/weekend-links-195\/","title":{"rendered":"Weekend links 195"},"content":{"rendered":"<p><a href=\"http:\/\/strangeattractor.co.uk\/wp-content\/uploads\/2014\/01\/EthelLeRossignolfull.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"ethellerossignol.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/ethellerossignol.jpg\" \/><\/a><\/p>\n<p><em>Untitled painting (c. 1920\u20131933) by Ethel le Rossignol depicting &#8220;the Sphere of the Spirit&#8221;. An exhibition of\u00a0 Ethel le Rossignol&#8217;s channelled paintings takes place at <a href=\"http:\/\/www.thehorsehospital.com\/now\/a-goodly-company-ethel-le-rossignol\/\" target=\"_blank\">the Horse Hospital<\/a>, London, next month.<\/em><\/p>\n<p>\u2022 &#8220;It\u2019s always disconcerting to discover a favourite writer was kind of a jerk. How does this realization effect our understanding of Walter Benjamin\u2019s work?&#8221; asks <a href=\"http:\/\/www.thesmartset.com\/article\/article01131401.aspx\" target=\"_blank\">Morgan Meis<\/a>.<\/p>\n<p>\u2022 Mixes of the week: Georges Vert (aka Jon Brooks) presents <a href=\"http:\/\/www.theransomnote.co.uk\/the-rn-mix-georges-vert-presents-the-paneuropa-mix\/\" target=\"_blank\">The Pan-Europa Mix<\/a>. Mr Brooks also unveiled another seasonal mix which he calls <a href=\"http:\/\/www.mixcloud.com\/cafekaput\/caf\u00e9-kaput-presents-winter-velvet\/\" target=\"_blank\">Winter Velvet<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.youtube.com\/watch?v=HBqaq42jWY0\" target=\"_blank\"><em>Knopheria<\/em> by Chrome Hoof ft. Shingai Shoniwa<\/a>. A video from the band&#8217;s latest album.<\/p>\n<blockquote><p>Without sci-fi trappings of any kind, <em>The Metamorphosis<\/em> forces us to think in terms of analogy, of reflexive interpretation, though it is revealing that none of the characters in the story, including Gregor, ever does think that way. There is no meditation on a family secret or sin that might have induced such a monstrous reprisal by God or the Fates, no search for meaning even on the most basic existential plane. The bizarre event is dealt with in a perfunctory, petty, materialistic way, and it arouses the narrowest range of emotional response imaginable, almost immediately assuming the tone of an unfortunate natural family occurrence with which one must reluctantly contend.<\/p>\n<p><em><a href=\"http:\/\/www.theparisreview.org\/blog\/2014\/01\/17\/the-beetle-and-the-fly\/\" target=\"_blank\">David Cronenberg<\/a> on Franz Kafka&#8217;s story.<\/em><\/p><\/blockquote>\n<p>\u2022 &#8220;I was very much into now-ism.&#8221; <a href=\"http:\/\/thequietus.com\/articles\/14203-laraaji-interview\" target=\"_blank\">Laraaji<\/a> talks to Bobby Barry about his music.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.edge.org\/contributors\/what-scientific-idea-is-ready-for-retirement\" target=\"_blank\">The Edge Question for 2014<\/a>: &#8220;What scientific idea is ready for retirement?&#8221;<\/p>\n<p>\u2022 <a href=\"http:\/\/www.collectorsweekly.com\/articles\/beasts-comets-and-other-signs-of-the-end-times\/\" target=\"_blank\">Storybook Apocalypse<\/a>: Beasts, Comets, and Other Signs of the End Times.<\/p>\n<p>\u2022 Return of the wunderkammer: <a href=\"http:\/\/www.theguardian.com\/artanddesign\/2014\/jan\/13\/cabinet-curiosities-taxidermy-retro-museums\" target=\"_blank\">Philip Hoare<\/a> on cabinets of curiosities.<\/p>\n<p>\u2022 Birditis: <a href=\"http:\/\/www.lrb.co.uk\/v36\/n02\/ian-penman\/birditis\" target=\"_blank\">Ian Penman<\/a> on the &#8220;full catastrophe&#8221; of Charlie Parker.<\/p>\n<p>\u2022 <a href=\"http:\/\/observatory.designobserver.com\/rickpoynor\/feature\/the-compulsively-visual-world-of-pinterest\/38296\/\" target=\"_blank\">Rick Poynor<\/a> on The Compulsively Visual World of Pinterest.<\/p>\n<p>\u2022 RIP psychedelic poster artist <a href=\"http:\/\/www.detroitnews.com\/apps\/pbcs.dll\/article?AID=\/201401131455\/OBITUARIES\/301130096\" target=\"_blank\">Gary Grimshaw<\/a>.<\/p>\n<p>\u2022 At PingMag: <a href=\"http:\/\/pingmag.jp\/2014\/01\/17\/karakuri-tokei\/\" target=\"_blank\">The automaton clocks of Tokyo<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.dustandgrooves.com\/\" target=\"_blank\">Dust &amp; Grooves<\/a>: Vinyl music culture.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.pinterest.com\/search\/pins\/?q=wunderkammer&amp;rs=ac&amp;len=6\" target=\"_blank\">Wunderkammern<\/a> at Pinterest.<\/p>\n<p>\u2022 <em><a href=\"http:\/\/www.youtube.com\/watch?v=63oXhUSEl9c\" target=\"_blank\">Ligeti: String Quartet No. 1 &#8220;Metamorphoses nocturnes&#8221;<\/a><\/em> (recorded 1978) The Arditti Quartet | <em><a href=\"http:\/\/www.youtube.com\/watch?v=rwNlPz_vjKE\" target=\"_blank\">Thru Metamorphic Rocks<\/a><\/em> (1979) by Tangerine Dream | <em><a href=\"http:\/\/www.youtube.com\/watch?v=kHJWHodZ3-I\" target=\"_blank\">Metamorphosis<\/a><\/em> (2012) by Demdike Stare<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Untitled painting (c. 1920\u20131933) by Ethel le Rossignol depicting &#8220;the Sphere of the Spirit&#8221;. An exhibition of\u00a0 Ethel le Rossignol&#8217;s channelled paintings takes place at the Horse Hospital, London, next month. \u2022 &#8220;It\u2019s always disconcerting to discover a favourite writer was kind of a jerk. How does this realization effect our understanding of Walter Benjamin\u2019s &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/01\/19\/weekend-links-195\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 195&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,3,16,44,17,13],"tags":[5665,5663,5664,1469,2207,2609,5659,1013,4552,5660,240,5107,1017,5662,4004,592,1463,5661,889,1241],"class_list":["post-14790","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-music","category-occult","category-painting","category-psychedelia","category-science","tag-arditti-quartet","tag-bobby-barry","tag-charlie-parker","tag-chrome-hoof","tag-david-cronenberg","tag-demdike-stare","tag-ethel-le-rossignol","tag-franz-kafka","tag-gary-grimshaw","tag-georges-vert","tag-gyorgy-ligeti","tag-ian-penman","tag-jon-brooks","tag-laraaji","tag-morgan-meis","tag-philip-hoare","tag-rick-poynor","tag-shingai-shoniwa","tag-tangerine-dream","tag-walter-benjamin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Qy","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14790"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14790\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}