{"id":14655,"date":"2013-12-22T01:14:49","date_gmt":"2013-12-22T01:14:49","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=14655"},"modified":"2013-12-22T01:14:49","modified_gmt":"2013-12-22T01:14:49","slug":"weekend-links-191","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/12\/22\/weekend-links-191\/","title":{"rendered":"Weekend links 191"},"content":{"rendered":"

\"strongowski.jpg\"<\/a><\/p>\n

Two cover designs from Eliash Strongowski’s 30 Days\u201430 Covers<\/a> project.<\/em><\/p>\n

My thanks once again to Dennis Cooper for placing this blog on his end-of-year lists<\/a>. Meanwhile. one of the albums I designed earlier this year, Cold Mission<\/em> by Logos<\/a>, made the 30 Best Album Covers of 2013<\/a> list at FACT.<\/p>\n

\u2022 “Many of their more outlandish ideas never saw fruition: an organ powered by an entire factory, an electro-acoustic orchestra mounted on a fleet of airplanes.” Colin McSwiggen<\/a> reviews Sound in Z: Experiments in Sound and Electronic Music in Early 20th Century Russia<\/em> by Andrey Smirnov.<\/p>\n

\u2022 Queer Pagan Punk<\/em><\/a>, a major film retrospective of the work of Derek Jarman, will take place in February and March 2014 at the BFI Southbank, London.<\/p>\n

\u2022 “For over forty years, Iain Sinclair\u2019s work has combined obsessive myth-making with urban despair. But what do we know about him?” asks Fatema Ahmed<\/a>.<\/p>\n

\u2022 “Rather than trying to intercept alien communications, perhaps we should go looking for alien artefacts<\/a>.”<\/p>\n

\u2022 Mix of the week: Radio Belbury Programme 12<\/a>, and Winter Hours<\/em><\/a>, the Cafe Kaput 2013 winter mix.<\/p>\n

\u2022 BEEP BEEP. BLOOP BLEEP<\/a>: Road Runner cartoons soundtracked by a Eurorack synthesizer.<\/p>\n

\u2022 Historia Discordia<\/a>: Documenting the Origins, History & Chaos of the Discordian Society.<\/p>\n

\"gebbie.jpg\"<\/p>\n

Pink Boy by Melinda Gebbie<\/a>.<\/em><\/p>\n

\u2022 Suffered From The Night: Queering Stoker\u2019s Dracula<\/em><\/a> edited by Steve Berman.<\/p>\n

\u2022 At Dangerous Minds: An interview with soundtrack composer Cliff Martinez<\/a>.<\/p>\n

\u2022 Sarah Schoenfeld<\/a> puts recreational drugs under the microscope.<\/p>\n

\u2022 Powerplant Art-d\u00e9co, a set of photos by Romain Veillon<\/a>.<\/p>\n

\u2022 Adrian Curry<\/a> chooses the best film posters of 2013.<\/p>\n

\u2022 Portent’s Content Idea Generator<\/a><\/p>\n

\u2022 Tarkovsky at Pinterest<\/a><\/p>\n

\u2022 The Sea Named Solaris<\/em><\/a> (1977) by Tomita | Is That What Everybody Wants?<\/em><\/a> (2002) by Cliff Martinez | Reyja<\/em><\/a> (2011) by Ben Frost & Dan\u00edel Bjarnason<\/p>\n","protected":false},"excerpt":{"rendered":"

Two cover designs from Eliash Strongowski’s 30 Days\u201430 Covers project. My thanks once again to Dennis Cooper for placing this blog on his end-of-year lists. Meanwhile. one of the albums I designed earlier this year, Cold Mission by Logos, made the 30 Best Album Covers of 2013 list at FACT. \u2022 “Many of their more … Continue reading “Weekend links 191”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,851,29,7,5,3,44,12,13,15],"tags":[5355,214,5524,2421,3517,1172,1612,2975,5523,3144,3109,511,977,5521,5525,218,5522,827,5323,5528,5527,5526,5529],"class_list":["post-14655","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-gay","category-music","category-painting","category-photography","category-science","category-technology","tag-adrian-curry","tag-andrei-tarkovsky","tag-andrey-smirnov","tag-ben-frost","tag-bfi","tag-bram-stoker","tag-cafe-kaput","tag-cliff-martinez","tag-colin-mcswiggen","tag-daniel-bjarnason","tag-dennis-cooper","tag-derek-jarman","tag-dracula","tag-eliash-strongowski","tag-fatema-ahmed","tag-iain-sinclair","tag-logos-musician","tag-melinda-gebbie","tag-radio-belbury","tag-romain-veillon","tag-sarah-schoenfeld","tag-steve-berman","tag-tomita"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-3On","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=14655"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/14655\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=14655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=14655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=14655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}