{"id":14657,"date":"2013-12-18T02:28:53","date_gmt":"2013-12-18T02:28:53","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14657"},"modified":"2013-12-18T02:34:17","modified_gmt":"2013-12-18T02:34:17","slug":"doctor-moreau-book-covers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/18\/doctor-moreau-book-covers\/","title":{"rendered":"Doctor Moreau book covers"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"moreau22.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau22.jpg\" \/><\/p>\n<p><em>William Heinemann (first edition, 1896).<\/em><\/p>\n<p>The inevitable book cover post. The examples here are among the better ones, Wells&#8217; novel having been blighted over the years by monstrosities as hideous as those that fall from Moreau&#8217;s vivisection table. That said, some early covers might be bad but they look like masterpieces next to some of the <a href=\"http:\/\/ecx.images-amazon.com\/images\/I\/5120aXS5ASL.jpg\" target=\"_blank\">fatuous offerings<\/a> from the current ebook bonanza. The novel has great illustration potential but few of the covers below seem to have given the matter much consideration. Bantam&#8217;s Rousseau painting would suit many other novels but doesn&#8217;t belong with this particular book. Even Penguin seem to have been confounded of late; their illustration of feline eyes peering through undergrowth could again be used on many other novels, while their most recent edition sports a maze design which doesn&#8217;t communicate anything of the book&#8217;s content to a curious reader.<\/p>\n<p>The one I like best of this selection is Cuchi White&#8217;s illustration for the 2001 Gallimard edition, a picture that does much to convey the novel&#8217;s disturbing blend of speculative fiction and outright horror.<\/p>\n<p><img decoding=\"async\" alt=\"moreau16.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau16.jpg\" \/><\/p>\n<p><em>Ace (1958).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau06.jpg\" \/><\/p>\n<p><em>Ballantine Books (1963).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau12.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau12.jpg\" \/><\/p>\n<p><em>Magnum Books (1968); illustration: Douglas Rosa.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"moreau18.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau18.jpg\" \/><\/p>\n<p><em>Berkley Highland (1970); illustration: Paul Lehr.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau17.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau17.jpg\" \/><\/p>\n<p><em>Bruna (1980); illustration: Karel Thole.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau20.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau20.jpg\" \/><\/p>\n<p><em>Pan (1985?); illustration: Bill Prosser.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau08.jpg\" \/><\/p>\n<p><em>JM Dent (1993); illustration: Haughton Forrest.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau11.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau11.jpg\" \/><\/p>\n<p><em>Bantam (1994); illustration: Henri Rousseau.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau21.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau21.jpg\" \/><\/p>\n<p><em>Easton Press (1995); illustration: Jeff Fisher.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau10.jpg\" \/><\/p>\n<p><em>Tor (1996).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau09.jpg\" \/><\/p>\n<p><em>Gallimard (2001); illustration: Cuchi White.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau07.jpg\" \/><\/p>\n<p><em>Phoenix (2004).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau13.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau13.jpg\" \/><\/p>\n<p><em>Penguin (no date).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau15.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau15.jpg\" \/><\/p>\n<p><em>Penguin (2005); illustration: Kate Gibb.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau19.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau19.jpg\" \/><\/p>\n<p><em>Gollancz (2010); illustration: Dominic Harman.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"moreau14.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2013\/12\/moreau14.jpg\" \/><\/p>\n<p><em>Penguin (2012).<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-book-covers-archive\/\">The book covers archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/17\/the-island-of-doctor-moreau\/\">The Island of Doctor Moreau<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/16\/harry-willock-book-covers\/\">Harry Willock book covers<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/12\/31\/the-time-machine\/\">The Time Machine<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2012\/12\/19\/the-magic-shop-by-hg-wells\/\">The Magic Shop by HG Wells<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/12\/14\/hg-wells-in-classics-illustrated\/\">HG Wells in Classics Illustrated<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/10\/30\/the-night-that-panicked-america\/\">The night that panicked America<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/12\/the-door-in-the-wall\/\">The Door in the Wall<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/08\/18\/war-of-the-worlds-book-covers\/\">War of the Worlds book covers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>William Heinemann (first edition, 1896). The inevitable book cover post. The examples here are among the better ones, Wells&#8217; novel having been blighted over the years by monstrosities as hideous as those that fall from Moreau&#8217;s vivisection table. That said, some early covers might be bad but they look like masterpieces next to some of &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/18\/doctor-moreau-book-covers\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Doctor Moreau book covers&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,22,48,20],"tags":[5505,264],"class_list":["post-14657","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-horror","category-illustrators","category-science-fiction","tag-harry-willock","tag-hg-wells"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3Op","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14657"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14657\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}