{"id":14696,"date":"2013-12-29T01:22:47","date_gmt":"2013-12-29T01:22:47","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14696"},"modified":"2013-12-29T01:22:47","modified_gmt":"2013-12-29T01:22:47","slug":"weekend-links-192","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/29\/weekend-links-192\/","title":{"rendered":"Weekend links 192"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"fournier.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/fournier.jpg\" \/><\/p>\n<p><em>&#8220;Chloromgonfus detectis, a dragonfly that can detect volatile pollutants.&#8221; A speculative insect by artist <a href=\"http:\/\/blogs.smithsonianmag.com\/artscience\/2013\/12\/an-artist-imagines-the-techno-evolved-creatures-of-the-future\/\" target=\"_blank\">Vincent Fournier<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;&#8230;a modern taxonomist straddling a Wellsian time machine with the purpose of exploring the Cenozoic era&#8230;&#8221; Butterflies tied together Vladimir Nabokov\u2019s home, science, and writing, says <a href=\"http:\/\/nautil.us\/issue\/8\/home\/speak-butterfly\" target=\"_blank\">Mary Ellen Hannibal<\/a>.<\/p>\n<p>\u2022 More ghosts:\u00a0<a href=\"http:\/\/www.theguardian.com\/books\/2013\/dec\/23\/ghost-stories-victorians-spookily-good\" target=\"_blank\">Kira Cochrane<\/a> on the Victorian tradition of the Christmas ghost story, and\u00a0<a href=\"http:\/\/www.theguardian.com\/books\/2013\/dec\/26\/innocents-christmas-ghost-story\" target=\"_blank\">Michael Newton<\/a> on why Jack Clayton&#8217;s <em>The Innocents<\/em> (1961) remains one of the very best ghost films. No argument there.<\/p>\n<p>\u2022 Should you require further persuasion, <a href=\"http:\/\/thequietus.com\/articles\/14182-various-artists-i-am-the-center-private-issue-new-age-music-in-america-1950-1990-review\" target=\"_blank\">Daniel Barrow<\/a> reviews <em>I Am The Center: Private Issue New Age Music In America 1950-1990<\/em>, an album still receiving heavy rotation in these quarters.<\/p>\n<blockquote><p>Swords, daggers\u2014weapons with a blade\u2014retained a mysterious, talismanic significance for Borges, imbued with predetermined codes of conduct and honor. The short dagger had particular power, because it required the fighters to draw death close, in a final embrace. As a young man, in the 1920s, Borges prowled the obscure barrios of Buenos Aires, seeking the company of <em>cuchilleros<\/em>, knife fighters, who represented to him a form of authentic <em>criollo<\/em> nativism that he wished to know and absorb.<\/p>\n<p><em>The Daggers of Jorge Luis Borges by <a href=\"http:\/\/www.nybooks.com\/articles\/archives\/2014\/jan\/09\/daggers-jorge-luis-borges\/?pagination=false\" target=\"_blank\">Michael Greenberg<\/a><\/em><\/p><\/blockquote>\n<p>\u2022 <a href=\"http:\/\/vimeo.com\/18230971\" target=\"_blank\"><em>The Junky&#8217;s Christmas<\/em><\/a> (1993): a seasonal tale from William Burroughs turned into a short animated film by Nick Donkin and Melodie McDaniel.<\/p>\n<p>\u2022 Mixes of the week: Secret Thirteen Mix 101 by <a href=\"http:\/\/secretthirteen.org\/secret-thirteen-mix-101-jan-jelinek\/\" target=\"_blank\">Jan Jelinek<\/a>, and <a href=\"http:\/\/theastronomicblur.wordpress.com\/2013\/12\/22\/the-conjurers-hexmas\/\" target=\"_blank\">The Conjuror&#8217;s Hexmas<\/a> by Seraphic Manta.<\/p>\n<p>\u2022 Meet the 92-year-old Egyptian [<a href=\"http:\/\/www.worldcrunch.com\/rss\/culture-society\/meet-amp-nbsp-the-92-year-old-egyptian-who-amp-nbsp-invented-electronic-music\/halim-el-dabh-electronic-music-composer-quot-wire-recorder-piece-quot-\/c3s14498\/\" target=\"_blank\">Halim El-Dabh<\/a>] who invented electronic music.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.homesandhues.com\/The-Mysterious-Lawn-Home-of-Frohnleiten-Austria\/\" target=\"_blank\">The Mysterious Lawn Home<\/a> of Frohnleiten, Austria.<\/p>\n<p>\u2022 <a href=\"http:\/\/inspir3d.net\/2012\/09\/13\/the-peacock-room-at-sammezzano-castle-in-italy\/\" target=\"_blank\">The Peacock Room<\/a> at Sammezzano Castle in Italy.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.flickr.com\/photos\/de_buurman\/sets\/72157639128179024\/with\/11610981166\/\" target=\"_blank\">The Quay Brothers&#8217; Universum<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.lrb.co.uk\/v36\/n01\/alan-bennett\/diary\" target=\"_blank\">Alan Bennett<\/a>&#8216;s diary for 2013.<\/p>\n<p>\u2022 <em><a href=\"http:\/\/www.youtube.com\/watch?v=DuDr8ozk_Gk\" target=\"_blank\">Butterfly<\/a><\/em> (1968) by Can | <em><a href=\"http:\/\/www.youtube.com\/watch?v=knbmKDUYDXc\" target=\"_blank\">Butterfly<\/a><\/em> (1974) by Herbie Hancock | <em><a href=\"http:\/\/www.youtube.com\/watch?v=SLqMtpidaNw\" target=\"_blank\">Butterfly<\/a><\/em> (1998) by Talvin Singh<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Chloromgonfus detectis, a dragonfly that can detect volatile pollutants.&#8221; A speculative insect by artist Vincent Fournier. \u2022 &#8220;&#8230;a modern taxonomist straddling a Wellsian time machine with the purpose of exploring the Cenozoic era&#8230;&#8221; Butterflies tied together Vladimir Nabokov\u2019s home, science, and writing, says Mary Ellen Hannibal. \u2022 More ghosts:\u00a0Kira Cochrane on the Victorian tradition of &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/29\/weekend-links-192\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 192&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,8,2,42,27,28,851,29,7,22,3,20,13,41],"tags":[1012,399,2271,5563,5569,3252,5518,5567,1483,5562,5561,5566,5564,4207,5565,5568,5570,5560,807,1190],"class_list":["post-14696","post","type-post","status-publish","format-standard","hentry","category-animation","category-architecture","category-art","category-books","category-borges","category-burroughs","category-drugs","category-electronica","category-film","category-horror","category-music","category-science-fiction","category-science","category-sculpture","tag-alan-bennett","tag-brothers-quay","tag-can-group","tag-daniel-barrow","tag-halim-el-dabh","tag-herbie-hancock","tag-jack-clayton","tag-jan-jelinek","tag-jorge-luis-borges","tag-kira-cochrane","tag-mary-ellen-hannibal","tag-melodie-mcdaniel","tag-michael-greenberg","tag-michael-newton","tag-nick-donkin","tag-seraphic-manta","tag-talvin-singh","tag-vincent-fournier","tag-vladimir-nabokov","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3P2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14696"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14696\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}