{"id":14779,"date":"2014-01-15T02:26:00","date_gmt":"2014-01-15T02:26:00","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14779"},"modified":"2014-01-15T02:26:00","modified_gmt":"2014-01-15T02:26:00","slug":"holbein-details","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/01\/15\/holbein-details\/","title":{"rendered":"Holbein details"},"content":{"rendered":"<p><a href=\"http:\/\/www.google.com\/culturalinstitute\/asset-viewer\/the-merchant-georg-gisze\/VwFTBKeaJVASog?projectId=art-project\" target=\"_blank\"><img decoding=\"async\" alt=\"holbein1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein1.jpg\" \/><\/a><\/p>\n<p><em>The Merchant Georg Gisze (1532) by Hans Holbein the Younger.<\/em><\/p>\n<p>Hans Holbein the Younger&#8217;s masterwork, <em>The Ambassadors<\/em> (1533), was one of the first paintings available for viewing when Google&#8217;s Art Project debuted in 2011. Not all the paintings that Google selects warrant the gigapixel treatment but <em>The Ambassadors<\/em> certainly does, as does <a href=\"http:\/\/www.google.com\/culturalinstitute\/asset-viewer\/the-merchant-georg-gisze\/VwFTBKeaJVASog?projectId=art-project\" target=\"_blank\">this Holbein portrait of German merchant Georg Giese<\/a> (Georg Gisze as he&#8217;s named in the picture) painted the year before. Holbein&#8217;s careful scrutiny and meticulous attention to detail give these pictures the appearance of 16th-century photographs. Crowded portraits such as this were intended to be closely studied, and the various objects read by the viewer, but book reproductions don&#8217;t always allow the proximity the artist intended. The heraldic crest on the signet ring lying on the table would have been a significant detail but it&#8217;s one that&#8217;s easy to miss without getting up close.<\/p>\n<p><img decoding=\"async\" alt=\"holbein2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein2.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"holbein3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein3.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"holbein4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein4.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"holbein5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein5.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"holbein6.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein6.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"holbein7.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein7.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"holbein8.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein8.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"holbein9.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/01\/holbein9.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/06\/28\/proverbial-details\/\">Proverbial details<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/27\/eustace-details\/\">Eustace details<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/07\/babel-details\/\">Babel details<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/02\/22\/fabulous-harbours\/\">Fabulous Harbours<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/11\/01\/holbeins-dance-of-death\/\">Holbein\u2019s Dance of Death<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/06\/01\/melencolia-details\/\">Melencolia details<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/02\/02\/the-ambassadors-in-detail\/\">The Ambassadors in detail<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Merchant Georg Gisze (1532) by Hans Holbein the Younger. Hans Holbein the Younger&#8217;s masterwork, The Ambassadors (1533), was one of the first paintings available for viewing when Google&#8217;s Art Project debuted in 2011. Not all the paintings that Google selects warrant the gigapixel treatment but The Ambassadors certainly does, as does this Holbein portrait &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2014\/01\/15\/holbein-details\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Holbein details&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,44],"tags":[5656,4854,2213],"class_list":["post-14779","post","type-post","status-publish","format-standard","hentry","category-art","category-painting","tag-georg-giese","tag-google-art-project","tag-hans-holbein-the-younger"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Qn","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14779"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14779\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}